History of Cinema
Code: 107550 ECTS Credits: 6| Degree | Type | Year |
|---|---|---|
| 2501928 Audiovisual Communication | OB | 2 |
Contact
- Name:
- Joaquin Puig Gonzalez
- Email:
- Joaquim.Puig.Gonzalez@uab.cat
Teachers
- Enrique Fibla Gutierrez
Teaching groups languages
You can view this information at the end of this document.
Prerequisites
For the subject of "Cinema History" no more prerequisites are necessary than the knowledge achieved up to the start of the second year of the degree.
Objectives and Contextualisation
The subject "History of cinema" is a basic introduction to the artistic criteria of movements
cinematographic as well as the techniques that have contributed to its development. It is also an explanation
of the historical evolution of cinema from its origins to the present day in all its facets
aesthetic, technological, institutional and social.
The subject has as educational objectives that the students have the ability to differentiate each one of them
stages of the evolution of cinema as well as the main and distinctive characteristics of the main movements
cinematographic
Learning Outcomes
- CM05 (Competence) To assess innovations in the historical investigation models of film, radio and television productions.
- CM05 (Competence) To assess innovations in the historical investigation models of film, radio and television productions.
- KM10 (Knowledge) To cite the main methods for analysing and interpreting film, radio and television productions.
- KM11 (Knowledge) To recognise the main aesthetic movements in film, radio and television productions and their social impact.
- KM12 (Knowledge) To link specific film, radio and television productions to the structural and technological factors that exist in the field of Audiovisual Communication.
- SM09 (Skill) To research historical and current developments in film, radio and television productions from a comparative perspective.
- SM10 (Skill) To classify any kind of source or document related to film, radio or television productions.
Content
Subject syllabus:
1. Presentation and work plan.
2. From pre-cinema to the Primitive Type of Representation.
3. From the Primitive Representation Type to the Institutional Representation Type.
4. The Vanguards.
5. Hollywood.
6. From the Type of Institutional Representation to the Type of Modern Representation: The New Cinemas.
7. New Hollywood, Postmodernity and Digitization.
Activities and Methodology
| Title | Hours | ECTS | Learning Outcomes |
|---|---|---|---|
| Type: Directed | |||
| Seminars | 1.5 | 0.06 | CM05, KM10, KM11, KM12, SM09, SM10 |
| Theoretical classes | 37.5 | 1.5 | CM05, KM10, KM11, KM12, SM09, SM10 |
| Type: Supervised | |||
| Tutorials | 7.5 | 0.3 | CM05, KM10, KM11, KM12, SM09, SM10 |
| Type: Autonomous | |||
| Autonomous work | 82.5 | 3.3 | CM05, KM10, KM11, KM12, SM09, SM10 |
The subject "History of cinema" is made up of theoretical classes, seminars and presentations and tutorials
Subject programming:
The detailed calendar with the content of the different sessions will be displayed on the day of the subject's presentation. It will also be posted on the Virtual Campus where people in the class will be able to find the detailed description of the exercises and practices, the different teaching materials and any information necessary for the proper monitoring of the subject. In the event of a change in teaching modality for health reasons, the teacher will inform of the changes that will occur in the programming of the subject and in the teaching methodologies.
Note: 15 minutes of a class will be reserved, within the calendar established by the center/degree, for the students to complete the surveys to evaluate the teaching staff's performance and evaluate the subject/module.
Enviar comentarios
Paneles laterales
Historial
Guardado
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Assessment
Continous Assessment Activities
| Title | Weighting | Hours | ECTS | Learning Outcomes |
|---|---|---|---|---|
| Autonomous work | 50% | 10.5 | 0.42 | CM05, KM10, KM11, KM12, SM09, SM10 |
| Seminars | 20% | 4.2 | 0.17 | CM05, KM10, KM11, KM12, SM09, SM10 |
| Theoretical test | 30% | 6.3 | 0.25 | CM05, KM10, KM11, KM12, SM09 |
CONTINUOUS ASSESSMENT ACTIVITIES:
The subject consists of the following continuous assessment activities:
- A work on a film from the list of the best films of the
cinema history according to the classification made by the publication "Sight & Sound" in the year 2022.
