Degree | Type | Year | Semester |
---|---|---|---|
2501928 Audiovisual Communication | OT | 4 | 0 |
It is recommended to have taken:
It is necessary to have knowledge of audiovisual language and the history of cinema.
This subject has two professors: Miguel Ángel Martín-Pascual (1st semester) and Ludovico Longhi (2nd semester).
The subject aims to introduce the students into the knowledge of the different tasks that the film director must fulfill when it comes to carrying out his cinematographic project. Some processes will be dealt with based on the previous deficiencies from the writing of the script to the postproduction, through the preparation of the shooting, the planning of the sequences, especially the direction of actors, the filming itself and the edition. The second objective is the critical analysis of exemplary stylistic solutions, used by renowned exponents of the cinematographic art. Finally, the subject intends to relate and apply the conceptual and pragmatic reflections in the elaboration and realization of a specific cinematographic product.
1. The notion of cinema direction
2. The direction of actors
3. The script from the direction perspective
4. The preparation of the filming or preproduction
5. Shooting, techniques and strategies
6. The figure of the director
The subject is organized by alternating master classes (where students work with methodological questions and theoretical knowledge) with practical classes (which analyze various exemplary stylistic solutions throughout the historical evolution of the cinematographic art) .
The students develop a series of tasks, group and individual. The products are periodically reviewed by the teacher.
The proposed teaching methodology and evaluation activities may undergo some modifications depending on the health authorities' attendance restrictions.
The calendar will be available on the first day of class. Students will find all information on the Virtual Campus: the description of the activities, teaching materials, and any necessary information for the proper follow-up of the subject. In case of a change of teaching modality for health reasons, teachers will make readjustments in the schedule and methodologies.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Classes | 15 | 0.6 | 13, 4, 2, 7, 8, 12, 14 |
Laboratory practices | 22.5 | 0.9 | 1, 3, 5, 6, 11, 9, 8, 12, 16 |
Seminars | 15 | 0.6 | 1, 3, 13, 4, 5, 2, 6, 10, 12, 17 |
Type: Supervised | |||
Tutorials | 7.5 | 0.3 | 15, 4, 5, 2, 6, 8, 10, 12, 17 |
Type: Autonomous | |||
Audiovisual work | 82.5 | 3.3 | 1, 15, 3, 4, 5, 2, 6, 11, 9, 8, 10, 12, 16, 17 |
The teaching methodology and the proposed evaluation may undergo some modification depending on the restrictions on attendance that the health authorities impose.
Exam: 25%
Practical work: 60%
Seminars: 15%
It is necessary to pass the exam and practical work to do the average and pass the subject. Students will be entitled to the revaluation of the subject. They should present a minimum of activities that equals two-thirds of the total grading. To have access to revaluation, the previous grades should be 3.5. The activities that are excluded from the revaluation process are seminars.
The student who performs any irregularity (copy, plagiarism, identity theft...) will be qualified with 0 in this assignment or exam. In case there are several irregularities, the final grade of the subject will be 0.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Audiovisual work | 60% | 2.5 | 0.1 | 1, 15, 3, 13, 4, 5, 2, 6, 11, 9, 10, 16, 14 |
Exam | 25% | 3 | 0.12 | 1, 15, 2, 6, 7, 10 |
Seminars | 15% | 2 | 0.08 | 1, 15, 2, 7, 8, 10, 12, 14, 17 |
ARTIS, Anthony Q. (2009). Cállate y rueda. Omega.
BORDWELL, David. (2006). The way Hollywood tells it. Story and Style in modern Movies. University of California Press. Berkeley.
CATALÀ, Josep Mª. (2001). La Puesta en imágenes: conceptos de dirección cinematográfica. Barcelona: Paidós.
FELDMAN Simon.(2004). El director de cine. Técnicas y herramientas. Barcelona: Gedisa.
MAMET, David (1999). True and False: Heresy and Common Sense for the Actor. (Hay edición en español, Verdadero y falso. Herejía y sentido común para el actor, Alba Editorial, 2011).
MARCOS MILANO, Mª del Mar (2009). Elementos estéticos del cine. Manual de dirección cinematográfica, Madrid: Fragua.
MERCADO, Gustavo. (2011). The Filmmaker's eye : learning (and breaking) the rules of cinematic composition. Amsterdam; Boston : Focal Press/Elsevier. (Hay edición en español, La Visión del cineasta : [las reglas de la composición cinematográfica y cómo romperlas]. Madrid: Anaya Multimedia).
RABIGER, Michael (2009). Dirección cinematográfica: técnica y estética. Barcelona: Ediciones Omega.
STANISLAVSKI, Constantin. (1936). An Actor Prepares. London: Methuen, 1988. (Hay múltiples ediciones en todos los idiomas).