Advertising Photography
Code: 104898 ECTS Credits: 6| Degree | Type | Year |
|---|---|---|
| 2501935 Advertising and Public Relations | OT | 4 |
Contact
- Name:
- Luis Fernando Morales Morante
- Email:
- fernando.morales@uab.cat
Teaching groups languages
You can view this information at the end of this document.
Prerequisites
ERASMUS AND MOBILITY STUDENTS INTERESTED IN THIS SUBJECT, DUE TO THE SPECIAL METHODOLOGY AND THE LIMITATION OF LABORATORY SPACES, WHICH MAY LIMIT THE QUOTA ENROLLMENT WITH A WAITING LIST,
IT IS ESSENTIAL TO ARRANGE AN INTERVIEW AT THE BEGINNING OF SEPTEMBER, OR IN ANY CASE ALWAYS BEFORE THE START OF CLASSES, WITH THE PROFESSOR RESPONSABLE. IT WILL NOT BE ADDRESSED LATER.
Objectives and Contextualisation
ADVERTISING PHOTOGRAPHY is the ability to find creative solutions to communication problems through the creation of symbolic images. The image is the foundation for the development of creative communication proposals with visual impact.
Advertising Photography is capable of capturing, through a symbolic and connotative image, the visual attention of a target. A powerful image can be an advertising appeal in itself.
Main training objectives:
1. Basic knowledge of technology and visual language.
2. Production process and photographic creation within the advertising field.
3. Digital development and basic retouching applied to its advertising use.
4. Activities on artificial lighting applied to produce advertising images.
5. Analysis and use of the image.
6. Creation and production of creative graphic advertising messages.
Learning Outcomes
- CM30 (Competence) Incorporate individual skills (creativity, use of expressive and technological resources) into the development of collaborative projects in the field of advertising and public relations.
- CM31 (Competence) Devise graphic and audiovisual projects in the field of persuasive communication that respond to new expressive and technological trends.
- CM32 (Competence) Generate transformative graphic and audiovisual projects that reinforce democratic values and increase social rights.
- KM34 (Knowledge) Identify the technological tools and suitable formats for the production and realisation of persuasive audiovisual messages.
- SM29 (Skill) Use the techniques of image and sound composition, framing, editing and montage to create comprehensible and attractive persuasive audiovisual messages.
- SM30 (Skill) Operate cameras, microphones, mixing consoles, image and sound editing and retouching software and other post-production effects to produce persuasive messages that are understandable and attractive.
Content
BLOCK 1. Technique & advertising image
- The camera - Sensitivity. Objectives. Shutter. Diaphragm. Exposure control. White balance. Approach.
- Lighting: characteristics / Lighting control / Use of sets
- The symbolic of color and black and white
- Digital post-production
BLOCK 2. The advertising photographic project
- Characteristics and objectives
- Methodology of a professional photographic project
- The script: concept and brief
BLOCK 3. Photographic genres
- Fashion photography & portraits
- Product Photography
- Food photography
BLOCK 4. The advertising image
Activities and Methodology
| Title | Hours | ECTS | Learning Outcomes |
|---|---|---|---|
| Type: Directed | |||
| THEORETICAL AND PRACTICAL SESSIONS | 52.5 | 2.1 | CM30, CM32, KM34, SM30, CM30 |
| Type: Supervised | |||
| TUTORING | 7.5 | 0.3 | CM30, CM31, CM32, CM30 |
| Type: Autonomous | |||
| INDIVIDUAL STUDY | 82.5 | 3.3 | CM30, CM31, CM32, KM34, CM30 |
The active proposal of an advertising PROJECT that integrates different advertising pieces.
The project consists of the creation of an Agency PORTFOLIO with the exhibition of some of its works in a digital format (web page). The portfolio will consist of two projects carried out in groups. The objective is to work with own originals and their application in graphic creations.
The working group will form an AGENCY. The PORTFOLIO Project will be carried out by the members of the Agency.
The dynamic will be active work, mainly on the photographic set, or external depending on the pieces to be made, and graphic design until the final art is completed.
