Degree | Type | Year | Semester |
---|---|---|---|
2500244 East Asian Studies | OT | 4 | 2 |
2504012 Spanish and Chinese Studies: Language, Literature and Culture | OT | 4 | 2 |
This is one of the subjects corresponding to the East Asian Culture, Art and Literature specialisation, and it develops and builds on the content of the Advanced Issues in East Asian Art and Popular Culture subject. It is not compulsory to take both subjects, however, unless you want the specialisation to be included on your European Diploma Supplement (DS).
East Asian Comparative Cultural Studies emphasises the transnational and negotiated dimension of cultural processes and dynamics. Its approach is based on that of the University of Birmingham's Centre for Contemporary Cultural Studies, which focuses on the importance of actors in cultural practices and on political and conflict-related aspects of power where all cultural processes' social regulation is concerned.
Students will become familiar with cultural studies by different East Asian authors who examine cultural phenomena/aspects of the region's social realities. They will also learn about the origins and the diversity of the approaches and methodologies that, as a hybrid discipline, cultural studies encompasses.
The subject’s specific objectives include:
- Acquiring theoretical and methodological knowledge appropriate to the analysis of the construction and reproduction of cultural perceptions related to prescriptive social discourses.
- Drawing on interdisciplinary knowledge acquired over the course of the degree programme in order to base thinking on historically situated reasoning and studies enriched by human multiplicity, rather than on any single approach or an abstract, timeless analysis.
- Improving students’ ability to think critically, their analytical skills, their ability to debate, and their intercultural and communication skills for exchanging ideas and experiences.
Unit 1
- What is meant by culture. Culture registers. Distinction and consumption. Introduction to the study of culture.
- Basics and origins of cultural studies: the Birmingham School and Stuart Hall.
- Examples of applied comparative cultural studies: media mix (video games, animation, etc.).
Unit 2
Many phenomena related to the major changes in East Asian societies over the last decades can be seen in contemporary cities. Urban planning is based on a hegemonic ideology that often overlooks individuals. We will see how the actors of cultural production have represented major urban changes and how individuals have reacted or adapted to them. We will look at how photography and cinema have contributed to the creation of the imagery of the contemporary city at the same time as calling the utopian vision of urban planners into question.
East Asian Comparative Cultural Studies classes will be based on a critical reading/analysis of written and audiovisual texts chosen by lecturers and discussed with the students. Additional materials will be used to examine the topics raised by the main texts in greater depth. The lecturers will lead debate and discussion sessions and establish elements to be analysed. The realization of individual or group assignments encourages the students to deeper focusing on particular themes of the subject. In those cases, the students will realize oral presentations to share with their classmates their research progresses. Over the course of the semester the lecturer will hold individual and/or group tutorials to help students with their work.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Analysis of papers, theoretical documents and cultural products/phenomena. | 10 | 0.4 | 1, 28, 17, 18, 7, 6, 2, 23, 26, 24, 25, 27, 32, 31, 30, 9 |
Type: Supervised | |||
Analysis of a product or a phenomenon of popular culture. | 10 | 0.4 | 1, 28, 17, 18, 7, 6, 2, 23, 26, 24, 25, 27, 32, 31, 30, 9 |
Type: Autonomous | |||
Reading of papers, theoretical documents and cultural products/phenomena. | 30 | 1.2 | 1, 28, 17, 18, 7, 6, 2, 23, 26, 24, 25, 27, 32, 31, 30, 9 |
Assessment tasks
• Written assignment on the history and methodology of cultural studies (unit 1). (20%)
• Written assignment for the analysis of a popular culture product (Unit 1). (30%)
• Written test on the content of Unit 2. (20%)
• During the Unit 2 sessions the student will write short analysis of cultural products/phenomena. (30%)
Related matters
The above information on assessment, assessment activities and their weighting is merely a guide. The subject's lecturer will provide full information when teaching begins.
Review
When publishing final marks prior to recording them on students' transcripts, the lecturer will provide written notification of a date and time for reviewing assessment activities. Students must arrange reviews in agreement with the lecturer.
Missed/failed assessment activities
Students may retake assessment activities they have failed or compensate for any they have missed, provided that those they have actually performed account for a minimum of 66.6% (two thirds) of the subject's final mark and that they have a weighted average mark of at least 3.5. Under no circumstances may an assessment activity worth 100% of the final mark beretaken or compensated for.
The lecturer will inform students of the procedure involved, in writing, when publishing final marks prior to recording them on transcripts. The lecturer may set one assignment per failed or missed assessment activity or a single assignment to cover a number of such activities.
Classification as "not assessable"
In the event of the assessment activities a student has performed accounting for just 25% or less of the subject's final mark, their work will be classified as "not assessable" on their transcript.
Misconduct in assessment activities
Students who engage in misconduct (plagiarism, copying, personation, etc.) in an assessment activity will receive a mark of “0” for the activity in question. In the case of misconduct in more than one assessment activity, the students involved will be given a final mark of “0” for the subject.
Students may not retake assessment activities in which they are found to have engaged in misconduct. Plagiarism is considered to mean presenting all or part of an author's work, whether published in print or in digital format, as one's own, i.e. without citing it. Copying is considered to mean reproducing all or a substantial part of another student's work. In cases of copying in which it is impossible to determine which of two students has copied the work of the other, both will be penalised.