This activity accounts for 50% of the final grade
- A 20-minute group presentation on the chosen film.
This exhibition accounts for 20% of the final grade.
-A written test with notes taken in a group or individually, which accounts for 30% of the final grade.
Recovery system: Students who have suspended the presentation will be able to recover it whenever and wherever
grade obtained is equivalent to 20% of the final grade. In the case of seminars or work, note that
must be obtained to be able to opt for recovery must be 10% of the final grade
No activities are excluded from recovery. If the three activities have not been approved, the subject will be
suspended
Irregularities:
The student who commits any irregularity (copying, plagiarism, impersonation,...) that may lead to a
significant variation in the grade of an assessment act, this act will be graded with 0
of evaluation In case of several irregularities, the final mark of the subject will be 0
UNIQUE ASSESSMENT:
An individual work on a film from the list of the best films of the
film history according to the classification made by the publication "Sight & Sound" in the year 2022. This work accounts for 50% of the final grade
An individual written test with notes that will account for 30% of the final grade
An individual presentation of 20 minutes on the chosen film andwhich will account for 20% of the final grade
On the same day of the presentation, the work must be handed in and the test done.
Recovery system: Students who have suspended the presentation will be able to recover it whenever and wherever
grade obtained is equivalent to 20% of the final grade. In the case of seminars or work, note that
must be obtained to be able to opt for recovery must be 10% of the final grade
Irregularities:
The student who commits any irregularity (copying, plagiarism, impersonation,...) that may lead to a
significant variation in the grade of an assessment act, this act will be graded with 0
of evaluation In case of several irregularities, the final mark of the subject will be 0
Bibliography
Bibliographic references on the style:
Altman, Rick Los géneros cinematográficos, Barcelona, Ed. Paidós, 2000
Aumont Jacques, Bargala Alain., Marie Michel, Vernet Marc, La estética en el cine. Espacio fílmico, montaje,
narración y lenguaje, Barcelona Ed. Paidós, 1985
Burch, Noël El tragaluz del infinito. Contribución a la genealogía del lenguaje cinematográfico Madrid, Ed.
Catedra, 1987
Bordwell, David, Staiger Janet, Thompson, Kristin El cine clásico de Hollywood, Barcelona, Ed. Paidós, 1996
Bordwell, David El arte cinematográfico: una introducción, Paidós, Barcelona, 1995
Català, Josep Mª: Cerdán, Josetxo y Torreiro, Casimiro. Imagen, memoria y fascinación: notas sobre el
documental en España, Ocho y medio. Madrid,, 2001
Català, Josep. Mª. Pasión y conocimiento: el nuevo realismo melodramático, Cátedra, Madrid, 2009
Cerdán, Josetxo, Torreiro Casimiro Torreiro, (eds) Documental y vanguardia, Madrid, Ed. Cátedra 2005
Company, Juan Miguel y Marzal, Jose Javier: La mirada cautiva: formas de ver el cine contemporáneo,
Generalitat Valenciana, Valencia, 1999
Costa, Antonio Saber ver el cine, Paidós, Barcelona, 1991
Deleuze Gilles La imagen-movimiento. Estudios sobre cine 1Barcelona Ed. Paidós, 1994
Deleuze Gilles. La imagen-tiempo. Estudios sobre cine 2 Barcelona. Paidós, 2002
Nichols, Bill La representación de la realidad Barcelona, Paidós 1997
Quintana Ángel Fábulas de lo visible Barcelona, Acantilado, 2003
Riambau, Esteve Hollywood en la era digital. De Jurassic Park a Avatar. Madrid, Ed. Cátedra 2011-09-06
Sánchez Biosca, Vicente, Cine y vanguardias artísticas. Conflictos, encuentros, fronteras, Barcelona, Ed.