PROJECT: The methodology follows the concept of Active Learning. Through the orientation of the teaching team and the initial planning of the face-to-face sessions, through the integrated modules of theory and practice of image taking and the final edition, each team is in charge of developing a final activity (PROJECT: PORTFOLIO OF AGENCY), in which the student will also have individual responsibilities. Active Learning also includes virtual materials and activities that help complement the process, such as didactic cards, reading materials, and analysis.
INDIVIDUAL PROJECT: The student will have the opportunity to carry out an individual graphic project.
TUTORING: The permanent tutoring of the professors in the photographic production unit in the different phases of production, the support of the laboratory technicians, and the consultation of virtual and bibliographical materials will lead the student gradually to their objectives.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Assessment
Continous Assessment Activities
| Title | Weighting | Hours | ECTS | Learning Outcomes |
|---|---|---|---|---|
| Group projects / Individual project | 75% | 5.5 | 0.22 | CM30, CM31, CM32 |
| Practical sessions (digital camera / lighting) | 15% | 1.5 | 0.06 | KM34, SM29, SM30 |
| TUTORING | 10% | 0.5 | 0.02 | CM30, CM31, CM32, SM29 |
This subject follows the continuous evaluation and does not foresee a single evaluation.
The evaluation activities are:
- Activity 1. Learning, 10% of the final grade
- Activity 2. Genres, 15% of the final grade
- Activity 3. Transversal project, 15% of the final grade
- Activity 4. Advertising, 30% of the final grade
- Activity 5. Personal, 20% of the final grade
- Activity 6. Tutorials, 10% of the final grade
In order to pass the subject, it is necessary to obtain a minimum grade of 5 in all activities.
Recovery
Students will have the right to retake the subject if they have been evaluated from the set of activities, the weight of which is a minimum of 2/3 of the total grade for the subject.
To be able to appear for the recovery of the subject, it will be necessary to have obtained an average grade of 3.5. The activities that are excluded from the recovery process are: Activity 1 and 3.
Plagiarism
In the event that the student performs any irregularity that may lead to a significant variation of an evaluation act, this evaluation act will be graded with 0, regardless of the disciplinary process that could be instructed. In the event that several irregularities occur, in the acts of evaluation of the same subject, the final grade for this subject will be 0.
Bibliography
Eguizábal Maza, Raúl. “La fotografía publicitaria.” (2012): n. pag. Print.
https://csuc-uab.primo.exlibrisgroup.com/permalink/34CSUC_UAB/ja52mf/alma991059298677306706
Gilmore, Steven R. Creatividad fotográfica : proyectos reales de manipulación fotográfica: del briefing al resultado final / Steven R. Gilmore. Barcelona: Index Books, 2000. Print.
Mellado, José María. Fotografia digital de alta calidad. Ediciones Artual. Barcelona, 2007.
Merino, Miguel. Fotografía de producto y publicidad : consigue realizar 50 imágenes espectaculares / Miguel Merino. Madrid: JdeJ editores, 2017. Print.
Lens Leiva, Jorge. “Tendencias de la fotografía publicitaria contemporánea: grandes marcas, grandes conceptos.” (2012): n. pag. Print.
https://csuc-uab.primo.exlibrisgroup.com/permalink/34CSUC_UAB/ja52mf/alma991059300808206706
Freeman, Michael. Guía completa de fotografía digital. Naturart. Barcelona, 2006.
Sans, Martí. Aprende a fotografiar productos como un profesional / Martí Sans. Barcelona: Editorial Gustavo Gili, 2018. Print.
Software
The necessary software to be able to develop the subject is: Affinity Photo, Publisher, Designer, or else Adobe. XD, wordpress, wix will also be used. We clarify that does not include the teaching of these programs in the class development.
Language list
| Name | Group | Language | Semester | Turn |
|---|---|---|---|---|
| (PLAB) Practical laboratories | 51 | Catalan | second semester | afternoon |
| (TE) Theory | 5 | Catalan | second semester | afternoon |