More information: http://www.uab.cat/web/study-abroad/undergraduate/academic-information/evaluation/what-is-it-about-1345670077352.html
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Written analysis of cultural products/phenomena. (Unit 2) | 30% | 48 | 1.92 | 10, 15, 16, 3, 5, 4, 11, 19, 14, 22, 21, 26, 25, 27, 12, 13, 20, 32, 29, 9, 8 |
Written assignment for the analysis of a popular culture product. (Unit1) | 30% | 48 | 1.92 | 10, 17, 15, 16, 3, 5, 4, 11, 19, 21, 26, 24, 25, 27, 32, 31, 9, 8 |
Written assignment on the history and methodology of cultural studies. (Unit 1) | 20% | 2 | 0.08 | 1, 28, 17, 18, 7, 6, 2, 23, 26, 24, 25, 27, 32, 31, 30, 9 |
Written exam on the contents of Unit 2. | 20% | 2 | 0.08 | 7, 6, 2, 23, 31, 30, 9 |
Unit 1
Agger, B. (1992). Cultural Studies as Critical Theory. Philadelphia: Falmer. <http://cataleg.uab.cat/record=b1234229~S1*cat>.
Azuma, H. (2009). Otaku: Japan's Database Animals. Minneapolis: University of Minnesota Press. <http://cataleg.uab.cat/record=b1892513~S1*cat>.
Consalvo, M. (2016). Atari to Zelda: Japan's Videogames in Global Contexts. Cambridge i Londres: MIT Press.
Eagleton, T. (2001). La idea de cultura: una mirada política sobre los conflictos culturales. Barcelona: Paidós. <http://cataleg.uab.cat/record=b1524089~S1*cat>.
Grenville, B. (2001). The Uncanny: Experiments in Cyborg Culture. Vancouver: Vancouver Art Gallery. <http://cataleg.uab.cat/record=b1726935~S1*cat>.
Gunster, S. (2004). Capitalizing on Culture: Critical Theory for Cultural Studies. Toronto: Univ. of Toronto Press.
Hall, S. (1997). Representation: Cultural Representations and Signifying Practices. London: The Open University. <http://cataleg.uab.cat/record=b1400308~S1*cat>.
Hutchinson, R. (2019). Japanese Culture through Videogames. Londres & Nova York: Routdlege.
Itō, M.; Okabe, D.; Tsuji, I. (2012). Fandom Unbound: Otaku Culture in a Connected World. New Haven: Yale University Press. <http://cataleg.uab.cat/record=b1892547~S1*cat>.
Lewis, J. (2002). Cultural Studies: the Basics. Thousand Oaks, CA: SAGE. <http://cataleg.uab.cat/record=b1542652~S1*cat>
Lozano-Méndez, A. (ed.) (2016). El Japón contemporáneo: una aproximación desde los estudios culturales. Barcelona: Edicions Bellaterra. <http://cataleg.uab.cat/record=b1975381_S1*cat>.
Mechademia. Minneapolis, MN: University of Minnesota Press. <http://cataleg.uab.cat/record=b1806582_S1*cat>.
Storey, J. (1997, 2009). Cultural Theory and Popular Culture: An Introduction. New York: Prentice Hall, Harvester Wheatsheaf. <http://cataleg.uab.cat/record=b1405435_S1*cat> / <http://amzn.eu/6z0JeVa>.
____ (ed.) (2009). Cultural Theory and Popular Culture: A Reader. Harlow: Longman. <http://cataleg.uab.cat/record=b1847666_S1*cat>
Unit 2
Abbas, Ackbar M., (1997). Hong Kong: culture and the politics of disappearance. Minneapolis: University of Minnesota Press.
Braester, Yomi (2010). Painting the city red: Chinese cinema and the urban contract. Durham: Duke University Press.
Chang, Ivy I-chu. (2019). Taiwan Cinema, Memory, and Modernity. Singapore: Palgrave-Macmillan. [Libre en línea]
Cheung, Esther M. K., Marchetti, Gina & Yau, Esther C.M. (Eds.). (2015) A companion to Hong Kong cinema. Wiley Blackwell. [Llibre en línia]
Davis, Deborah S., (Ed.). (1995). Urban spaces in contemporary China: the potential for autonomy andcommunity in post-Mao China. Washington, D.C.: Woodrow Wilson Center Press; Cambridge; New York : Cambridge University Press.
Massey, Doreen. (1994). From Space, Place and Gender. Minneapolis: University of Minnesota Press.
Wong, Wendy Siuyi. (2018). The Disappearance of Hong Kong in Comics, Advertising and Graphic Design. Springer. [Llibre en línia]
Visser, Robin (2010). Cities surround the countryside: urban aesthetics in post-socialist China. Durham: Duke University Press
Wu, Hung (2005). Remaking Beijing: Tiananmen Square and the creation of a political space. Chicago: University of Chicago Press.
Zhang, Zhen (Ed.). (2007). The Urban generation: Chinese cinema and society at the turn of the Twenty-first Century. Durham: Duke University Press.
The course does not require any particular software. Students will only need the kind of apps necessary to conduct common academic tasks.