Degree | Type | Year |
---|---|---|
2504012 Spanish and Chinese Studies: Language, Literature and Culture | FB | 1 |
2504211 Spanish Language and Literature | FB | 1 |
2504386 English and Spanish Studies | FB | 1 |
2504388 Catalan and Spanish Studies | FB | 1 |
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This subject requires a command of written and oral expression in Spanish equal to that obtained by a highschool graduate. In order to pass the subject, students must demonstrate a correct level of oral and written expression in Spanish. Consequently, spelling mistakes and errors of wording will be penalised by a reduction from the mark awarded.
Obviously, all the practical activities must be original. Plagiarism refers to the process of students attempting to pass off another authors work as their own. The total or partial plagiarism is not allowed. In the event of a student committing any irregularity that may lead to a significant variation in the grade awarded to an assessment activity, the student will be given a zero for this activity, regardless of any disciplinary process that may take place. In the event of several irregularities in assessment activities of the same subject, the student will be given a zero as the final grade for this subject.
This subject is part of the basic training credits of the first year of the Spanish Language and Literature Degree, which the student attends along with other Spanish language subjects.
Among the basic training objectives, the student is required to acquire a solid and broad-based knowledge of the stages and the periodization of Spanish literature, the development of the main genres and authors, through careful reading of selected literary texts. On the other hand, students will apply their acquired specific competences in the realization of speeches, both oral and written, related to the area of Spanish literature by using the methods, concepts and literary theories they have acquired.
The subject aims to offer an overview of Spanish literature from the eighteenth century to vanguards. Special attention will be paid to the description and development of the main stages of literature and its literary and aesthetic currents, focusing on the reading and analysis of some ofthe fundamental texts of those stages, periods, movements or trends.
Schedule of the course
1 The Spanish Enlightenment literature.
1.1. Aesthetic currents and their development in poetry, prose and theater of the 18th century.
1.2. The theatrical polemics: from Luzán to Leandro Fernández de Moratín.
* Mandatory reading: La comedia nueva, by Leandro Fernández de Moratín.
2. Spanish literature from romanticism to realism.
2.1. European romanticism and its development in Spanish literature.
2.2. The romantic prose. Mariano José de Larra and romantic journalism.
*Mandatory reading: Anthology of Larra' articles.
2.3. The poetry of the 19th century: from Espronceda to Bécquer.
* Mandatory reading: Rimas by Gustavo Adolfo Bécquer.
2.4. The Spanish narrative of the Restoration. Realism and naturalism: Benito Pérez Galdós.
* Mandatory reading: La desheredada, by Benito Pérez Galdós.
3. Contemporary Spanish literature: the 20th century.
3.1. The Spanish theater, from modernism to the avant-garde. The avant-garde theatre of the twenties and the esperpentos of Valle-Inclán.
* Mandatory reading: Martes de carnaval, by Ramón María del Valle-Inclán.
Mandatory readings
Fernández de Moratín, Leandro, El sí de las niñas. La comedia nueva, ed. René Andioc. Madrid: Austral Editorial (Clásica), 1999. Also: El sí de las niñas. La comedia nueva. Ed. de Jesús Pérez Magallón. Madrid: Espasa (Biblioteca Clásica RAE), 2015.
Larra, Mariano José de, Figaro, ed. by Alejandro Pérez Vidal, Crítica, Barcelona, 1997 (selection indicated by the teacher).
Bécquer, Gustavo Adolfo, Rimas, ed. Francisco López Estrada y Mª Teresa López García-Berdoy, Espasa Calpe (Colección Austral), Madrid, 2010; Rimas, ed. Rafael Montesinos, Cátedra, Madrid, 2006; Rimas,
ed. Mercedes Etreros, Castalia Didáctica, Madrid, 2012.
Pérez Galdós, Benito, La desheredada, ed.Germán Gullón, Càtedra (Letras Hispánicas, 502), Madrid, 2000.
Valle-Inclán, Ramón María del, Martes de Carnaval, ed. de Jesús Rubio Jiménez, Espasa Calpe (Colección Austral), Madrid, 2003; Martes de Carnaval, ed. Ricardo Senabre, Espasa Calpe (Clásicos Castellanos), Madrid, 1990.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Master classes and classroom practices | 57 | 2.28 | 1, 6, 7, 23, 21 |
Type: Supervised | |||
Tutorials | 15 | 0.6 | |
Type: Autonomous | |||
Individual study and production of papers and analytical comments written | 75 | 3 | 1, 4, 5, 6, 7, 31, 32, 14, 17, 16, 20, 27, 22, 23 |
The learning of this subject by the students is distributed as follows:
- Directed activities (35%). These activities are divided into master classes and seminars and classroom practices led by the faculty, in which theoretical explanation is combined with discussion of all types of texts.
