This version of the course guide is provisional until the period for editing the new course guides ends.

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Digital Philology

Code: 106379 ECTS Credits: 6
2025/2026
Degree Type Year
Spanish Language and Literature OB 4
English and Spanish Studies OT 3
English and Spanish Studies OT 4

Contact

Name:
Ramon Valdes Gazquez
Email:
ramon.valdes.gazquez@uab.cat

Teachers

Gloria Clavería Nadal
Maria Jesus Machuca Ayuso
Lourdes Aguilar Cuevas
Natalia Terron Vinagre
Sonia Boadas Cabarrocas
Lucia Cotarelo Esteban
Alvaro Cuellar Gonzalez
Cristina Buenafuentes de la Mata
Rebeca Martín López

Teaching groups languages

You can view this information at the end of this document.


Prerequisites

By obtaining the minimum of credits in basic training subjects, students have demonstrated to have acquired the basic competences and they will be able to express themselves orally and in writing.

It is also expected that students know the general rules of submission of an academic work. However, students could apply the specific rules that the teacher of the subject may indicate to them, if they deem it necessary.


Objectives and Contextualisation

The specific and formative objectives of the subject are:

Know the foundations, history and principles of Digital Philology and contextualize it within the Digital Humanities.

Understand and imagine the possibilities of applying technology and the digital medium to the content and knowledge acquired around Language and Literature.

Approach the knowledge in a theoretical and practical way of the programs, websites, projects and lines of research of Digital Philology.

Develop communication skills with interdisciplinary teams.

Understand the need for humanistic and technological excellence in digital projects.


Competences

    Spanish Language and Literature
  • Act in one's own field of knowledge, assessing the social, economic and environmental impact.
  • Advise organisations and institutions on linguistic or literary issues.
  • Apply ethical academic principles to the processing of information.
  • Apply the techniques and methods of critical editing and digital processing to the analysis and treatment of written texts and multimedia files.
  • Demonstrate a normative knowledge of the Spanish language and a command of it in all its applications in the academic and professional spheres.
  • Identify the most significant periods, traditions, trends, authors and works in Spanish-language literature in their historical and social context.
  • Introduce changes in the methods and processes of the field of knowledge to provide innovative responses to the needs and demands of society.
  • Recognise the main theories, themes and genres of literature in the different Spanish-speaking countries.
  • Students must be capable of communicating information, ideas, problems and solutions to both specialised and non-specialised audiences.
  • Students must have and understand knowledge of an area of study built on the basis of general secondary education, and while it relies on some advanced textbooks it also includes some aspects coming from the forefront of its field of study.
  • Use digital tools and specific documentary sources to gather and organise information.
    English and Spanish Studies
  • Apply scientific ethical principles to information processing.
  • Apply the concepts, resources and methods acquired during the study of the English and Spanish language in a global, multilingual social context.
  • Carry out effective written work or oral presentations adapted to the appropriate register in different languages.
  • Critically analyse linguistic, literary and cultural production in English and Spanish, applying the techniques and methods of critical editing and digital processing.
  • Demonstrate a normative knowledge of the Spanish language and a command of it in all its applications in the academic and professional spheres.
  • Demonstrate skills for professional development in the fields of linguistic applications, teaching, and literary and cultural management in English and Spanish.
  • Demonstrate the ability to work autonomously and in teams in order to achieve the planned objectives in multicultural and interdisciplinary contexts.
  • Develop arguments applicable to the fields of literature, culture, literary theory, language and linguistics, in Spanish and English, and evaluate their academic relevance.
  • Innovate in the methods and processes of this area of knowledge in response to the needs and wishes of society.
  • Recognize the most significant periods, traditions, trends, authors and works of literature in English and Spanish languages in their historical and social context
  • Students can apply the knowledge to their own work or vocation in a professional manner and have the powers generally demonstrated by preparing and defending arguments and solving problems within their area of study.
  • Students must be capable of collecting and interpreting relevant data (usually within their area of study) in order to make statements that reflect social, scientific or ethical relevant issues.
  • Students must be capable of communicating information, ideas, problems and solutions to both specialised and non-specialised audiences.
  • Students must have and understand knowledge of an area of study built on the basis of general secondary education, and while it relies on some advanced textbooks it also includes some aspects coming from the forefront of its field of study.
  • Take account of social, economic and environmental impacts when operating within one's own area of knowledge.
  • Use digital tools and specific documentary sources to gather and organise information.