Paidós 2004
Bibliographic references on the technological context of production:
Aguilar, Carlos Guía del cine español, Anaya, Madrid, 2007
Caparrós Lera, José Mª Historia del cine español, T&B editorial, Madrid, 2007
Cousins, Mark Historia del cine, Blume, Barcelona, 2005
Dixon, Wheeler W. y Foster, Gwendolyne A. Breve historia del cine, Ma Non Troppo, Barcelona, 2009
Ebert , Roger Las grandes películas, Ma Non Troppo, Barcelona, 2003
Ebert , Roger Las grandes películas 2, Ma Non Troppo, Barcelona, 2006
Ebert , Roger Las peores películas de la historia, Ma Non Troppo, Barcelona, 2008
Epstein, Edward La gran ilusión. Dinero y poder en Hollywood, Barcelona, Tusquests, 2007
Gubern, Romà Historia del cine, Lumen, Barcelona, 2006
Gubern, Romà Espejo de fantasmas, Espasa-Calpe, Madrid, 1993
Gubern, Romà, Monterde José Enrique; Pérez Perucha, Julio, Riambau, Esteve y Torreiro, Casimiro Historia
del cine español, Cátedra, Madrid, 2009
Mitry, Jean Historie du cinema, Editions Universitaries, Paris, 1967
Riambau, Esteve El cine francés 1958-1998. De la Nouvelle Vague al final de la escapada Paidós, Barcelona,
2002
Riambau Esteve, y Torreiro Casimiro La escuela de Barcelona. El cine de la gauche divine, Anagrama,
Barcelona, 1999
Sánchez Noriega, José Luis. Historia del cine, Alianza Editorial,Madrid, 2002
VVAA Historia general del cine vols. I-XII, Cátedra, Madrid, 1996
VVAA Diccionario del cine español, Alianza editorial, Madrid, 1998
Bibliographic references related to the ideological, economic and social context:
Bordwell, David, El cine de Eisenstein: teoria y práctica, Barcelona, Paidós, 1999
Butler, Judith Gender Trouble: Feminism and The Subversion of Identity, Routledge, Nueva York,1990
Colaizzi, Giulia La pasión del significante: Teoría del género y cultura visual, Biblioteca Nueva, Madrid, 2007
De Lauretis, Teresa Technologies of Gender: Essays On Theory, Film & Fiction, Indiana University Press,
Bloomington, 1987
Ferro, Marc El cine, una visión de la historia, Madrid, Ed. Akal, 2008
Gubern, Romà. La imagen pornográfica y otras perversiones ópticas, Barcelona, Ed. Anagrama, 2005
Gubern, Romà La caza de brujas en Hollwood, Barcelona, Ed. Anagrama, 1997
Godard, Jean Luc Pensar entre imágenes, Barcelona, Ed. Genrérico, 2010
Morin, Edgar Las Stars. Servidumbres y mitos. Barcelona, Dopesa, 1972
Kracauer, Siegfried De Caligari a Hitler: Una historia psicológica del cine alemán. Barcelona, Paidós, 1995
Mulvey, Laura Visual and other pleasures, Indina University Press, Bloomington, 1989
Paszkiewicz, Katarzyna Rehacer los géneros. Mujeres cineastas dentro y fuera de Hollywood, Barcelona,
Icaria, 2017
Romaguera Joaquín, Alsina Homero Textos y manifiestos del cine, Madrid, Ed. Cátedra, 1989
Software:
This subject does not required any specific software
Software
No specific software is needed.
Language list
| Name | Group | Language | Semester | Turn |
|---|---|---|---|---|
| (SEM) Seminars | 41 | Catalan | second semester | morning-mixed |
| (SEM) Seminars | 42 | Catalan | second semester | morning-mixed |
| (SEM) Seminars | 43 | Catalan | second semester | morning-mixed |
| (TE) Theory | 4 | Catalan | second semester | morning-mixed |