- Supervised activities (10%). These tutorials are programmed by the teacher, dedicated to correcting and commenting on problems at different levels of literary analysis.
- Autonomous activities (50%). These activities include both times devoted to individual study and production of papers and analytical comments written, as well as oral presentations.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Attendance and participation | 10% | 0 | 0 | 1, 2, 4, 3, 5, 6, 29, 28, 7, 10, 9, 12, 11, 13, 31, 32, 14, 15, 17, 16, 18, 26, 20, 27, 8, 22, 24, 23, 33, 25, 19, 21, 30 |
Bibliography activity | 20% | 0 | 0 | 1, 2, 4, 3, 5, 6, 29, 28, 7, 10, 9, 12, 11, 13, 31, 32, 14, 15, 17, 16, 18, 26, 20, 27, 8, 22, 24, 23, 33, 25, 19, 21, 30 |
Written tests | 70% | 3 | 0.12 | 1, 3, 5, 6, 7, 10, 9, 12, 31, 32, 14, 17, 16, 18, 20, 22, 23, 21 |
To pass the course, students will have to demonstrate a knowledge of the subject similar to that shown in the reference manuals. Also, it is essential that they do the mandatory readings.
The evaluation of the subject will be based on the following activities (the specific weight of each of them in the final grade is indicated in brackets):
1) A written test on the first part of the syllabus and the first three readings [35%].
2) A written test on the second part of the syllabus and the last two readings [35%].
3) Reading of the compulsory bibliography previously determined by the teaching staff on which an activity that will be carried out in class will be based on the day agreed upon at the beginning of the course [20%].
4) Attendance and participation: Delivery of brief questionnaires about the readings before discussing them in class [10%].
In the event that the student carries out any type of irregularity that could lead to a significant variation in the grade of a certain act of evaluation, this will be graded with 0,
regardless of the disciplinary process that may result from it. In the event that several irregularities are verified in the evaluation acts of the same subject,
the final grade for this subject will be 0. The evaluation acts in which irregularities have occurred (copying, unauthorized use of AI, etc.) they are not recoverable.
Misspellings, punctuation and speech structure will obviously be taken into account. Fouls will deduct 0.25 points each.
At the time of carrying out each evaluation activity, the teaching staff will inform the students (Virtual Campus) of the procedure and the date of revision of the qualifications.
The review of the evaluative evidence will be carried out in an interview previously arranged with the teacher.
Students who, once the weighted average of the various tests has been taken, do not obtain a grade equal to or greater than 5, may take the retake,provided they meetthe following requirements:
a) Have carried out the first three evaluation activities (two tests on the syllabus and readings and an activity on the bibliography).
b) To have obtained, at least, a 3.5 average in the continuous evaluation of the course.
c) Having failed only one of the two tests on syllabi and compulsory readings [35%]. If the final average mark is between 3.5 and 4.8, but you have failed the two tests on syllabi and readings [35% + 35%], you will not be able to take the recovery.
The result of the recovery test will replace the grade of the failed test to calculate the final grade for the subject.
The student who does not appear for the tests and to carry out the planned activities will be considered Not Evaluable. Carrying out any of the programmed activities implies the student's willingness to be evaluated.
Single Evaluation
Students who take advantage of this evaluation modality will have to deliver and carry out the following evaluation activities on the day determined in the evaluation calendar of the subject that will be
made public during the first week of the course:
1. Partial exam 1: First part of the agenda and three first readings [35%].
2. Partial exam 2: Second part of the agenda and two last readings [35%].
3. Delivery of a work of reading and analysis of the bibliography previously determined [30%].
With regard to recovery, the same criteria established for continuous evaluation will be applied.
Handbooks and other reference books
XVIII Century
ALBIAC BLANCO, María Dolores, Historia de la literatura española. 4. Razón y sentimiento (1692-1800), dirigida por José-Carlos Mainer, Barcelona, Crítica, 2015.
AGUILAR PIÑAL, Francisco, Introducción al siglo XVIII (en R. de la Fuente, ed., Historia de la literatura española, vol. 25), Madrid, Júcar, 1991.
ÁLVAREZ BARRIENTOS, Joaquín, Ilustración y Neoclasicismo en las letras españolas, Madrid, Síntesis («Historia de la Literatura Universal. Literatura Española», 18), 2005.
