Degree | Type | Year |
---|---|---|
Spanish and Chinese Studies: Language, Literature and Culture | OT | 4 |
Spanish Language and Literature | OT | 3 |
Spanish Language and Literature | OT | 4 |
English Studies | OT | 3 |
English Studies | OT | 4 |
English and Catalan Studies | OT | 3 |
English and Catalan Studies | OT | 4 |
English and Spanish Studies | OT | 3 |
English and Spanish Studies | OT | 4 |
Catalan and Spanish Studies | OT | 3 |
Catalan and Spanish Studies | OT | 4 |
English and French Studies | OT | 0 |
English and French Studies | OT | 3 |
English and French Studies | OT | 4 |
You can view this information at the end of this document.
By obtaining the minimum of credits in basic training subjects, students have demonstrated to have acquired the basic competences and they will be able to express themselves orally and in writing. For this reason, any expression error that may be committed will lead to a score decrease in the final grade.
Activities, practical sessions and papers submitted in the course must be original and under no circumstances will the total or partial plagiarism of third-party materials published on any medium be admitted. Artificial Intelligence is forbidden. It is also expected that students know the general rules of submission of an academic work. However, students could apply the specific rules that the teacher of the subject may indicate to them, if they deem it necessary.
The subject intends:
1) to familiarize students with the notion of literary tradition and with the historical, geographical, cultural and ideological criteria that define the western, ancient and modern tradition (until 1800);
2) familiarize the students with the theoretical models and the practices that constitute the literary tradition;
3) familiarize students with a selection of works, authors and genres of some of the most representative traditions of ancient, medieval and modern Western literature through case studies;
4) improve the analytical and critical capacity of the students.
TOPICS
I. The study of literary tradition: approach to the notions of “tradition”, ‘canon’ and “rewriting”.
II. Lyric poetry
1. The first renaissance: the recovery of Ovid in the Latin poetry of the 12th century
2. From the troubadours to the urban lyric of the Dolce stil nuovo: Guinizelli, Dante, Cavalcanti
3. The book of lyric poetry: Petrarch's Canzoniere and modern subjectivity
4. Petrarch in the tradition, a case study: Ausiàs March the Spanish poetry of the 16th century
III. Epic and narrative
5. The evolution of medieval narrative and its genres: from the cantar de gesta to the novelle of Decameron
6. Medieval narrative and themes. Case study: the catabasis, tales of journeys to the Other World
7. The hagiographic pattern: the Flos sanctorum and its narrative and cultural influence
8. Towards the modern European novel: satire, dialogism and photographic realism
READINGS
ANÓNIMO, Cançoner de Ripoll.
Martí de RIQUER, The troubadours: literaryhistory and texts.
Dante ALIGHIERI, New Life
Francesco PETRARCA, Canzoniere
Ausiàs MARCH, Poems
Giovanni BOCCACCIO, Decameron
Dante ALIGHIERI, Divine Comedy
Santiago de la VORÁGINE, The golden legend
Pedro de RIBADENEIRA & Alonso de VILLEGAS, Flos sanctorum
Francisco DELICADO, La lozana andaluza
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Lectures | 80 | 3.2 | |
Type: Supervised | |||
Presentations | 30 | 1.2 | |
Type: Autonomous | |||
Essay | 40 | 1.6 |
The course is divided into several units.
Each unit will last approximately two or three sessions. With the exception of the first one, a general introduction to the study of European literary tradition, each unit will study a major theme or genre of the Western literary and artistic tradition.Each block will count on a group of texts (or selection) of mandatory readings that the students must have read before attending the respective classes. The readings of each block will be analyzed by the teachers during the sessions in a generic framework that could allow the student to understand the particularity of a discourse or case within its tradition.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Exam 1-2 | 20% (exam 1), 20% (exam 2) | 0 | 0 | 1, 2, 6, 4, 5, 3, 13, 14, 15, 12, 11, 17, 16, 9, 10, 29, 22, 24, 21, 27 |
Short essay 1 (10%) and 2 (10%) | 10% - 10% | 0 | 0 | 2, 1, 4, 6, 5, 3, 7, 14, 13, 15, 12, 11, 26, 28, 16, 17, 10, 9, 25, 18, 29, 22, 21, 24, 8, 23, 19, 20, 27 |
Tests 1 and 2 | 20% - 20% | 0 | 0 | 7, 10, 9, 24 |
The aim is to make a global evaluation that allows to determine the competences of the students at different levels (assimilation of the contents seen in class, written expression, argumentative capacity, etc.).