Learning Outcomes

  1. Acquire awareness of linguistic and cultural diversity for good editing work.
  2. Amend a text on scientific and methodological bases.
  3. Analyse a situation and identify points for improvement from a linguistic point of view.
  4. Apply and use digital media and instruments appropriate to the teaching of philological contents.
  5. Apply digital technology to the transcription and editing of texts.
  6. Apply the tools of literary theory to the analysis of a text.
  7. Be able to plan methodological strategies using ICT.
  8. Be aware of diastratic, diaphasic and diatopic linguistic variation, as well as different cultural contexts, in order to achieve good editing of texts.
  9. Become aware of the different legal contexts and respect for ethics and moral and copy rights related to the text.
  10. Carry out collaborative and social publishing.
  11. Conceive and develop new areas and strategies for scientific, cultural and heritage transfer to society.
  12. Convey relevant information about the textual tradition to both specialist and non-specialist audiences, using appropriate terminology and concepts.
  13. Critically analyse digital information, evaluate its purpose and relevance.
  14. Detect errors related to all levels of linguistic analysis.
  15. Develop skills in the use of digital tools from a linguistic point of view.
  16. Distinguish the literary sources of a text and its links with the Western tradition.
  17. Evaluate the possibilities of applying ICT to one's own research and study subjects.
  18. Extract data sources to obtain pedagogical material from different corpora and apply it to disciplines related to Spanish philology.
  19. Identify errors in a textual tradition.
  20. Identify how the management and dissemination of digital data can affect the linguistic context.
  21. Identify the ethical and legal implications of the new context of research, management and dissemination of data in the digital era.
  22. Identify the main themes, periods and stylistic features of a literary author.
  23. Identify the peculiarities and contribution of the Hispanic tradition in Textual Criticism studies.
  24. Identify the social, economic and environmental implications of academic-professional activities in the field of linguistic knowledge.
  25. Justify the process of transmission of a text, its arguments and conclusions.
  26. Learn about the different statistical tests related to parametric and non-parametric variables in philological analysis.
  27. Make literary predictions and inferences about the content of a text.
  28. Propose new methods and alternative solutions based on linguistic reasons.
  29. Propose new methods and alternative solutions that are reflected in the editorial projects created.
  30. Propose new methods and theoretical and practical approaches to critical editing.
  31. Propose publishing projects that enhance social, economic and environmental benefits.
  32. Recognise the main characteristics of a literary period and its aesthetic ideological programme.
  33. Relate and evaluate the relevance of linguistic variation in the transmission, transcription and edition of Hispanic texts.
  34. Solve the main problems related to the normative which may appear in a text.
  35. Suggest resources and methods from the Digital Humanities applied to textual analysis that facilitate the understanding of texts and their relationship with other literary texts.
  36. Suggest resources and methods from the Digital Humanities related to phonic, morphological and syntactic issues of the Spanish language.
  37. Use digital tools in a philological process of editing texts, from locating critical sources, to collation, transcription and documentation for the annotation and layout of the text.

Content

The initials of the responsible teacher are included in the program in parentheses at the end of each topic.

BLOCK I. Philology and digital humanities. History, principles and methods (RV)

BLOCK II. Markup languages and data structuring in texts: XML-TEI.

