Degree | Type | Year |
---|---|---|
Catalan Philology: Literary Studies and Linguistics | OB | 2 |
English and Catalan Studies | OB | 2 |
Catalan and Spanish Studies | OB | 2 |
You can view this information at the end of this document.
None. Students of Filologia Catalana will have studied "Dels trobadors a Ramon Muntaner".
This course is (the second part of) an introduction to the history of medieval Catalan literature within its European backdrop. Students will also be introduced into the practice of reading and interpreting medieval Catalan texts, including works by authors who had a Latin background.
At the end of the course, students are expected (a) to have a general knowledge of all the relevant authors and genres, (b) to be able to comment on any of the works included in the syllabus, (c) to write short essays on any of them, and (d) to be able to analyze in detail an aspect of one of the major works.
This course leads to special subjects (medieval poetry and prose) that are offered in years 3 and 4 of the degree.
1. Literary culture in the reigns of Peter III and his sons John I and Martin I (1337-1410). Friars and scholars in the Crown of Aragon. Royal patronage and translations. Historiography at the court of Peter III. Antoni Canals and other university-trained friars (Francesc Eiximenis, Vicent Ferrer, Anselm Turmeda).
2. Bernat Metge (1350-1413). Education and Latin background. The Llibre de Fortuna i Prudència (1381). Close reading of Metge's Lo somni (1399): date and political context; literary sources; structure and themes; meaning and intention.
3. The age of the Trastamara dinasty (1412-79). Overview of 15th-century poetry: Jordi de Sant Jordi and Ausiàs March.
4. Overview of chivalric and sentimental prose: Joanot Martorell's Tirant lo Blanc, Joan Roís de Corella's mythological works, Jaume Roig's Espill, and Isabel de Villena's Vita Christi.
5. Close reading of Curial e Güelfa (1440s): date and cultural context; the author's culture; literary sources: troubadour tradition and chronicles, 15th-century chivalry, classical and Italian culture; interpretation.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Lectures | 20 | 0.8 | 27, 3, 10, 12, 13, 20, 21, 6, 39, 15 |
Seminars (reading and debating) | 20 | 0.8 | 27, 3, 10, 12, 33, 13, 17, 20, 21, 6, 39, 15 |
Type: Supervised | |||
Flipped class | 3 | 0.12 | 4, 3, 28, 16, 21, 5, 7, 6, 25, 24, 26, 39, 29, 32, 34, 37 |
Oral presentation of a textual commentary | 3 | 0.12 | 27, 41, 3, 10, 12, 28, 31, 33, 13, 17, 20, 21, 6, 39, 15, 32, 46, 42 |
Type: Autonomous | |||
Research (bibliography), study and use of the Campus Virtual | 20 | 0.8 | 27, 41, 3, 10, 12, 13, 20, 21, 6, 15, 42 |
Students' own reading of selected texts | 50 | 2 | 3, 10, 13, 21, 6, 15 |
Lectures will provide students with the historical context of some of the major works of medieval Catalan literature (1399-1490). Classroom seminars are aimed at improving reading skills through the analysis of both the language and the literary contents of medium-sized texts. The students' oral presentations of one of such texts are meant to promote debate in the classroom. Essays will be guided and chosen to foster in-depth comprehension of a major Catalan work and its relationship with the classical tradition.
The calendar will be available on the first day of class. Students will find all information on the Virtual Campus: the description of the activities, teaching materials, and any necessary information for the proper follow-up of the subject.