The course will be evaluated on the basis of exams, comments and practicals. The latter may consist of a short essay, a text commentary or a review.
1) Exams 1 and 2: a partial exam of the first part of the course and an exam of the second part are foreseen. The tests will include: a) a text commentary on one of the compulsory readings b) a test with questions of synthesis and interpretation of the contents seen in class. In the correction, the ability to respond in a clear, orderly and relevant way to the question asked will be valued.
2) Tests 1 and 2: They will consist of short tests carried out in the classroom and will deal with (a) lectures related to the contents of the subject and accessible in written or digital format and (b) critical texts from the bibliography. In the correction of the practices, students' writing will be evaluated on a formal level (syntax, expression, vocabulary, etc.) and content (ideas, arguments, etc.).
3) Critical reviews 1 and 2: the student will submit an eminently theoretical review on the notion of “tradition”, ‘canon’ or “rewriting”. Students who so wish may arrange as many tutorials with the teacher as necessary to outline the approach to the topic of “tradition”, ‘canon’ or “rewriting”.
In case the student makes any irregularity that may lead to a significant variation in the grade of an evaluation act, this evaluation act will be graded with 0, regardless of the disciplinary process that may be instituted. In case of several irregularities in the evaluation acts of the samesubject, the final grade of this subject will be 0. That is to say, in no case will plagiarism (total or partial) or the use of Artificial Intelligence be admitted in any of the evaluation exercises.
The student will receive the grade of Not evaluable as long as he/she has not completed more than 30% of the evaluation activities.
At the time of each evaluation activity, the teacher will inform the student of the procedure and the date of review of the grades. In the case of a non-positive evaluation, the student may make new deliveries (work, commentary) and extraordinary tests that will have the same level of difficulty and the same typology as the ordinary tests. Only those students who have submitted at least one of the two final exams will be eligible for the re-evaluation of the subject, and only those exams that have been previously evaluated may be re-evaluated, provided that a minimum grade of 3 points in the average of the subject.
Single evaluation
Students who so wish may take a single evaluation, which will consist of (1) an exam with theoretical questions and text commentary (40%), (2) a test demonstrating the reading of critical texts dealt with in class (40%) and (3) a review of critical texts (40%), and (4) a review of the text of the text (40%). In case of not achieving the competencies of any of the two blocks, the student will have to take the ordinary recovery exam if there are no circumstances that prevent him/her from doing so. If this is the case, the student will have to communicate it at least two weeks in advance so that the teacher can find an alternative date.
Bibliografía
Lecturas obligatorias:
Acuña, Hernando de. Varias poesías. Ed. de Luis F. Díaz Larios. Madrid: Cátedra, 1982. (Selección de fragmentos)
Boscán, Juan. Obra completa. Ed. de Carlos Clavería. Madrid: Cátedra, 1999. (Selección de fragmentos)
Cançoner de Ripoll. Trad. de Jordi Raventós. Martorell: Adesiaria, 2010.
Boccaccio, Decameró. Trad. de Francesc Vallverdú. Barcelona: Edicions 62, 2014. (Selección de fragmentos)
Dante, Comedia, ed. y trad. de José María Micó, Barcelona, Acantilado, 2018. (Selección de fragmentos)
Dante. Vida nova. Traducció de Rossend Arqués. Martorell: Adesiara, 2021. (Selección de fragmentos)
Dolce stil nuovo. Ed. de Ramon Masoliver. Barcelona: Seix Barral, 1983. (Selección de fragmentos)
March, Ausiàs. Poesies. Ed. de Pere Bohigas. Barcelona: Barcino, 2000. (Selección de fragmentos)
Moro, Tomás, Utopía, ed. y trad. de Pedro Rodríguez Santidrián, Madrid, Alianza Editorial, 2012. (Selección de fragmentos)
Ovidio. Amors. Trad. de Jordi Pérez Durà & Miquel Dolç. Barcelona: Bernat Metge, 1971.