II.1. The digital critical edition (RV)

II.2. Corpus Linguistics: Design, Markup and Exploitation Possibilities (CB)

BLOCK III. Storage, classification, systematization and exploitation of data. Databases

III.1. Towards another literary historiography: database design and visualization. How to digitize a dictionary of Exile literature (LC)

III.2. The study of the Golden Age Theater through databases (SB)

III.3. The story of the 19th century. Design and update of a database (MA)

BLOCK IV. Digital technologies for data analysis and inferences

IV.1. Description, systematization, graphic representation, analysis and inferences of data (MJM)

IV.2. Computational techniques for text attribution and automatic transcription. Discovering comedies by Lope (AC)

IV.3. Artificial intelligence and literary heritage. Discovering Lope manuscripts (SB)

BLOCK V. Other allied technologies of Philology

V.1. Prosody, technology and society. The potential of video games (LA)

V.2. Spectral photography for the analysis of literary manuscripts. Revealing the creative process of Lope's theater: what did he write, what did he cross out, who participated? (SB)

V.3. Digital lexicography: some lines of development (GC and NT)


Activities and Methodology

Title Hours ECTS Learning Outcomes
Type: Directed      
Master classes and seminars 25 1 1, 13, 3, 6, 17, 11, 26, 14, 16, 2, 18, 27, 20, 19, 22, 21, 24, 23, 25, 30, 8, 9, 29, 28, 31, 32, 33, 7, 34, 35, 36, 12, 37
Type: Supervised      
Collective practical sessions 25 1 1, 13, 4, 15, 10, 7, 37
Type: Autonomous      
Preparation of a long theoretical essay or practical exercise 38 1.52 1, 13, 3, 6, 4, 5, 17, 11, 26, 15, 14, 16, 2, 18, 10, 27, 20, 19, 22, 21, 24, 23, 25, 30, 8, 9, 29, 28, 31, 32, 33, 7, 34, 35, 36, 12, 37
Preparation of a short practical exercise 28 1.12 1, 13, 4, 15, 10, 7, 37
Preparation of a short theoretical essay exercise 28 1.12 3, 6, 5, 17, 11, 26, 14, 16, 2, 18, 27, 20, 19, 22, 21, 24, 23, 25, 30, 8, 9, 29, 28, 31, 32, 33, 34, 35, 36, 12

The student's learning of this subject is distributed as follows:

· Directed activities. These activities involve master classes that occupy approximately 50%, combining theoretical explanation with the discussion of all types of cases of practical digital solutions to philological problems.

· Supervised activities. It involves carrying out practical exercises in the classroom.

· Autonomous activities. These activities include both the time dedicated to personal study and the completion of reviews, theoretical and practical work, among which the preparation of files and digital products should be considered.

· Evaluation activities. The evaluation of the subject will be carried out through written evidence and also, in a minimum percentage of 40%, of digital products or evidence of a practical nature defined by the teachers.

Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.


Assessment

Continous Assessment Activities

Title Weighting Hours ECTS Learning Outcomes
Long theoretical or practical exercise or essay. 40% 2 0.08 1, 13, 3, 6, 4, 5, 17, 11, 26, 15, 14, 16, 2, 18, 10, 27, 20, 19, 22, 21, 24, 23, 25, 30, 8, 9, 29, 28, 31, 32, 33, 7, 34, 35, 36, 12, 37
Portfolio: a set of short exercises proposed in class by the teaching staff for immediate submission (at least one per teacher) 30% 2 0.08 1, 13, 3, 6, 4, 5, 17, 11, 26, 15, 14, 16, 2, 18, 10, 27, 20, 19, 22, 21, 24, 23, 25, 30, 8, 9, 29, 28, 31, 32, 33, 7, 34, 35, 36, 12, 37
Short exercise 30% 2 0.08 1, 13, 3, 6, 5, 17, 11, 26, 14, 16, 2, 18, 10, 27, 20, 19, 22, 21, 24, 23, 25, 30, 8, 9, 29, 28, 31, 32, 33, 7, 34, 35, 36, 12, 37

EVALUATION

The assessment will be carried out through three activities: 1) a portfolio, 2) a short exercise or task, and 3) a long theoretical or practical exercise or course work.

PORTFOLIO (30%)

The PORTFOLIO will consist of a set of short, simple, quick-fix exercises suggested by the instructor for immediate completion at the end of the class, based on the content. At least one per instructor and class. Each exercise will be graded, and the portfolio grade will be the average of all exercises; this grade cannot be recovered. 

