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2020/2021

Visual Studies

Code: 103053 ECTS Credits: 6
Degree Type Year Semester
2501928 Audiovisual Communication OT 3 0
The proposed teaching and assessment methodology that appear in the guide may be subject to changes as a result of the restrictions to face-to-face class attendance imposed by the health authorities.

Contact

Name:
Lidiane Nunes de Castro
Email:
Lidiane.Castro@uab.cat

Use of Languages

Principal working language:
spanish (spa)
Some groups entirely in English:
No
Some groups entirely in Catalan:
No
Some groups entirely in Spanish:
Yes

Prerequisites

To have passed the subjects of "Audiovisual Narrative" of the first year and "History of cinema" of the second year. Knowledge of English for viewings and readings.

Objectives and Contextualisation

The subject consists of a broad introduction to visual culture in all its facets in conjunction with the corresponding visual studies around which are concatenated the possibilities of understanding and analyzing one of the most important factors of contemporary society: the growing predominance of the visual.

The aim is to convey the idea that images are complex nuclei of knowledge exchange, emotions, information, symptoms, etc., that are essential to understanding both contemporary societies and the media through which they are articulated along with social and cultural history in general. Likewise, the subject also aims to provide the necessary visual tools to express, communicate, inform and create in the field of constantly renewed communication technologies.

Competences

  • Contextualise audiovisual media and its aesthetics from a historic perspective.
  • Demonstrate a critical and self-critical capacity.
  • Demonstrate a self-learning and self-demanding capacity to ensure an efficient job.
  • Demonstrate ethical awareness as well as empathy with the entourage.
  • Develop autonomous learning strategies.
  • Develop critical thinking and reasoning and be able to relay ideas effectively in Catalan, Spanish and a third language.
  • Differentiate the discipline’s main theories, fields, conceptual developments, as well as their value for professional practice.
  • Disseminate the area’s knowledge and innovations.
  • Manage time effectively.
  • Research, select and arrange in hierarchical order any kind of source and useful document to develop communication products.
  • Rigorously apply scientific thinking.

Learning Outcomes

  1. Apply theoretical principles to the analysis of audiovisual processes.
  2. Demonstrate a critical and self-critical capacity.
  3. Demonstrate a self-learning and self-demanding capacity to ensure an efficient job.
  4. Demonstrate ethical awareness as well as empathy with the entourage.
  5. Develop autonomous learning strategies.
  6. Develop critical thinking and reasoning and be able to relay ideas effectively in Catalan, Spanish and a third language.
  7. Disseminate the area’s knowledge and innovations.
  8. Identify interactions between history, aesthetics and audiovisual communication.
  9. Identify phenomena and consider theoretical problems regarding audiovisual communication.
  10. Manage time effectively.
  11. Research, select and arrange in hierarchical order any kind of source and useful document to develop communication products.
  12. Rigorously apply scientific thinking.

Content

1. Images and Complexity
• Visual Elements
• Perception
• Context and Visual Ecology
• Myths and Symbols

2. History
• Prehistorical Images
• Medieval Images
• Renaissance Images
• Baroque Images
• Artistic Avant-gardes

3. Art and Expression
• Fine Arts
• Photography
• Film
• Video
• Comics and Memes

4. Image and Technology
• 360º Images
• Virtual Reality
• Augmented Reality
• Holograms
• Video Games

5. Media and Visual Culture
• Spectacle and Simulacrum
• Ways of Seeing
• Visual Literacy
• Power and Ideology

6. Representation
• Gender
• Race and Ethnicity
• Social Class
• Sexual Orientation and Gender Identity

7. Methodologies of Visual Studies
• Hermeneutics
• Semiotics
• Iconologies
• Sociologies

Methodology

The sessions of the subject will be developed through different types of activities grouped within lectures and seminars.

The calendar will be available on the first day of class. Students will find all information on the Virtual Campus: the description of the activities, teaching materials, and any necessary information for the proper follow-up of the subject. In case of a change of teaching modality for health reasons, teachers will make readjustments in the schedule and methodologies.

Activities

Title Hours ECTS Learning Outcomes
Type: Directed      
Lectures 37.5 1.5 12, 1, 11, 2, 6, 9, 8
Seminars 15 0.6 12, 1, 11, 4, 5, 2, 6, 10, 9, 8
Type: Supervised      
Tutorship 7.5 0.3 12, 11, 3, 5, 2, 6, 10
Type: Autonomous      
Reading, viewing, attendance at events 82.5 3.3 1, 11, 3, 5, 6, 10, 9

Assessment

The final grade of the subject is a sum of the marks obtained by the students in four different sections. The score will be from 0 to 10 in all cases, but the assessment sections do not have the same percentage value:

a) Essay: 40% of the final mark of the students will correspond to the presentation of an individual essay assignment.

b) Escape Room: 30% of the final mark will be the result of the grade obtained in the preparation, execution and presentation of an Escape Room based on the contents of the subject and developed within a group.

c) Creative Dialogue: 20% of the final mark will correspond to the presentation of a Creative Dialogue assignment that can be done in pairs or trios.

d) Attendance and Participation: 10% of the final mark of the students will correspond to the attendance and active participation in the classroom.

 

Reassessment

Those who have participated in the evaluations and fail the Essay, the Escape Room or the Creative Dialogue will be entitled to the reassessment if they have failed the evaluation with a minimum grade of three points and have done the ordinary review. There will be no reassessment of the Attendance and Participation.