In case of a change of teaching modality for health reasons, teachers will make readjustments in the schedule and methodologies.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Activities | 15% | 10 | 0.4 | 27, 36, 1, 2, 41, 4, 3, 9, 8, 28, 33, 20, 23, 18, 21, 5, 7, 6, 26, 39, 29, 15, 40, 32, 46, 43, 42 |
Essay writing | 25% | 20 | 0.8 | 27, 36, 1, 41, 2, 4, 3, 8, 9, 10, 12, 28, 30, 11, 31, 33, 13, 14, 35, 16, 23, 18, 20, 21, 5, 7, 6, 25, 24, 15, 40, 32, 34, 37, 38, 45, 44, 43, 42 |
Final exam | 40% | 2 | 0.08 | 27, 36, 4, 3, 8, 9, 10, 12, 28, 30, 11, 31, 33, 13, 16, 22, 19, 17, 23, 18, 20, 21, 5, 7, 6, 25, 24, 40, 15, 32, 34, 37, 38, 46 |
Mid-course test | 20% | 2 | 0.08 | 4, 3, 8, 9, 10, 12, 28, 30, 11, 31, 13, 14, 16, 17, 19, 22, 23, 20, 18, 21, 5, 7, 6, 25, 24, 40, 15, 32, 34, 37, 38, 45, 44, 46 |
Students will be assessed by means of (a) written exams, (b) individual essay, and (c) activities on translation and commentary. The final qualification will result from the following proportion: (a) 40% + 20%, (b) 25%, (c) 15%. All course assignments must be submitted in due time. Activities submitted after the deadline will result in a 0 mark for such item.
Students will receive (via Moddle) prior notice of the date and all relevant information concerning their right to review any assessment item with their teacher.
Submission of an essay and the written exam are required for assessment. The minimum mark to pass is 5. Failure to submit either of the two exercises will result in Not assessable.
Previous evaluation of the final exam and the writing essay, and a final mark between 3.5 and 4.9, are required to opt for reassessment. Reassessment may include a written exam and/or submitting again an essay which had not reached the pass mark. Students who pass the reassessment will obtain a 5.0 mark.
Any impropriety (such as plagiarism) that may be conducive to substantially alter the assessment of any item will result in a 0 mark for any such item, irrespectively of other disciplinary measures. Were such improper practices to take place repeatedly, the final mark for the subject concerned will be 0.
Non continuous assessment
The student opting for non continuous assessment will be assessed by means of a written essay (20%), a written exam (50%), a written literary commentary (20%) and an oral presentation (10%).
Submission of an essay and the written exam are required for assessment. The minimum mark to pass is 5. Failure to submit either of the two exercises will result in Not assessable.
The same reassessment method as in continuous assessment will be applied.
1. Basic bibliography
(a) Literary History
Badia, Lola (dir.), Història de la literatura catalana. Literatura medieval. Vol.I: Dels orígens al segle XIV. Vol. II: Segles XIV i XV. Vol. III: Segle XV (Barcelona: Enciclopèdia Catalana / Barcino / Ajuntament de Barcelona, 2013-2015).
Riquer, Martí de, Història de la literatura catalana: part antiga, 3 vols. (Barcelona: Ariel, 1964); també en 4 vols. (Barcelona: Planeta, 1984).
(b) General works
Badia, Lola, De Bernat Metge a Joan Roís de Corella. Estudis sobre la cultura literària de la tardor medieval catalana (Barcelona: Quaderns Crema, 1988).
Badia, Lola, Tradició i modernitat als segles XIV i XV. Estudis de cultura literària i lectures d'Ausiàs March (València / Barcelona: Institut Interuniversitari de Filologia Valenciana / Publicacions de l'Abadia de Montserrat, 1993).
Cabré, Lluís, Alejandro Coroleu, Albert Lloret, Montserrat Ferrer i Josep Pujol, The Classical Tradition in Medieval Catalan, 1300-1500: Translation, Imitation, and Literacy (Woodbridge: Tamesis, 2018).
2. Required readings
Metge, Bernat, Lo somni, dins Obra completa, ed. Lola Badia (Barcelona: Barcino, 2024).
Curial e Güelfa, ed. Lola Badia i Jaume Torró (Barcelona: Quaderns Crema, 2011), amb introducció i comentaris.
3. Additional bibliography
In addition to the corresponding chapters in the basic bibliography, this section offers a selection of editions and studies on the authors and works studied.
A més dels capítols corresponents de les històries de la literatura i els estudis de conjunt, podeuconsultar els següents estudis i edicions sobre els autors tractats al curs.
(a) Prosistes universitaris
Canals, Antoni, Scipió e Aníbal. De providència. De arra de ànima, ed. de Martí de Riquer (Barcelona: Barcino, 1935).