SHORT EXERCISE (30%) AND LONG EXERCISE (OR COURSE WORK, 40%)
The teachers’ team provide, through the Virtual Campus, a list of possible short or long exercises, and students may also propose assignments in agreement with the supervisor and the teachers. Each student may choose the subject and the professor to whom they will submit their assessment tests. They must choose at least two different professors (both short and long exercises cannot be submitted to a same professor). The professor responsible for the subject will verify compliance with these requirements on all students' submissions.
 
Theoretical evidences. These may include current state-of-the-art research on digital philology topics (general philology, Spanish, language, literature, or digital humanities, and specific aspects covered in class, such as philological databases, digital critical editions, linguistics corpora, lexicography, etc.), summaries and reviews of bibliographies on Digital Humanities or Digital Philology (recent publications are preferred, although other possibilities will beconsidered; they can be about books or websites from the bibliography or webography includedin this teaching guide), mature proposals for digital projects (with a state of the art, existing resources and a development proposal with all the implications of a digital project, from the purely philological to the practical aspects of applications, technologies or computer languages to be used, to the legal aspects of dissemination; due to its complexity, this theoretical evidence is reserved for submission as "course work").
 
Practical evidences. Elaboración, análisis y procesamiento digital de datos: los profesores propondrán diferentes retos y tareas de carácter práctico relacionadas con sus explicaciones en clase. Así, podrán entregarse, por ejemplo, archivos XML con marcaje TEI de textos literarios o lingüísticos, archivos en formato EXCEL o los formatos determinados por el profesorado para la alimentación de bases de datos, análisis estadísticos, pruebas de geolocalización y elaboración de diagramas de redes de sociabilidad, etc.
 
SUBMISSION DEADLINES: All students must submit at least one short assignment in November and the longer assignment or final project by the same deadline, in January. Exceptionally, and in a reasoned manner, in agreement with the teacher and the person in charge of the course, students may submit their coursework earlier than any of the established deadlines, but must complete all submissions by the last day of class.

After the grades for each exercise are submitted, the teaching team will suggest a date for the students to review the tests/grades.

To pass the course, a student must obtain an average of 5 based on the weighting of the various assessment activities. If the average of the submitted tests is less than 5, and at least 3.5, the studentwill be eligible to retake the failed sections (except for the portfolio). From the second submission, the student will be eligible to retake the various pieces of evidence. Assessment activities in which plagiarism or other irregularities have occurred will not be retaken.

SINGLE ASSESSMENT
This subject does not incorporate single assessment
 
PLAGIARISM and OTHER IRREGULARITIES
In the event of a student committing any irregularity that may lead to a significant variation in the grade awarded to an assessment activity, the student will be given a zero for this activity, regardless of any disciplinary process that may take place. In the event of several irregularities in assessment activities of the same subject, the student will be given a zero as the final grade for this subject. 
 
NOT ASSESSTED/NOT SUBMITTED
Students will obtain a Not assessed/Not submitted course grade unless they have submitted more than 30% of the assessment items.
 
ARTIFICIAL INTELIGENCE USE
In this course, the use of Artificial Intelligence (AI) technologies is permitted as an integral part of the work, provided the instructor so specifies in their proposed exercises and the final result reflects a significant contribution from the student in terms of analysis and personal reflection. In their proposed short or long exercises, instructors may specify and restrict the use of artificial intelligence.
In the case of using AI, students must: (i) identify which parts were generated with AI; (ii) specify the toolsused; and (iii) include a critical reflection on how these influenced the process and the final result of the activity.
Lack of transparency in the use of AI in this evaluable activity will be considered a lack of academic honesty and will result in the activity receiving a 0 grade that cannot be recovered, or in more serious cases, with greater sanctions.

 


Bibliography

Águila Escobar, Gonzalo, Los diccionarios electrónicos del español, Arco/Libros, Madrid, 2009.

Aibar Puentes, Eduard, “La transformación neoliberal de la ciencia: el caso de las Humanidades Digitales” ArtefaCToS Revista de estudios sobre la ciencia y la tecnología, VII (2018), pp. 13-28. < https://doi.org/10.14201/art2018711328 >.

