Degree | Type | Year |
---|---|---|
Sociocultural Gender Studies | FB | 1 |
You can view this information at the end of this document.
Students must have the necessary language knowledge to be able to express themselves correctly both in writing and orally.
This course aims to foster a critical reflection on how language and discourse contribute to the construction and production of gender. Its main goal is to examine language as a cultural, conventional, and evolving product that both shapes and is shaped by social practices and differences.
1. Introduction to Glottopolitics. Language as a space of social, political, and symbolic dispute.
2. Linguistic sexism, stereotypes, and gender roles in communication.
3. Debates and proposals for non-sexist language use. Subversion strategies.
4. Language and gender in literature and culture.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Lessons, seminars and supervised practice | 45 | 1.8 | |
Reading and analysis of texts | 45 | 1.8 | |
Type: Supervised | |||
Mandatory tutorials | 5 | 0.2 | |
Oral presentations and discussions | 55 | 2.2 |
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Critical essay | 30% | 0 | 0 | CM17, CM39, KM70, SM19, SM20, SM21, SM22 |
Oral presentation (team work) | 30% | 0 | 0 | CM17, CM39, KM70, SM19, SM20, SM21, SM22 |
Written exam | 40% | 0 | 0 | CM17, CM39, KM70, SM19, SM20, SM21, SM22 |
Continuous Assessment activities, description, and weighting of each component:
RESIT EXAM
To be eligible for the resit, students must have been previously assessed in a set of activities that account for at least two-thirds of the total grade (CONTINUOUS ASSESSMENT).
USE OF AI TOOLS
This subject allows the use of AI technologies exclusively for support tasks such as bibliographic or content-based searches, text correction or translations. In the case of subjects in a Modern Languages degree, use of translation must be specifically authorised by the teacher. Other specific situations may be contemplated, as deemedappropriate by the teacher. The student must clearly (i) identify which parts have been generated using AI technology; (ii) specify the tools used; and (iii) include a critical reflection on how these have influenced the process and final outcome of the activity.
OTHER CONSIDERATIONS
The final grade will be the average of the three assessed activities. A minimum average grade of 5 is required to pass the course. At the time of each assessment, the instructor will inform students of the procedureand the date for reviewing grades.
Students will receive a gradeof “Not assessable” if they have not submitted more than 30% of the assessed activities.
If a student commits any irregularity that may lead to a significant alteration of the grade in an assessment activity, that activity will receive a grade of 0, regardless of any disciplinary proceedings that may follow. If multiple irregularities occur in different assessment activities of the same course, the final grade for the course will be 0.
A good command of the language, both oral and written, is required. Spelling and grammatical errors will negatively affect the final grade.
Anzaldúa, G. 2016. Borderlands/ La frontera. Madrid: Capitán Swing.
Beard, M. (2018). Mujeres y poder. Barcelona: Editorial Crítica.
Bengoechea Bartolomé, M. 2015. Lengua y género. Madrid: Síntesis.
Butler, J. (2004). Lenguaje, poder e identidad. Madrid: Editorial Síntesis.
Calero, M. A. (1999). Sexismo lingüístico: Análisis y propuestas ante la discriminación sexual en el lenguaje. Madrid: Narcea Ediciones.
Carbonell, N. y Torras, M.(1999). Feminismos literarios. Madrid: Arco Libros.
Cixous, H. (2001). La risa de la medusa: Ensayos sobre la escritura. Barcelona: Anthropos.
Fanon, F. (2009). Piel negra, máscaras blancas. Madrid: Akal.
Fernández, A. M. (2012). La violencia en el lenguaje o el lenguaje que violenta. Equidad de género y lenguaje. México: Ítaca Editorial / UAM.
Focault, M. (2022). El orden del discurso. Barcelona: Austral.
Foucault, M. (2007). «Método». En: Historia de la sexualidad 1. La voluntad de saber. México: Siglo XXI Editores.
García, P. (2019). “Spanish and Latin American women writers in the Literary Canon: A Paratextual Study of Anthologies of Fantastic Literature (1946-2016)”, Bulletin of Hispanic Studies, 96:6, pp. 575-594.
Golubov, N. (2015). El circuito de los signos: Una introducción a los estudios culturales. México D.F.: Bonilla Artigas Editores.
hooks, b. (2017). ¿Acaso no soy yo una mujer? Mujeres negras y feminismo. Bilbao: Consonni.
hooks, b. 2022. La respondona. Barcelona: Planeta.
Kiesling, S. (2019). Language, Gender and Sexuality: An Introduction. Londres/Nueva York: Routledge.
Morales, C. (2018). Lectura fácil. Barcelona: Anagrama.
Moure, T. 2021. Lingüística se escribe con A. La perspectiva de género en las ideas sobre lenguaje. Madrid: Catarata.
Perkins Gilman, C. (2023). El papel pintado amarillo. Barcelona: Alpha Decay.
Philips, S., Steele, S. y Tanz, C. (1999). Lengua, género y sexo desde una perspectiva comparada. Quito: Abya Ayala.
Preciado, P. B. (2019). Un apartamento en Urano: Crónicas del cruce. Barcelona: Anagrama.
Reyes, D. (2019). Cometierra. Madrid: Sigilo Editorial.
Sánchez, A. (2022). Fámulas. Barcelona: Anagrama.
Sau, V. (2000). Diccionario ideológico feminista. Vol.I, II i III. Barcelona: Icaria.
Segarra, M. (2021). Comunidades con acento. Barcelona: Icaria.
Sontag, S. 2008. La enfermedad y sus metáforas. El SIDA y sus metáforas. Madrid: Debolsillo.
Sosa, C. (2025). El viaje inútil. Barcelona: Andanzas.
Spivak, G. C. 2009. ¿Pueden hablar los subalternos? Barcelona: MACBA edicions.
Springora, V. (2020). El consentimiento. Barcelona: Lumen.
Stryker, S. (2025). Cuando hablan los monstruos. Bellaterra: Bellatera Edicions.
Tannen, D. (1996). Género y discurso. Barcelona: Editorial Paidós.
Valle, J. d. 2024. Lo político del lenguaje. Santiago de Chile: Verba Volant.
Woolf, V. (2025). Una habitación propia. Barcelona: Penguin Clássicos.
Just the usual software.
Please note that this information is provisional until 30 November 2025. You can check it through this link. To consult the language you will need to enter the CODE of the subject.
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PAUL) Classroom practices | 1 | Catalan/Spanish | first semester | morning-mixed |
(TE) Theory | 1 | Catalan/Spanish | first semester | morning-mixed |