Degree | Type | Year |
---|---|---|
2502758 Humanities | OB | 2 |
You can view this information at the end of this document.
This course has no prerequisites.
At the end of the course the student should be able to:
UNIT 1: INTRODUCTION.
1.1. Geography and chronology.
1.2. What are the classics? What is tradition?
1.3. What are the classics whose transmission we are going to study?
· REQUIRED READING: Italo Calvino (2009), Por qué leer a los clásicos, Madrid: Siruela (selection).
UNIT 2: BOOKS, EDITORIAL MARKET AND LIBRARIES IN ANTIQUITY.
2.1. Writing materials and systems in Antiquity.
2.2. The book in Greece and Rome.
2.3. Circulation of the book in Antiquity.
2.4. Archives and libraries.
· SUGGESTED READING: Irene Vallejo (2019), El infinito en un junco. Madrid: Ciruela (selection).
UNIT 3: THE TRANSMISSION OF CLASSICAL CULTURE FROM THE MIDDLE AGES UNTIL MODERN EDITIONS.
3.1. The process of transmission of texts: where, how and why.
3.2. Medieval monasteries.
3.3. Carolingian Renaissance.
3.4. Humanism.
3.6. The development of the printing press.
UNIT 4: ALEXANDER AND THE HELLENISTIC WORLD.
4.1. Alexander's life and campaigns.
4.2. Mythification of Alexander's figure.
4.3. The Alexander tradition.
4.4. The Hellenistic world.
UNIT 5: SPARTACUS AND SLAVERY IN ANCIENT ROME.
5.1. Slavery in ancient Rome.
5.2. Slave rebellions in Rome.
5.3. Spartacus's rebellion.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Analysis and debate of readings and films | 6 | 0.24 | 2, 5, 4, 9, 11 |
Lectures | 30 | 1.2 | 1, 5, 6, 8, 7, 9, 10, 3 |
Type: Supervised | |||
Group work and oral presentation | 31.5 | 1.26 | 2, 4, 7, 9, 11, 3 |
Type: Autonomous | |||
Compulsory readings | 25 | 1 | 2, 9, 3 |
Study and personal work | 35 | 1.4 | 2, 6, 7, 9, 10 |
Supplementary readings | 11 | 0.44 | 2, 9, 3 |
Watching of movies | 4 | 0.16 | 5, 3 |
This is an on-site course. Students are expected to work throughout its duration. Attendance to the lectures will allow the students to properly contextualise the course readings. Although there will be no attendance monitoring, attending to the lectures is key to successfully complete this subject.
Students must carry out a course work on some aspect of the subject's program, in group, that is demonstrative of the contents taught and studied. This work will be defended orally.
Please refrain from checking your mobile phone during the class.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Oral presentation in group on a subject determined by the professor | 20% | 4.5 | 0.18 | 4, 7, 9, 10 |
Written test consisting of short answer and essay questions | 40% | 1.5 | 0.06 | 1, 2, 6, 8, 7, 9, 10, 11, 3 |
Written test consisting of short answer and essay questions | 40% | 1.5 | 0.06 | 1, 2, 5, 6, 8, 7, 9, 10, 11, 3 |
CONTINUOUS ASSESSMENT
On carrying out each evaluation activity, lecturers will inform students (on Moodle) of the procedures to be followed for reviewing all grades awarded, and the date on which such a review will take place.
Weight of assessable activities:
40%: Written test consisting of short answer and essay questions (UNITS 1, 2 & 3). Week 8.
40%: Written test consisting of short answer and essay questions (UNITS 4 & 5). Week 16.
20%: Oral presentation in group on a subject determined by the professor. Weeks 14 & 15.
SINGLE ASSESSMENT.
Single assessment will consist of two activities:
75%: Written test consisting of short answer and essay questions (UNITS 1, 2, 34 & 5). Week 16.
25%: Oral presentation in group on a subject determined by the professor.
IMPORTANT REMARKS
PLAGIARISME
VIRTUAL OR HYBRID TEACHING
INTRODUCTION AND GENERAL BIBLIOGRAPHY
AGHION, Irène et al. (1997). Guía iconográfica de los héroes y dioses de la antigüedad, Madrid: Alianza.
BEARD, Mary (2013). La herencia viva de los clásicos, Barcelona: Crítica.
BEARD, Mary (2016). SPQR: Una historia de la Antigua Roma, Barcelona: Crítica.
CALVINO, Italo (2016), Per què llegir els clàssics, Barcelona: Edicions 62.
CANCIK, Hubert et al. (2002-2016). Brill's New Pauly: Encyclopaedia of the Ancient World, Leiden: Brill. [with specific volumes for Classical tradition. Online access through UAB's catalog].
GRAFTON, Anthony et al. (2010), The Classical Tradition, Cambridge/London: Belknap.
GRIMAL, Pierre (2008). Diccionari de mitologia grega i romana, Barcelona: Edicions de 1984.
JENKINS, Richard (ed.) (1995). El legado de Roma. Una nueva valoración, Barcelona: Crítica.
JENKINS, Richard (2015). Un paseo por la literatura de Grecia y Roma, Barcelona: Crítica.
JERPHAGNON, Lucien (2007). Historia de la Roma antigua, Barcelona: Edhasa. Ensayo histórico.
JONES, Peter (2013). Veni, vidi, vici. Hechos, personajes y curiosidades de la antigua Roma, Barcelona: Crítica.
LANE FOX, Robin (2007). El mundo clásico. La epopeya de Grecia y Roma, Barcelona: Crítica.
ORDINE, Nuccio (2017). Clàssics per a la vida, Barcelona: Quaderns Crema.
RUZÉ, Françoise - AMOURETTI, Marie-Claire (2000). El mundo griego antiguo: de los palacios cretenses a la conquista romana, Madrid: Akal.
UNITS 2& 3: BOOKS IN ANTIQUITY. THE TRANSMISSION OF CLASSICAL CULTURE
REYNOLDS, Leighton D. – WILSON, Nigel G. (20144). Scribes and Scholars. A Guide to the Transmission of Greek and Latin Literature, Oxford: Oxford University Press.
VALLEJO, Irene (2019). El infinito en un junco, Madrid: Ciruela.
UNIT 4: ALEXANDER AND THE HELLENISTIC WORLD
CARTLEDGE, Paul (2009). Alejandro Magno. La búsqueda de un pasado desconocido, Crítica/Ariel 2009.
UNIT 5: SPARTACUS AND SLAVERY IN ANCIENT ROME
FAST, Howard (2003) [19511]. Espartaco, Barcelona: Edhasa.
STRAUSS, Barry (2009). The Spartacus War, London: Phoenix.
WEB RESOURCES
None.
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PAUL) Classroom practices | 1 | Catalan | first semester | morning-mixed |
(TE) Theory | 1 | Catalan | first semester | morning-mixed |