Degree | Type | Year |
---|---|---|
2500797 Early Childhood Education | OT | 4 |
2500798 Primary Education | OT | 4 |
You can view this information at the end of this document.
Certificate of elementary music or passing a proficiency test.
1. Singing
1.1. The natural voice
1.2. Body attitude. Gesture and sound
1.3. Respiratory control
1.4. Vocal control: production, amplification and projection
1.5. Timbre, expressiveness and musical sensibility
2. The song
2.1. Repertoire of traditional Catalan songs, from authors and other countries
2.2. Songs for one voice, canons and songs two and three voices
2.3. Formal elements and structure of the song
2.4. Composition and accompaniment of songs
2.5. Criteria for the selection of repertoire and interpretation
3. The musical conduction
3.1. Body attitude
3.2. Gesture on conduction
3.3. Interpretation criteria
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Musical activities (singing and direction), in small groups and individuals. Simulation classes for the students to bring practical aspects of voice, song and address | 43 | 1.72 | 1, 2, 3, 4, 8 |
Type: Supervised | |||
Supervised tracking to guide the development of vocal learning songs and the art direction. | 30 | 1.2 | 1, 8 |
Type: Autonomous | |||
Analyzing songs, develop a songbook, direct songs and do a personal job on the voice and the body itself | 72 | 2.88 | 1, 5, 7, 8, 9 |
This is a fundamentally practical subject, with the support of the necessary theory, and the protagonist in the teaching and learning process is the student. Under this premise, the methodology of the subject has been planned, which complements the individual and collective practice around voice, song and gesture.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Final exam practice | 10% | 2 | 0.08 | 1, 9 |
Individual evaluation of the voice and the direction based on the final test of the mention | 30% | 1 | 0.04 | 1, 2, 4, 6, 7, 8, 9 |
Practical group | 15% | 1 | 0.04 | 1, 3, 4, 5, 7, 8, 9 |
Practical individual | 45% | 1 | 0.04 | 4 |
To pass the subject, the following must be taken into account:
ASSESMENT ACTIVITIES AND DATES OF ASSESSMENT AND EVALUATION OF THE SUBJECT
Cross-cutting attitudes such as: participation, active listening, respect, cooperation and punctuality will also be taken into account.
In order to pass the course, all three areas (singing, conducting and voice) must be passed. It will be considered non-assessable when more than 50% of the student's evaluation evidence in each of the three areas of the subject is lacking.
The deadline for returns, feedbacks or qualification of activities wil not be more than 20 working days of the academic calendar.
This subject/module does not provide for the single assessment system.
In order to pass this subject, the student must show good general communicative competence, both orally and in writing, and a good command of the language or vehicular language listed in the teaching guide.
In all activities (individual and group), linguistic correctness, writing and formal aspects of presentation will therefore be taken into account. Students must be able to express themselves fluently and correctly and show a high degree of understanding of academic texts. An activity may be returned (not assessed) or failed if the teacher considers that it does not meet these requirements.
Amades, J. Folklore de Catalunya. Cançoner. Barcelona:Selecta.
Calais, B.(2006). La respiración. Anatomía para elmovimiento. Tomo IV. Barcelona:La liebre de Marzo.
Capmany, A. Cançoner popular. Barcelona: Ketres.
BONAL, M. D., MARTORELL, M. (1967). L'esquitx 1. 41 cançons per a infants. Barcelona:DINSIC.
Bonal, M. D., Martorell, M. (2000). L'esquitx 2: 39 cançons per a infants. Barcelona:DINSIC.
Bonal, M. D., Giménez, M. T. (2001). L'esquitx 3: 39 cançons per a infants. Barcelona:DINSIC.
De Vic, C. C. (1991). Les cançons del Cabirol.
Gassull, C, Godall, P, i Martorell, M. (2005). La veu. Orientacions pràctiques. Abadia de Montserrat.
Barcelona
Lips, H. (1989). Iniciació a la tècnica vocal. Lleida: Orfeó Lleidatà.
Maideu, J. (1998). Assaig: cançons i exercicis. Eumo.
Martorell, O. (selecció de l'antologia): Cànons d'ahir i d'avui, volum 1. Ed. MF. Barcelona. 1973 .
Martorell, O. (selecció de l'antologia): Cànons d'ahir i d'avui, volum 2. Ed. MF. Barcelona. 1979.
Sataloff, R. T. (1993). La voz humana. Investigación y Ciencia. 197:50-57.
Scotto di Carlo, N. (1991). La voz en el canto. Mundo Científico. 118:1074-1083.
Soler, J., Oltra, M. (1975). Cançons per al poble. No 1 i 2, D'infants. Barcelona:Claret.
Wagner, C., Crétinon, L., Raventós, M. (1966). Aprenguem a fer cantar: per a una pedagogia de la
direcció. Hogar del Libro.4
the bibliography takes into account the gender perspective
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PLAB) Practical laboratories | 1 | Catalan | annual | morning-mixed |
(TE) Theory | 1 | Catalan | annual | morning-mixed |