Degree | Type | Year | Semester |
---|---|---|---|
2500239 Art History | OT | 3 | 0 |
2500239 Art History | OT | 4 | 0 |
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Introduction to the Northern Rennaisance
1. The International Gothic
2. The Northern Rennaisance.
Master classes, class discussions and seminars, compulsory readings, individual exercises.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Directed | 120 | 4.8 | 3, 4, 2, 5, 1, 7, 8, 9, 11, 6 |
Type: Supervised | |||
Supervised | 10 | 0.4 | 3, 4, 2, 5, 1, 7, 8, 9, 11, 6 |
Type: Autonomous | |||
Autonomous | 20 | 0.8 | 3, 4, 2, 5, 1, 7, 8, 9, 11, 6 |
First written exercice: theme 1
Second written exercice: theme 2
Compuslory readings control
To pass the cours, the student must add a minimum of 50% of the total score.
The student who does not pass the course and has a minimum final grade of 3.5 may take an exame in which he will be examined of the suspenden part.
Students will receive the grade of "Not evaluable" as long as they have not submitted more than 30% of the evaluation activities.
At the time of each evaluation activity, the teacher will inform the students (Moodle) of the procedure and date of revision of the grades.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Compulsory Readings Control | 30% | 0 | 0 | 3, 4, 2, 10, 5, 1, 7, 8, 9, 11, 6 |
First written exercice | 20% | 0 | 0 | 3, 4, 2, 5, 1, 7, 8, 9, 11, 6 |
Second written exercice | 50% | 0 | 0 | 3, 4, 2, 5, 1, 7, 8, 9, 11, 6 |
COMPULSORY READINGS;
4) Panofsky, E., “Realidad y símbolo en la pintura flamenca primitiva: spiritualia sub metaphoris corporalium”, Los primitivos flamencos, Madrid: Cátedra, 1998, pp. 133-149.
5) Schapiro, M., “Muscipula Diaboli. El simbolismo del retablo de Mérode” (1945) y “Nota sobre el retablo de Mérode” (1959), Estudios sobre el arte de la Antigüedad Tardía, el Cristianismo primitivo y la Edad Media, Madrid: Alianza, 1987, pp. 12-27.
6) Rico, D., “Materia para la contemplación”, en Piedad Desplà. El proceso de restauración de la obra maestra de Bartolmé Bermejo, Barcelona: Fundación Banco Sabadell, 2016, pp. 29-38.
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