Degree | Type | Year | Semester |
---|---|---|---|
2503702 Ancient Studies | OB | 3 | 2 |
2504394 English and Classics Studies | OT | 3 | 2 |
2504394 English and Classics Studies | OT | 4 | 2 |
You can check it through this link. To consult the language you will need to enter the CODE of the subject. Please note that this information is provisional until 30 November 2023.
This subject assumes the contents of the subjects dedicated to the study of the Latin language and Latin literature from the previous first and second courses of the Ancient Sciences degree.
The objective of this subject is to delve into some aspects of Latin literature, specifically in the genres of elegiac and didactic poetry, on the one hand, and in dramatic literature, on the other.To achieve this purpose, the historical and sociocultural circumstances in which the texts to be studied are produced will be taken into account, as well as the evolution of the mentioned literary genres.The central authors for their study will be Ovid for the elegiac and didactic genre, and Plautus, Terence and Seneca for the dramatic.
We will also work on and evaluate the own translation of the selected texts.
In order to broaden the focus and offer a more global perspective of each genre, the mentioned authors will necessarily be placed in relation to other authors of classical literature and with whom they have a gender affinity.The work of reading and interpreting the texts will lead to the consolidation and expansion of knowledge of the Latin language.
The contents of the subject, expressed in a general way, will be the following:
The classes
The classes are face-to-face and compulsory. The professor will accompany, with theoretical explanations, the presentation of both the literary genres and the authors and the written works.
He will work on a selection of texts, on which he will base the reading of the esmentats authors and the study of the literary genres.
One part of the methodology will consist of the translation of some of the Latin texts studied, in order to know the most significant three of the style of their authors and of the literary genre to which they pertain.
More than a year ago, the study had to arrive in translation at Plaute's Amphitruo and Ovidi's Heroida 12 (Medea).
Gender Perspective
it will be taken into account both in the use of inclusive language and in the selection and treatment of some of the texts, as well as its tradition will be highlighted.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Follow-up of the expositions of topics and commentary on texts | 40 | 1.6 | 2, 11 |
Participation in evaluable activities and exercises | 18 | 0.72 | 3, 5, 4, 9 |
Type: Supervised | |||
Tutorials for reading preparation | 6.8 | 0.27 | 1, 7, 2, 3, 5, 4, 9, 11, 10 |
Type: Autonomous | |||
Reading of the text (primary and secondary sources) and study of the topics | 70 | 2.8 | 2, 3, 5, 4, 9, 11 |
CONTINUOUS ASSESSMENT
All the tests and exercises that are indicated below are scored and valid for the follow-up of the student body and the calculation of the final grade. All activities are mandatory.
Control of readings
Amfitruo of Plautus: 15% Week 8
Ovid's Heroida 12 (Medea): 15% Week 8
Practices
1 Translation practice and commentary on plays 15% Week 10
1 Translation practice and commentary on Ovid's works 15% Week 10
exams
1 Translation test with a dictionary and commentary on a passage from a Latin drama (20%) Week 16
1 Translation test with a dictionary and commentary on a passage from a work by Ovid (20%) Week 16
SINGLE ASSESSMENT
Students who take the single assessment must:
1. HAND IN: a comment on the relevance of the gender perspective from the reading of Ovid's Heroides. (20%) Week 16
2. DO: 1 translation and commentary exercise on a text by Ovid (40%) Week 16 and 1 translation and commentary exercise on a Latin dramatic work (40%) Week 16
FOR THE TWO MODALITIES
In the event that the student performs any irregularity that may lead to a significant variation in the grade of an evaluation act, this evaluation act will be graded with 0, regardless of the disciplinary process that may be instituted. In the event that various irregularities occur in the evaluation acts of the same subject, the final grade for this subject will be 0.
At the time of carrying out each evaluation activity, the teacher will inform the students (Moodle) of the procedure and the date of revision of the qualifications.