Alvite, María Luisa y Antonio Rojas Castro, “Ediciones digitales académicas: concepto, estándares de calidad y software de publicación”, Profesional de la información, XXXI (2022), pp. 1-19. < https://doi.org/10.3145/epi.2022.mar.16 >.

Amores, Montserrat, "El buscador de GICES XIX, herramienta digital sobre el cuento español del siglo XIX", en Humanidades Digitales: desafíos, logros y perspectivas de futuro, Sagrario López Poza y Nieves Pena Sueiro (editoras), Janus [en línea], Anexo 1 (2014), 79-85. < https://www.janusdigital.es/anexos/contribucion.htm?id=8 >.

Bazzaco, Stefano, "El reconocimiento automático de textos en letra gótica del Siglo de Oro: creación de un modelo HTR basado en libros de caballerías del siglo XVI en la plataforma Transkribus", Janus: estudios sobre el Siglo de Oro, 9, 2020, pp. 534-561. <http://hdl.handle.net/2183/27389>.

Boadas, Sònia, "Techniques and Instruments for Studying the Autograph Manuscripts of Lope de Vega”, Hipogrifo, 8.2 (2020), pp. 509-531. < https://doi.org/10.13035/H.2020.08.02.30 >. 

Buenafuentes, Cristina y Carlos Sánchez Lancis, "The Corpus del español del siglo XXI (CORPES XXI): A tool for the study of syntactic variation in Spanish", en Cerrudo, A.; Gallego, Á. y Roca, F. (eds.), Syntactic Geolectal Variation: Traditional approaches, current challenges and new tools, Amsterdam, John Benjamins, 2021, pp. 319-346. Disponible en < https://ddd.uab.cat/record/288323?ln=ca >.

Cabedo Nebot, A., “Estudio de la fonología/fonética española mediante corpus”, en Lingüística de corpus en español/The Routledge Handbook of Spanish Corpus Linguistics, Routledge, Oxon – Nueva York, 2022, pp. 123-136.

Canet, José Luis, “Reflexiones sobre las humanidades digitales”, en Humanidades Digitales: desafíos, logros y perspectivas de futuro, Sagrario López Poza y Nieves Pena Sueiro (editoras), Janus [en línea], Anexo 1 (2014), pp. 11-20, <http://www.janusdigital.es/anexos/contribucion.htm?id=4>.

Claveria, Glòria, Filología en internet, Servei de Publicacions de la Universitat Autònoma de Barcelona, Bellaterra, 2002.

Corominas, Joan, y José Antonio Pascual, Diccionario crítico etimológico castellano e hispánico, Gredos, Madrid, 1980-1991. Versión en CD-ROM, 2012.

Corrales Astorgano, M., Entrenamiento de la prosodia en personas con síndrome de Down mediante el uso de un videojuego educativo, tesis doctoral presentada en la Universidad de Valladolid, Valladolid, 2019.

Cuéllar, Álvaro, "La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales", Hipogrifo. Revista de literatura y cultura del Siglo de Oro, vol. 11, núm. 1, (2023), pp. 101-115. <https://doi.org/10.13035/H.2023.11.01.08>.

Eder, Maciej, Jan Rybicki y Mike Kestemont, "Stylometry with R: a package for computational text analysis", The R Journal, 8.1 (2016).

Faulhaber, Charles B., «Hispanismo e Informática», Incipit, 6 (1986), pp. 157-184.

Huete García, Ángel, Introducción a la teoría de las funciones lexicográficas, Arco/Libros, Madrid, 2023.

Kroll, Simon, «Filología digital para el estudio de la cultura y literatura del Siglo de Oro (2014-2017)», Etiópicas. Revista de Letras renacentistas, 15 (2019), pp. 1-21, <http://www.uhu.es/revista. etiopicas/num/15/aiso_1.pdf>.

López-Gómez, S., Rodríguez-Rodríguez, J., Vidal-Esteve, M. I., & Castro-Rodríguez, M. M., “Contribuciones y efectos de los videojuegos en la atención a la diversidad”, Revista colombiana de educación, 84 (2022), 1-25. < https://doi.org/10.17227/rce.num84-12742 >.

