Degree | Type | Year |
---|---|---|
2503868 Communication in Organisations | OB | 1 |
You can view this information at the end of this document.
To do this subject, reading comprehension (Spanish and English), communication and writing skills in Spanish and Catalan are required, appropriate to a first year of university studies. In a complementary way, for a better use of the subject, students must have basic notions of audio and video editing.
The subject is located within the subject Creation, realization and content management, taught in the first and second year of the degree.
As defined in the study plan, the objective of this subject is to introduce students to the physical basics of the image, audiovisual and sound media. From its processing, to the explanation of the different formats and standards. In addition, the basic notions of work routines on a television set, in a radio booth and in a video editing room will be exposed.
1. Audiovisual Technology: Basic Concepts
1.1 Concept of Technique and Technology
1.2 Audiovisual Technologies
2. Sound: physical characteristics
2.1 Sound recording and playback
2.2 Basic sound production routines
3. The video: physical characteristics
3.1 Audiovisual recording and playback
3.2 Basic audiovisual production routines
4. Audiovisual and sound composition
4.1 Image composition: planes, composition and movements
4.2 Sound composition: intensity, pitch, timbre and sound planes
5. Editing: Basics
5.1 Figures of sound montage
5.2 Audiovisual cutting and transitions
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Master class | 15 | 0.6 | 1, 2 |
Seminary | 9 | 0.36 | 8, 2 |
Type: Supervised | |||
Tutorials | 12 | 0.48 | 7, 3 |
Type: Autonomous | |||
Preparation for practices at the television set | 18 | 0.72 | 7, 3, 5 |
Preparation for radio practices | 18 | 0.72 | 1, 4, 7, 6, 5, 8 |
Readings | 16 | 0.64 | 8, 2 |
Study | 20 | 0.8 | 1, 3, 2 |
The subject will consist of lectures, seminars, practices on the television set and in radio studios. In addition, content production on mobile devices.
The objective of the practices is to become familiar with the basic techniques of manipulating the Faculty's equipment (audiovisual and sound) and mobile technological innovations, as well as acquiring basic knowledge of editing.
The students will work in groups, organized by the teacher responsible for the subject, to carry out the laboratory practices.
The calendar will be available on the first day of class. Students will find all information on the Virtual Campus: the description of the activities, teaching materials, and any necessary information for the proper follow-up of the subject.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Exam | 30% | 3 | 0.12 | 1, 7, 8, 2 |
Laboratory practices | 50% | 33 | 1.32 | 4, 7, 3, 6, 5, 8 |
Seminary | 20% | 6 | 0.24 | 1, 7, 8, 2 |
The evaluation activities are:
A) Exam, 30%
B) Laboratory practices (television and radio) 50%
C) Participation in seminars 20%
To pass the subject, it is necessary to obtain a minimum grade of 5 in each of the evaluation activities (A, B and C).
The detailed calendar with the content of the different sessions will be exposed on the day of the presentation of the subject and will be published on the Virtual Campus.
Students will have the right to retake the subject as long as they have participated in all the evaluation activities. In order to be able to take the retake of the subject, students must obtain a minimum average grade of 3.5. The exam and practices are subject to re-evaluation. Seminars are excluded from the recovery process.
This subject does not provide for single assessment.
Beutler, Roland. (2016). Evolution of broadcast content distribution. Springer.
Chie, S., Zambrano, M., & Medina, C. (2016). Estándares actuales de televisión digital: Una breve reseña. Prisma Tecnológico, 6(1), 19-23. Recuperado a partir de https://revistas.utp.ac.pa/index.php/prisma/article/view/606
Bonet, Montse. (coord.) (2016). El imperio del aire. Espectro radioeléctrico y radiodifusión. Barcelona: UOC.
Cardon, Dominique. (2018). Con que sueñan los algoritmos: nuestros sueños en el tiempo de los big data. Madrid: Dado ediciones.
Castillo, José Maria (2016). Televisión, Realización y Lenguaje Audiovisual. Madrid: IORTV.
Domínguez, Juan José. (2019). Teoría y técnica del sonido. Madrid: Editorial Síntesis
Fernández-Quijada, David. (2011). Medi@TIC. Anàlisi de casos de tecnologia i mitjans. Barcelona: Editorial UOC.
Fernández-Quijada, David. (2013). La innovación tecnológica. Creación, difusión y adopción de las TIC. Barcelona: UOC.
Fernández-Lores, S., Martínez-Navarro, G., & Gavilán, D. (2021). Factores de éxito en las webs de contenidos audiovisuales. Análisis cualitativo comparado. Profesional De La información, 29(6). https://doi.org/10.3145/epi.2020.nov.39
López-García, Xosé; Silva-Rodríguez, Alba; Vázquez-Herrero, Jorge (2023). “Evolution, trends and future of native media: From avant-garde to the epicenter of the communications ecosystem”. Profesional de la información, v. 32, n. 2, e320202.
López Martínez, A. (2022) Estudio por operador del mantenimiento, cobertura, costes e interferencias del despliegue 4G en España. Recuperado a partir de http://hdl.handle.net/10017/52150
Martínez Pinzón, G. (2018) Compartición del Espectro Radioeléctrico entre Tecnologías Inalámbricas de Última Generación en la Banda de la Televisión Digital Terrestre. Recuperado a partir de https://riunet.upv.es/handle/10251/102644?show=full
McStay, Andrew. (2010). Digital Advertising. Basingstoke: Palgrave Macmillan.
Further reading:
Martínez Abadia, José. (2005). Manual básico de tecnología audiovisual y técnicas de creación, emisión y difusión de contenidos. Barcelona: Paidos.Neira, Elena. (2015). La otra pantalla. Barcelona: Editorial UOC.
Niqui, Cinto. (2011). Fonaments i usos de tecnologia audiovisual digital. Barcelona: Editorial UOC.
Peirano, Marta. (2019). El enemigo conoce el sistema. Madrid: Debate.
Note
Recent articles will be indicated for the development of each seminar.
Mandatory software
Audacity for audio editing
Recommended software
DaVinci Resolve for video editing
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PLAB) Practical laboratories | 71 | Spanish | first semester | afternoon |
(PLAB) Practical laboratories | 72 | Spanish | first semester | afternoon |
(TE) Theory | 7 | Spanish | first semester | afternoon |