Pérez de Oliva, Fernán, Diálogo de la dignidad del hombre, Razonamientos, Ejercicios, ed. de María Luisa Cerrón Puga, Madrid, Cátedra, 1995. (Selección de fragmentos)
Petrarca, Canzoniere. Ed. de Marco Santagata. Milà: Mondadori, 2000. (Selección de fragmentos)
Troyes, Chrétien de. El cuento del Graal. Madrid: Alianza Editorial, 1999.
Virgilio, Eneida, ed. de José Carlos Fernández Corte; trad. de Aurelio Espinosa, Madrid, Cátedra, 2006. (Libro VI)
Vega, Garcilaso de la. Obra poética y textos en prosa. Ed. de Bienvenido Morros. Barcelona, Crítica, 1995. (Selección de fragmentos)
Lecturas recomendadas:
Alfano, Giancarlo. Introduzione alle lettura del Decameron. Bari: Laterza, 2014.
Barbero, Alessandro, Dante, trad. de Marilena de Chiara, Barcelona, Acantilado, 2021.
Cappelli, Guido, El humanismo italiano: un capítulo de la cultura europea entre Petrarca y Valla, Madrid, Alianza Editorial, 2007.
Kraye, Jill (ed.), The Cambridge Companion to Renaissance Humanism, Cambridge University Press, 1996.
Lida de Malkiel, María Rosa, Dido en la literatura española: su retrato y defensa, Londres, Tamesis books, 1974.
Petrarca, Francesco, Mi secreto. Epístolas, ed. bilingüe de Rossend Arqués Corominas, trad. de Rossend Arqués Corominas y Anna Saurí, Madrid, Cátedra, 2011.
Rico, Francisco. El sueño del humanismo: De Petrarca a Erasmo, Barcelona, Crítica, 2014.
Rico, Francisco. El pequeño mundo del hombre: varia fortuna de una idea en la cultura española, Madrid, Alianza Editorial, 1986.
Ruiz-Ruano, Míriam. “Hernando de Acuña, casos de ‘imitatio’ de Ausiàs March en el petrarquismo hispánico del quinientos”, Caliope: journal of the Society for Renaissance and Baroque Hispanic Society, vol. 24 (1), 2019, p. 1-28.
Riquer, Martí de & José María Valverde. Historia de la literatura universal 1: desde los inicios hasta el Barroco. Barcelona: Austral, 2018.
Santagata, Marco, Dante. La novela de su vida, Madrid, Cátedra, Colección Biografías, 2018.
Skinner, Quentin, Los fundamentos del pensamiento político moderno, trad. de Juan José Utrilla, México, Fondo de Cultura Económica, 1985.
Tonelli, Natascia. Leggere il Canzoniere. Milà: Mondadori, 2017.
Vian Herrero, Ana; Vega, María José; Friedlein, Roger (eds.), Diálogo y censura en el siglo XVI (España y Portugal), Madrid, Iberoamericana Vervuert, 2016.
Virgilio, Bucólicas. Geórgicas. Apéndice virgiliano, introducción general, José Luis Vidal; trad., introd. y notas, Tomás de la Ascensión Recio García y Arturo Soler Ruiz, Madrid, Gredos, 1990.
V.V.A.A. Manifiestos del humanismo, trad. de María Morrás, Barcelona, Ediciones Península, 2000.
V.V.A.A. Diálogos españoles del Renacimiento, ed. e introd. Ana Vian Herrero, Madrid, Almuzara, Biblioteca de Literatura Universal, 2011.
None
Please note that this information is provisional until 30 November 2025. You can check it through this link. To consult the language you will need to enter the CODE of the subject.
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PAUL) Classroom practices | 1 | Catalan/Spanish | second semester | morning-mixed |
(TE) Theory | 1 | Catalan/Spanish | second semester | morning-mixed |