López Poza, Sagrario, “Humanistas y Humanidades Digitales. Trayectoria y proyección en la Filología española”, en Humanidades y Humanismo. Homenaje a María Pilar Cuartero, Aurora Egido et al. (eds.), Institución Fernando el Católico, Zaragoza, 2019, pp. 125-159.

López Poza, Sagrario, "Incidencia de las tecnologías digitales en la investigación en Literatura española del Siglo de Oro", Philologia Hispalensis, XXXVIII (2024), pp. 21–40. https://doi.org/10.12795/PH.2024.v38.i02.01

Marcos Marín, Francisco, Informática y Humanidades, Editorial Gredos, Madrid, 1994.

Marcos Marín, Francisco, "Serán ceniza, más tendrán sentido: orígenes de las humanidades digitales en España", en Humanidades Digitales y Patrimonio Cultural: proyectos y tendencias, coord. por Anna Isabel Peirats y José Antonio Calvo, Editorial Tirant lo Blanch, Valencia, 2023, pp. 13-34.

Priani, Ernesto, Paul Spence, Isabel Gallina, Elena González-Blanco, Daniel Alves, "Las humanidades digitales en español y portugués. Un estudio de caso: DíaHD/DiaHD", Anuario americanista europeo, XII, (2014) (Ejemplar dedicado a: Ciencias sociales y humanidades digitales en los estudios latinoamericanos).

Ribao Pereira, Montserrat, Fuentes para el estudio de la literatura española de los siglos XVIII y XIX. Herramientas electrónicas específicas, Vigo, Universida de Vigo-Servizo de Publicacións, 2011. 

Rojo, Guillermo, Introducción a la lingüística de corpus en español, New York, Routledge, 2021. Disponible en e-book en el catálogo de la UAB.

Romero López, Dolores, “Archivos, repositoriosy bibliotecas digitales: hacia unahistoria digital de la Edad de Plata”, UNED. Revista Signa, 30 (2021), pp. 17-30. < https://revistas.uned.es/index.php/signa/article/view/29296 >.

Serna-Rodrigo, Rocío, “Posibilidades de los videojuegos no serios para el aprendizaje formal de la lengua y la literatura”, Edmetic 9.1 (2020), pp. 104-125. < https://doi.org/10.21071/edmetic.v9i1.12245 >.

Soler, Juan Cerezo, y José Calvo Tello. "Autoría y estilo. Una atribucióncervantina desde las humanidades digitales. El caso de La conquista de Jerusalén", Anales Cervantinos, vol. 51, 2019. p. 231-250.<https://doi.org/10.3989/anacervantinos.2019.011>.

Tarp, Sven, "El diccionario del futuro", en Leonel Ruiz Miyares et al., Actualizaciones en comunicación social, Círculo de Lingüística Aplicada, Santiago de Cuba, 2013, vol. 1: 304-308. Disponible en: https://pure.au.dk/portal/en/publications/el-diccionario-del-futuro.

Torner, Sergi, Paz Battaner e Irene Renau, Lexicografía hispánica, Londres y Nueva York: Routledge, Londres – Nueva York, 2023. Disponible en e-book en el catálogo de la UAB.

Torruella, Joan, Lingüística de corpus. Génesis y bases metodológicas de los corpus (históricos) para la investigación científica, Frankfurt am Main, Peter Lang, 2017. Disponible en e-book en el catálogo de la UAB.

Toscano, Maurizio, et al., "Evolución y escenario actual de las Humanidades Digitales en España", en Digital Humanities 2020 Conference, 2020, <http://dx.doi.org/10.17613/667h-ha62>.

Valdés Gázquez, Ramón, “Porla dignidad del texto. El teatro del Siglo de Oro y de Lope de Vega en la red. Principios ecdóticos y de Humanidades Digitales”, Editar el Siglo de Oro en la era digital (ed. Susanna Allés y Eugenia Fosalba), Servei de Publicacions de la Universitat Autònoma de Barcelona, Bellaterra, 2024, p. 71-108. Disponible en: < https://ddd.uab.cat/record/291946?ln=ca >.

