Degree | Type | Year |
---|---|---|
2503998 Catalan Philology: Literary Studies and Linguistics | OT | 4 |
2504211 Spanish Language and Literature | OT | 3 |
2504211 Spanish Language and Literature | OT | 4 |
2504212 English Studies | OT | 3 |
2504212 English Studies | OT | 4 |
2504235 Science, Technology and Humanities | OT | 4 |
2504380 English and Catalan Studies | OT | 3 |
2504380 English and Catalan Studies | OT | 4 |
2504386 English and Spanish Studies | OT | 3 |
2504386 English and Spanish Studies | OT | 4 |
2504393 English and French Studies | OT | 0 |
2504393 English and French Studies | OT | 3 |
2504393 English and French Studies | OT | 4 |
2504394 English and Classics Studies | OT | 3 |
2504394 English and Classics Studies | OT | 4 |
You can view this information at the end of this document.
By obtaining the minimum of credits in basic training subjects, students have demonstrated to have acquired the basic competences and they will be able to express themselves orally and in writing. For this reason, any spelling and expression errors that may be committed will lead to a score decrease in the final grade.
Activities, practical sessions and papers submitted in the course must be original and under no circumstances will the total or partial plagiarism of third-party materials published on any medium be admitted. Any submission of non-original material without properly indicating its origin will automatically result in a failure rating (0).
It is also expected that students know the general rules of submission of an academic work. However, students could apply the specific rules that the teacher of the subject may indicate to them, if they deem it necessary.
It would be highly desirable -albeit in no way demanding- that the students had a clear interest in theoretical and literary texts prior to 1900.
OBJECTIVES AND CONTEXTUALIZATION
The course is a historical and thematic overview through the main ideas that have shaped the western way of thinking, defining, explaining and evaluating literature from classical Greece to positivism and impressionistic criticism of the second half of the nineteenth century.
The subject combines the presentation of theoretical contents (about historical periods, authors and concepts) with the reading and commentary of the main texts of ancient, medieval and modern literary thought.
CONTENTS
Preliminary: thinking literature throughout history: patterns and questions
1. Mímesis: poetics of classical antiquity
2. Hermeneutics: classical and medieval theories of interpretation
3. Ancient and modern: classicist poetics of the sixteenth and seventeenth centuries
4. Taste: artistic judgment, the sublime and the emancipation of art in the eighteenth century
5. Expression: the concept of genius, romantic poetics and modern subjectivity.
6. Context: positivist scientificism and impressionist reaction
Epilog: the invention of literature and its demolition
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Lecture sessions, seminar and/or practical sessions | 52.5 | 2.1 | |
Type: Supervised | |||
Tutorials & e-mail consultations | 15 | 0.6 | |
Type: Autonomous | |||
Individual work (reading, studying, writing course's papers) | 82.5 | 3.3 |
The course follows the pattern of continued learning, with seminary-type classes.
The primary texts are submitted to discussion in class, and they will be interrogated based on the general historical and critical contents. Students must commit to read and reflect on the texts prior to the discussions in class, which will be led by the professor.
This form of learning is evaluated through two exams in the classroom and one written essay.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Exam in the classroom 1 | 35% | 0 | 0 | 1, 3, 2, 6, 4, 5, 7, 8, 14, 26, 27, 31, 17, 18, 19, 16, 44, 46, 23, 20, 25, 21, 24, 13, 12, 11, 41, 42, 28, 29, 48, 36, 35, 32, 40, 34, 33, 9, 30, 38, 43, 45 |
Exam in the classroom 2 | 35% | 0 | 0 | 1, 3, 2, 6, 4, 5, 7, 8, 14, 26, 27, 31, 17, 18, 19, 16, 44, 46, 23, 20, 25, 21, 24, 13, 12, 11, 41, 42, 28, 29, 48, 36, 35, 32, 40, 34, 33, 9, 30, 38, 43, 45 |
Paper 1 | 30% | 0 | 0 | 1, 3, 2, 6, 4, 5, 7, 8, 10, 14, 15, 26, 27, 31, 17, 18, 19, 16, 47, 44, 46, 23, 20, 25, 21, 22, 24, 13, 12, 11, 41, 42, 28, 29, 48, 39, 36, 35, 32, 40, 34, 33, 9, 30, 37, 38, 43, 45 |
Students must attend 2 written exams, each of them devoted to a half of the syllabus (weight: 35% each exam), and deliver 1 medium-length written essay (between 3.000 and 4.000 words) on one of the authors, texts or problemes the syllabus contains (weight: 30%).
On carrying out each evaluation activity, lecturers will inform students (on Moodle) of the procedures to be followed for reviewing all grades awarded, and the date on which such a review will take place.
To have the right to access to reevaluation, the student needs to obtain in the activities at least a global qualfication of 4. The student can only reevaluate 2 of these 3 activities (both exams or 1 exam and the essay).
In the event of a student committing any irregularity that may lead to a significant variation in the grade awarded to an assessment activity, she/he will be given a zero for this activity, regardless of any disciplinary process that may take place. In the event of several irregularities in assessment activities of the same subject, the student will be given a zero as the final grade for this subject.
SINGLE EVALUATION
- Written exam in the classroom 1 (first half of the syllabus): 35%
- Written exam in the classroom 2 (second half of the syllabus): 35%
- Paper 1 (middle-length essay): 30%
All three activities will be delivered in a single day, which will be made public during the first week of the semester.
The same assessment method as continuous assessment will be used.
Abrams, Meyer Howard (1953), El espejo y la lámpara. Teoría romántica y tradición crítica, Barral Editores, Barcelona, 1975.
Asensi, Manuel, Historia de la teoría de la literatura (desde los inicios hasta el siglo XIX), Tirant lo Blanch, Valencia, 1998.
Blamires, Harry, A History of Literary Criticism, MacMillan, Londres, 1991.
Bobes, Carmen, et al., Historia de la teoría literaria. I: La antigüedad grecolatina, Gredos, Madrid, 1995.
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Pulido Tirado, Genara, El pensamiento literario: introducción teórica e histórica, Universidad de Jaén, Jaén, 1995.
Richter, David H. (ed.), The Critical Tradition. Classic Texts and Contemporary Trends, Bedford Books, Boston, 1998.
Rivas Hernández, Ascensión, De la poética a la teoría de la literatura (una introducción), Ediciones Universidad de Salamanca, 2005.
Todorov, Tzvetan, La literatura en peligro, Galaxia Gutenberg, Barcelona, 2009.
Viñas, David, Historia de la crítica literaria, Ariel, Barcelona, 2002.
Wahnón Bensusan, Susana, Introducción a la historia de la teorías literarias, Universidad de Granada, Granada, 1991.
Wellek, René, (1955-1986), Historia de la crítica moderna (1750-1950), Gredos, Madrid, 1959-1988, 6 vols.
---, Historia literaria. Problemas y conceptos, Laia, Barcelona, 1983.
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PAUL) Classroom practices | 1 | Spanish | second semester | morning-mixed |
(TE) Theory | 1 | Spanish | second semester | morning-mixed |