The student will receive the qualification of "Not evaluable" as long as she has not delivered more than 1/3 of the evaluation activities.
Recovery
All students (continuous or single assessment) are entitled to a recovery test if the sum of all assessment items reaches 3.5.
Therecovery test will be indicated at the end of the course sufficiently in advance and gives the option of a maximum grade of 5 points.
In the event that the student body performs any irregularity that may lead to a significant variation in the grade of an evaluation act, this evaluation act will be graded with 0, regardless of the disciplinary process that may be instituted. In the event that various irregularities occur in the evaluation acts of the same subject, the final grade for this subject will be 0.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Ovid reading control | 15% | 1.3 | 0.05 | 1, 7, 2, 6, 3, 5, 4, 9, 8, 11, 10 |
Palutus reading control | 15% | 1.3 | 0.05 | 1, 7, 2, 6, 3, 5, 4, 9, 8, 11, 10 |
Practice about Ovid | 15% | 5 | 0.2 | 1, 7, 2, 6, 3, 5, 4, 9, 8, 11, 10 |
Practice on theater | 15% | 5 | 0.2 | 1, 7, 2, 6, 3, 5, 4, 9, 8, 11, 10 |
Prove about Ovid | 20% | 1.3 | 0.05 | 1, 7, 2, 6, 3, 5, 4, 9, 8, 11, 10 |
Prove on theater | 20% | 1.3 | 0.05 | 1, 7, 2, 6, 3, 5, 4, 9, 8, 11, 10 |
AUGOUSTAKIS, A. & Traill A. (ed.s) (2013), A Companion to Terence, London. –BAYET, J. (1966), Literatura latina, Barcelona. – BARTSCH, SH. - SCHIESARO, A. (eds.) (2015), The Cambridge Companion to Seneca, London. – BICKEL, E. (1982), Historia de la literatura romana, Madrid. - BIELER, L. (1969), Historia de la literatura romana, Madrid. - BIGNONE, E. (1942-1950), Storia della letteratura latina, Firenze. - BÜCHNER, K. (1968), Historia de la literatura latina, Barcelona. - CAVALLO, G. - FEDELI, P. - GIARDINA, A. (1989-2005), Lo spazio letterario di Roma antica. Vols. I-VI, Roma. - CAZZANIGA, I. (1962), Storia della letteratura latina, Milano. - CODOÑER, C. (ed.) (1997), Historia de la literatura latina, Madrid. - CONTE, G. B. (1987), Letteratura latina. Manuale storico dalle origini alla fine dell'Impero Romano, Firenze. - FRANKO, G.F. & DUTSCH, D. (eds.) (2020), A Companion to Plautus, London. – FUHRMANN, M. (ed.) (1985). Literatura romana. Madrid. - GENTILI, B. -STUPAZZINI, L. - SIMONETTI, M. (1987), Storia della letteratura latina. Roma-Bari. - GÓMEZ PALLARÈS, J. (2003), Studiosa Roma. Los géneros literarios en la cultura romana, UAB-Bellaterra (Barcelona). - HARDIE, Ph. (ed.) (2006), The Cambridge Companion to Ovid, Cambridge. - KNOX, P.E. (ed.) (2009), A Companion to Ovid, London - MCDONALD, M. - WALTON, J.M. (eds.) (2007), The Cambridge companion to greek and Roman theatre, Cambridge. – MARTIN T. D. (ed.) (2019), The Cambridge Companion to Roman comedy, Cambridge. – MARTIN, R. - GAILLARD, J. (1990), Les genres litteraires à Rome, Paris. - Von ALBRECHT, M. (1992), Geschichteder römischen Literatur. 2vols. München-New York-London-Paris. (trad. esp. D. Estefanía-A. Pociña, Barcelona, vol. I, 1997; vol. II, 1999). - ZEHMACKER, H. - FREDOUILLE, J.C. (1993), Littérature latine, Paris (20013).
None in particular