WEBGRAFÍA

Artelope. Base de datos y argumentos de Lope de Vega, 23/06/24, < https://artelope.uv.es/ >.

Auteso. Autógrafos teatrales del Siglo de Oro,23/06/24, < https://theatheor-fe.netseven.it/ >.

Authorial London. The City in the Lives and Works of its Writers, 23/06/2024, < https://authorial.stanford.edu >.

Biblioteca digital PROLOPE, 23/06/2024, < https://bibdigitalprolope.com >. 

Bibliografía de Escritoras Españolas (BIESES), 23/06/2024, < https://www.bieses.net/ >.

Celia en la revolución, 23/06/2024, < https://www.madrid.org/celia-revolucion/ >.

Corpus de referencia del español actual (CREA), 25-06-2024, <http://corpus.rae.es/creanet.html>.

Corpus del Nuevo Diccionario Histórico del Español (CDH), 25-06-2024, <http://web.frl.es/CNDHE>.

Corpus del Español del Siglo XXI (CORPES XXI), 25-06-2024, <http://web.frl.es/CORPES>.

Corpus diacrónico del español (CORDE), 25-06-2024, <http://corpus.rae.es/cordenet.html>.

Corpus oral y sonoro del español rural (COSER), 25-06-2024, <http://www.corpusrural.es>.

Corpus de documentos Españoles Anteriores a 1900 (CODEA), 25-06-2024, <https://www.corpuscodea.es>.

Debates in Digital Humanities, 25/06/2024, < https://dhdebates.gc.cuny.edu/ >.

Diccionario histórico de la lengua española, 27/06/2024, < https://www.rae.es/dhle/ >.

e-DRAE 1884, 25/06/2024, < https://edrae1884.uab.cat/ >.

Estilometría aplicada al Teatro del Siglo de Oro (ETSO), 25/06/2024, < https://etso.es/ >.

E-xiliad@s, 26/06/2024, < https://exiliadosrepublicanos.info/en/project >.

GICES XIX. El cuento en la prensa españoladel siglo XIX, 25/06/2024, < https://gicesxix.uab.cat/ >.

Hercios. Prosodia y léxico online (Domenico Baglioni), 25/06/2024, < https://prosodiaylexico.online/home/ >.

Lemateca del DRAE, 27/06/2024, < http://lemateca.detede.cat/ >.

Lengua y literatura (Valeria Peralta), 25/06/2024, < https://mobbyt.com/videojuego/educativo/?Id=131542 >.

Lengua y literatura con videojuegos (M. Teresa Giménez Esteban), 25/06/2024, < https://redsocial.rededuca.net/lengua-y-literatura-con-videojuegos >.

Pradia: misterio enla ciudad, 25/06/2024, < https://videojocs.org/pradia_web/ >.

Old Spanish Textual Archive (OSTA), 25-06-2024, < http://osta.oldspanishtextualarchive.org >.

Transkribus, 25/06/2024, < https://www.transkribus.org/ >.

Videojocs i educació (Ferran Adell), 25/06/2024, < https://videojocs.org/vjedu/ >.


Software

Gephi (graphs): < https://gephi.org/ >.

Onodo (redes): < https://onodo.org/ >.

Oxygen (Editor XML): < https://www.oxygenxml.com/ >.

R (Lenguaje de programación): < https://www.r-project.org/ >.

RStudio (Entorno para R): < https://posit.co/download/rstudio-desktop/ >.

Stylo (Librería para R): < https://eadh.org/projects/stylo-r-package >.

Timemapper (cronologías, timelines y mapas): < https://timemapper.okfnlabs.org/ >.

Transkribus (Versión web): < https://www.transkribus.org/ >.

Visual Studio Code: < https://code.visualstudio.com/ >.

 

 


Groups and Languages

Please note that this information is provisional until 30 November 2025. You can check it through this link. To consult the language you will need to enter the CODE of the subject.

Name Group Language Semester Turn
(PAUL) Classroom practices 1 Spanish first semester morning-mixed
(TE) Theory 1 Spanish first semester morning-mixed