AMORÓS, Andrés, Antología comentada de la Literatura española. Siglo XVIII, Madrid, Castalia, 1999.
CARNERO, Guillermo (coord.), Siglo XVIII (I y II), Tomo 6 y 7 de la Historia de la literatura española, dirigida por Víctor García de la Concha, Madrid, Espasa Calpe, 1995.
CASO GONZALEZ, José Miguel, Ilustración y Neoclasicismo, Tomo 4 de Historia y crítica de la literatura española, Barcelona, Crítica, 1983.
GIES, David T. y SEBOLD, Russell P., Ilustración y Neoclasicismo. Primer Suplemento, Tomo 4/1 de la Historia y crítica de la literatura española, Barcelona, Crítica, 1992.
XIX Century
ALONSO, Cecilio, Historia de la literatura española. 5. Hacia una literatura nacional (1800-1900), dirigida por José-Carlos Mainer, Barcelona, Crítica, 2015.
AMORÓS, Andrés, Antología comentada de la Literatura española. Siglo XIX, Madrid, Castalia, 1999.
CARNERO, Guillermo (coord.), Siglo XIX (I), Tomo 8 de la Historia de la literatura española, dirigida porVíctor García de la Concha, Madrid, Espasa Calpe, 1996.
ROMERO TOBAR, Leonardo, Panorama critico del romanticismo española, Madrid, Castalia, 1994.
———, (coord.), Siglo XIX (II), Tomo 9 de la Historia dela literatura española, dirigida por Víctor García de la Concha, Madrid, Espasa Calpe, 1998.
ZAVALA, Iris (coord.), Romanticismo y realismo, tomo 5 de Historia y crítica de la literatura española, Barcelona, Crítica, 1982.
———, Romanticismo y realismo. Primer suplemento, tomo 5/1 de Historia y crítica de la literatura española, Barcelona, Crítica, 1994.
XX Century
AZNAR SOLER, M., Teatro, historia y política en Martes de Carnaval de Valle-Inclán, Renacimiento, Sevilla, 2019.
GARCÍA DE LA CONCHA, Víctor (ed.), Época contemporánea: 1914-1939, tomo 7 de la Historia y crítica de la literatura española, Barcelona, Crítica, 1984.
GRACIA, Jordi (ed.), Los nuevos nombres: 1975-2000. Primer suplemento, tomo 9/1 de la Historia y crítica de la literatura española, Barcelona, Crítica, 2000.
GRACIA, Jordi y RÓDENAS DE MOYA, Domingo, Historia de la literatura española. 7. Derrota y restitución de la Modernidad (1939-2000), Barcelona, Crítica, 2011.
MAINER, José-Carlos, La edad de plata (1902-1939). Ensayo de interpretación de un proceso cultural, Madrid, Cátedra, 19812ª.
———, (ed.), Modernismo y 98, tomo 6 de la Historia y crítica de la literatura española, Barcelona, Crítica, 1979.
———, (ed.), Modernismo y 98. Primer suplemento, tomo 6/1 de la Historia y crítica de la literaturaespañola, Barcelona, Crítica, 1994.
———, Historia de la literatura española. 6. Modernidad y nacionalismo (1900-1939), dirigida por José-Carlos Mainer, Barcelona, Crítica, 2010.
SÁNCHEZ VIDAL, Agustín (ed.), Época contemporánea: 1914-1939. Primer suplemento, tomo 7/1 de la Historia y crítica de la literatura española, Barcelona, Crítica, 1995.
SANZ VILLANUEVA, Santos, Literatura actual en Historia de la literatura española, Vol. VI, Barcelona, Ariel, 1984.
——— (ed.), Época contemporánea: 1939-1975. Primer suplemento, tomo 8/1, de Historia y crítica de la literatura española, Barcelona, Crítica, 1999.
VILLANUEVA,Darío (ed.), Los nuevos nombres: 1975-1990, tomo 9 de la Historia y crítica de la literatura española, Barcelona, Crítica, 1992.
YNDURÁIN, Domingo (ed.), Época contemporánea: 1939-1980, tomo 8, de Historia y crítica de la literatura española, Barcelona, Crítica, 1980.
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Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PAUL) Classroom practices | 1 | Spanish | second semester | morning-mixed |
(PAUL) Classroom practices | 2 | Spanish | second semester | morning-mixed |
(PAUL) Classroom practices | 3 | Spanish | second semester | morning-mixed |
(TE) Theory | 1 | Spanish | second semester | morning-mixed |
(TE) Theory | 2 | Spanish | second semester | morning-mixed |
(TE) Theory | 3 | Spanish | second semester | morning-mixed |