Degree | Type | Year |
---|---|---|
2500797 Early Childhood Education | OT | 4 |
2500798 Primary Education | OT | 4 |
You can view this information at the end of this document.
Contextualization
In the image-world in which we live, it is necessary to be aware of all those languages and tools that build the visual culture that surrounds us. To awaken a critical gaze over this avalanche of images, and learn strategies to create alternative visual narratives, in this course students will learn/experiment the expressive possibilities of the different audiovisual languages (photography, video, new media, animation, etc.). Resources will also be offered in the teaching of the visual arts in early childhood education, deepening in the knowledge and foundations of art, artistic expression and audiovisual languages.
Objectives:
BLOCK I. Cultural dimension: artistic languages, (audio)visual culture and education
BLOCK II. Productive dimension: experimenting with (audio)visual languages.
BLOCK III. Performative dimension: contemporary art and educational intervention.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Face-to-face in groups | 45 | 1.8 | 1, 11, 10, 13, 12, 8, 7 |
Type: Supervised | |||
Tutored activities and creative practices | 30 | 1.2 | 11, 10, 13, 12, 3, 7, 4 |
Type: Autonomous | |||
Design and creation in the audiovisual and educational fields | 75 | 3 | 11, 12, 7, 4, 6 |
Teaching and learning activities
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Bloc I. Cultural dimension: Visual narrative (individual activity) | 35% | 0 | 0 | 11, 10, 13, 12, 3, 7, 5 |
Bloc III. Performative dimension: design, creation and realization of an audiovisual artistic piece for educational purposes. (grup work) | 40% | 0 | 0 | 2, 11, 3, 7, 6, 5 |
Block II. Productive dimension: Analysis of a practice or artistic work of contemporary art and reflected on its pedagogical interest. (individual activity) | 25% | 0 | 0 | 9, 1, 2, 11, 10, 13, 12, 8, 7, 4, 5 |
Continuous assessment
Block I. Cultural dimension: creation of a visual narrative. (35%) Delivery date: 4th week of class. (individual activity) (individual activity)
Block II. Productive dimension: Analysis of a practice or artistic work of contemporary art and reflection on its pedagogical interest. (25%) Delivery date: 7th week of class. (individual activity)
Block III. Performative dimension: design, creation and realization of an audiovisual artistic piece for educational purposes (photography, video, installation, video performance, etc.). (40%) Delivery date: last week in class. (grup activity)
Unique assessment (delivery on 4th June 2025)
Block I. Cultural dimension: Visual narrative (35%)
Block II. Productive dimension: Analysis of a practice or artistic work of contemporary art and reflection on its pedagogical interest. (25%)
Block III. Performative dimension: design, creation and realization of an audiovisual artistic piece for educational purposes (photography, video, installation, video-performance, etc.). (40%)
Continuous assessment and unique assessment:
Students who have followed the course properly and, nevertheless, still have some aspect not achieved (marks between 3.5 and 4.9/10), will be given the opportunity to pass the subject by doing additional independent work or by redoing some of the activities handed in or completed. It is necessary to study each case according tothe situation of each student. The deliverywill be agreed with theteaching staff. A student who has not handed in two thirds of the assessment tasks of the subject and/or who has failed with a mark lower than 3.5/10 will be considered as not assessable.
The teaching staff will return the assessment activities within a maximum of 20 working days.
Copying or plagiarism of material constitutes an infraction that will be penalised with a zero in the activity and in the subject, and there will be no option to resit the task. Remember that "copying" is considered to be a work that reproduces all or a large part of the work of another classmate and "plagiarism" the fact of presenting all or part of an author's text as one's own, without citing the sources, whether on paper or in digital format.
One of the criteria necessary to pass this subject will consist of demonstrating, throughout the course, that the student has developed personal and social skills essential to being a teacher: active participation in classes, responsibility and rigor in independent work, not judging, arguing, appropriate use of electronic devices (mobile, computer, etc.), critical thinking and behaviors that favor a kind and positive, democratic environment where differences are respected. The teaching staff of the subject will observe, document the sessions and record evidence in relation to these personal and social skills of the students; and will be evaluated throughout the course.
It is also necessary for the student to show good general communication skills, both orally and in writing, and a good command of the vehicular language or languages listed in the teaching guide. The assessment will also focus on skills for cooperative and team work and will be gender sensitive.
AAVV. (2005). Fotografia: paisatges de la contemporaneïtat. Barcelona: ESDI.
Baigorri, L. (1995). El vídeo y las vanguardias históricas. Barcelona: Edicions Universitat de Barcelona.
Barthes, R. (2005). La cámara lúcida. Notas sobre la fotografía. Buenos Aires: Paidós.
Benjamin, W. (1983). L'obra d'art en l'era de la seva reproductibilitat tècnica. Barcelona: Edicions 62.
Ellsworth, E. (2005). Posiciones en la enseñanza. Madrid: Akal.
Fontcuberta, J. (2010). La cámara de pandora: la fotografi@ después de la fotografía. Barcelona: Ed. Gustavo Gili.
Freedman, F. (2006). Enseñar la cultura visual. Barcelona: Octaedro.
Hernández, F. (2007). Espigador@s de la cultura visual. Otra narrativa para la educación de las artes visuales. Barcelona: Octaedro.
Mäkiranta, M. (2012). Photography as family ritual: visual narratives in a finnish family photo álbum. Visual culture & Gender, 7 ,39-48.
Acaso, M.; Ellsworth, E. i Padró, C. (2011). El aprendizaje de lo inesperado. Madrid:Catarata
Paris, G. (2015). Els meus desitjos. La fotografia contemporània com a mitjà expressiu en la formació de professorat. Temps d'educació, 48, 215-232.
Patmore, C. (2004). Curso completo de animación :los principios, práctica y técnicas de unamanimación exitosa. Barcelona: Acanto
Proujansky, A. (2018). Go photo! An activity book for kids. New York: Aperture.
Selby, A. (2009). Animación : nuevos proyectos y procesos creativos. Barcelona:Parramón.
Sontag, S. (1996). Sobre la fotografía. Barcelona: Edhasa.
Spence, J. (2005). Más allá de la imagen perfecta. Fotografía, subjetividad, antagonismo. Museu D'art Contemporani de Barcelona.
Steyerl, H. (2014). Los condenados de la pantalla. Buenos Aires: Caja Negra.
Ewald, W. (2002). I Wanna Take Me a Picture: Teaching Photography and Writing to Children. Beacon Press.
Zafra, R. (2014). Arte, feminismo y tecnología. Reflexiones sobre formas creativas y formas de domesticación. Quaderns de Psicologia, 16(1), 97-109.
Recursos en línia:
A BAO A QU: http://www.abaoaqu.org/
Cinescola (cinema i educació): http://cinescola.info/category/llibres/
Drac Màgic (divulgació de la cultura audiovisual): https://www.dracmagic.cat/
Encyclopédie des Nouveaux Médias: www.newmedia-art.org
Escoleta de cinema (Barcelona): https://escoletadecinema.wixsite.com/escoleta-de-cinema
Specific software is not used in this course.
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PAUL) Classroom practices | 1 | Catalan | first semester | afternoon |
(PCAM) Field practices | 1 | Catalan | first semester | afternoon |
(TE) Theory | 1 | Catalan | first semester | afternoon |