Eiximenis, Francesc, Llibres, mestres i sermons, ed. David Guixeras i Xavier Renedo, estudis introductoris de Xavier Renedo (Barcelona: Barcino, 2005).
Eiximenis, Francesc, Lo Crestià (selecció), ed. d'Albert Hauf (Barcelona: Eds. 62 / "la Caixa", 1983).
Ferrer, Sant Vicent, Sermons, versió a cura de Xavier Renedo i Lluís Cabré (Barcelona: Teide, 1993).
Martínez Romero, Tomàs, Aproximació als sermons de sant Vicent Ferrer (Paiporta: Denes, 2002).
Metge, Bernat, i Anselm Turmeda, Obres menors, ed. de Marçal Olivar (Barcelona: Barcino, 1927).
Mira, Joan F., Sant Vicent Ferrer: Vida i llegenda d'un predicador (Alzira: Bromera, 2002).
Sadurní, Martí, i Xavier Renedo (eds.), Francesc Eiximenis: Vida, obra i transmissió (Girona: Universitat de Girona, 2021).
Turmeda, Anselm, Disputa de l'ase, versió d'Albert Mestres i Marta Marfany (Barcelona: Barcino, 2013).
(b) Bernat Metge
Cabré, Lluís, Alejandro Coroleu i Jill Kraye (eds.), Fourteenth-Century Classicism: Petrarch and Bernat Metge (Londres / Torí: The Warburg Institute / Nino Aragno Editore, 2012).
Cingolani, Stefano M., El somni d'una cultura: "Lo somni" de Bernat Metge (Barcelona: Quaderns Crema, 2002).
Metge, Bernat, Llibre de Fortuna i Prudència, ed. crítica de Lluís Cabré (Barcelona: Barcino, 2010).
Riquer, Martí de, Obras de Bernat Metge (Barcelona: Universitat de Barcelona, 1959).
(c) Poesia del segle XV
Febrer, Andreu, Poesies, ed. Martí de Riquer (Barcelona: Barcino, 1951).
Jordi de sant Jordi, Poesies, ed. Aniello Fratta (Barcelona: Barcino, 2005).
March, Ausiàs, Poesies, ed. de Pere Bohigas, revisada per Amadeu-J. Soberanas i Noemí Espinàs (Barcelona: Barcino, 2005; 1a ed. en 5 vols. 1952-1959).
March, Ausiàs, Per haver d'amor vida. Antologia comentada, ed. de Francesc J. Gómez i Josep Pujol (Barcelona: Barcino, 2018; 1a ed. 2018).
Riquer, Martí de, i Lola Badia (ed.), Les poesies de Jordi de sant Jordi, cavaller valencià del segle XV (València: Tres i Quatre, 1984).
(d) Narrativa del segle XV
Martorell, Joanot, Tirant lo Blanc, edició, introducció i notes de Josep Pujol (Barcelona: Barcino, 2021).
Roig, Jaume, Espill, ed. d'Antònia Carré (Barcelona: Quaderns Crema, 2006).
Roís de Corella, Joan, "Tragèdia de Caldesa" i altres proses, ed. de Marina Gustà, pròleg de Francisco Rico (Barcelona: Eds. 62 / "la Caixa", 1980).
Roís de Corella, Joan, Rims i proses, ed. Tomàs Martínez (Barcelona: Edicions 62, 1994), "El Garbell".
Villena, Isabel de, Vita Christi, ed. Albert Hauf (Barcelona: Eds. 62 / "La Caixa", 1995).
4. Anthology of medieval Catalan texts
Web de Literatura Catalana Medieval (Campus Virtual) (texts, maps, pictures and music). Additional resources in the course folder in the Campus Virtual.
5. Links
For the study of medieval literature and culture, see <www.narpan.net>.
All the medieval Catalan poetry has been compiled in the Repertorio Informatizzato dell’Antica Letteratura Catalana (RIALC): <www.rialc.unina.it>
There is no specific software for this subject.
Please note that this information is provisional until 30 November 2025. You can check it through this link. To consult the language you will need to enter the CODE of the subject.
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PAUL) Classroom practices | 1 | Catalan | second semester | morning-mixed |
(TE) Theory | 1 | Catalan | second semester | morning-mixed |