The grade obtained in the reassessment of a certain section will be added to the previous grade of this section and will be divided by two. This new grade will be weighted with the others that make up the final grade of the subject.

 

The student who performs any irregularity (copy, plagiarism, identity theft...) will be qualified with 0 in this assignment or exam. In case there are several irregularities, the final grade of the subject will be 0.

The proposed teaching methodology and evaluation activities may undergo some modifications depending on the health authorities' attendance restrictions.

Assessment Activities

Title Weighting Hours ECTS Learning Outcomes
Attendance and Participation 10% 0.75 0.03 4, 2, 10, 8
Creative Dialogue 20% 1.5 0.06 12, 1, 11, 3, 4, 5, 2, 6, 10, 9, 8
Escape Room 30% 2.25 0.09 12, 1, 11, 3, 4, 5, 2, 6, 7, 10, 9, 8
Essay 40% 3 0.12 12, 1, 11, 3, 4, 5, 2, 6, 7, 10, 9, 8

Bibliography

 
BASIC
 
BREA, José Luis (Ed.): Las tres eras de la imagen, Madrid, Akal, 2010.
CATALÀ, Josep M.: El murmullo de las imágenes, Santander, Shangrila, 2012.
CATALÀ, Josep M.: La forma del real. Introducció al Estudis Visuals, Barcelona, UOC, 2008.
GRAU, Oliver and Veigl, Thomas (Eds.): Imagery in the 21st. Century, Cambridge, MIT, 2012.
MIRZOEFF, Nicholas: An Introduction to Visual Culture. Londres, Routledge, 2009.
 
 
SUPPLEMENTARY
 
BAUMAN, Zygmunt: Modernidad Líquida, México. Fondo de Cultura Económica, 2000.
BERGER, John: Ways of Seeing, Londres, Penguin Classics, 2008.
BURNETT, Ron: How Images Think, Cambridge, The MIT Press, 2004.
CATALÀ, Josep M. (Ed.): El Cine de pensamiento. Formas de la imaginación Tecno-estética, Barcelona, Aldea Global, 2014.
CATALÀ, Josep M.: Estética del ensayo. La forma ensayo de Montaigne a Godard, València, PUV Universitat de València, 2014.
CATALÀ, Josep M.: La imagen compleja, Bellaterra, Servicio de publicaciones de la UAB, 2005.
CATALÀ, Josep M.: Pasión y conocimiento, Madrid, Cátedra, 2009.
CATALÀ, Josep M.: Viaje al Centro de las Imágenes, Santander, Shangrila, 2017.
DIDI-HUBERMAN, Georges: Ante la imagen: pregunta formulada a los fines de una historia del arte, Murcia, Cendeac, 2010.
DARLEY, Andrew: Cultura visual digital. Espectáculo y nuevos géneros en los medios de comunicación, Barcelona, Paidós, 2002.
DELEUZE, Gilles: La lógica de la sensación, Madrid, Arena Libros, 2002.
DURAND, Gilbert: Lo imaginario, Barcelona, Edicionesdel bronce, 2000.
ELKINS,James: The Domain of Images, Ithaca, Cornell University Press, 1999.
GRAU, Oliver: Virtual Art. From Illusion to Immersion, Cambridge, The MIT Press, 2003.
HJORTH, Larisa: Games and Gaming. An Introduction to the New Media, Nueva York, Berg, 2011.
HEER, Jeet y WORCESTER, Kent: Arguing Comics. Literary Masters on a Popular Medium, Jackson, University Press of Mississipi 2004.
JONES, Amelia (Ed.): The Feminism and Visual Culture Reader, Londres, Routledge, 2010.
MIRZOEFF, Nicholas: Visual Culture Reader. Londres, Routledge, 1998.
MITCHELL, W.J.T.: What do Pictures Want? Londres, The University of Chicago Press, 2005.
MOHOLY-NAGY, László: Pintura, fotografía, cine, Barcelona, Gustavo Gili, 2005.
PRADA, Juan Martin: El ver y las imágenes en el tiempo de Internet, Madrid, AKAL, 2018.
ROSE, Gillian: Visual Methodologies, Londres, Sage, 2001.
SCHAPIRO, Gary: Archeologies of Vision. Foucault and Nietzsche on seeing and saying, Chicago, The University of Chicago Press, 2003.
SILVERMAN, Kaja: El umbral del mundo visible, Madrid, Akal, 2009.
STAFFORD, Barbara Maria: Good Looking. Essays on the Virtue of Images, Cambridge, The MIT Press, 1997.
STEINICKE, Frank: Being Really Virtual. Immersive Natives and the Future of Virtual Reality, Berlín, Springer, 2016.
STOICHITA, Victor I.: La invención del cuadro, Barcelona, Edicionel del Serbal, 2000.
STOICHITA, Victor I., Simulacros: el efecto pigmalión: de Ovidio a Hitchcock, Madrid, Siruela,2006.
USLEGHI, Alejandra (Ed.): Walter Benjamin: Culturas de la imagen, Buenos Aires, Eterna Cadencia Editora, 2010.
WARDRIP-FRUIN, N. & HARRIGAN,P.: First Person. New Media as Story, Performance, and Game, Cambridge, The MIT Press, 2004.
WAJCMAN, Gérard: El ojo absoluto, Buenos Aires, Manantial, 2011.