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2020/2021

Artistic Projects

Code: 102030 ECTS Credits: 6
Degree Type Year Semester
2500797 Early Childhood Education OT 4 0
2500798 Primary Education OT 4 0
The proposed teaching and assessment methodology that appear in the guide may be subject to changes as a result of the restrictions to face-to-face class attendance imposed by the health authorities.

Contact

Name:
Mar Morón Velasco
Email:
Mar.Moron@uab.cat

Use of Languages

Principal working language:
catalan (cat)
Some groups entirely in English:
No
Some groups entirely in Catalan:
Yes
Some groups entirely in Spanish:
No

Teachers

Mario Nofre Maiz

Prerequisites

To take this subject, it is recommended to have passed the compulsory subjects in the area, the EP Degree and / or the EI Degree:"Music and visual education", EP2; "Music, visual and learning education", EP3; "Visual Arts Education I", EI3 i "Education of the Visual Acts II", EI3.

This subject is part of the mention of PERFORMATIVE ARTS EDUCATION.

 

 

Objectives and Contextualisation

Know how to develop each of the phases of a creative process to realize an artistic project: Since finding the first idea concerning search, search of materials, the chosen artistic language, technical resources ... to the end result.

Get and internalize the conceptual resources necessary to create applications of projective character models; to develop his professional activity as teachers.

Competences

    Early Childhood Education
  • Acquire habits and skills for cooperative and autonomous learning and promote the same in pupils.
  • Analyse and recognize one’s own socio-emotional skills (in terms of strengths, potentials and weaknesses) to develop those necessary for work and professional development.
  • Develop strategies for autonomous learning.
  • Express other languages and use them for educational purposes: corporal, musical, audiovisual.
  • Systematically observe learning and coexistence contexts and learn to reflect on them.
  • Work in teams and with teams (in the same field or interdisciplinary).
    Primary Education
  • Analyse and recognise one’s own socio-emotional skills (in terms of strengths, potentialities and weaknesses), to develop those that they are necessary for professional development.
  • Design, plan and evaluate education and learning processes, both individually and in collaboration with other teachers and professionals at the centre.
  • Develop autonomous learning strategies.
  • Maintain a critical and autonomous relationship with respect to knowledge, values and public, social and private institutions.
  • Reflect on classroom experiences in order to innovate and improve teaching work. Acquire skills and habits for autonomous and cooperative learning and promote it among pupils.
  • Work in teams and with teams (in the same field or interdisciplinary).

Learning Outcomes

  1. Acquire criteria and resources to advise and intervene at the primary education stage.
  2. Be open to signs of aesthetic, social and cultural changes that make it possible to avoid aesthetic or didactic stereotypes.
  3. Demonstrate capacity for creation and reflection in carrying out artistic projects.
  4. Demonstrate competence in the comprehension and dissemination of the different artistic manifestations in different communicative and multicultural formats.
  5. Demonstrate competence in understanding and disseminating the various manifestations of art in different communicative and multicultural formats.
  6. Displaying creative and reflective capabilities in the implementation of art projects.
  7. Express critical and objective arguments with respect to the functions and tasks performed by social institutions.
  8. Guide parents regarding family education in the 0-6 period.
  9. Have a deeper knowledge of the appropriate procedures and techniques for artistic practice.
  10. Have knowledge of the appropriate digital technology for artistic practice.
  11. Have the capacity to organize both personal and group work to perform the tasks required of the subject.
  12. Know in depth about suitable procedures and techniques for artistic practice.
  13. Offer critical and objective arguments with respect to the functions and tasks carried out by social institutions.

Content

PROJECT 1. THE SECOND SKIN.

The body as a container of experiences, personal, intimate and private space, as support, as packaging and limit ... the axis of artistic productions will become

Some of the movements and artists reference discussed in class: Body art, Land art, Marcel Duchamp, Man Ray, Yves Klein, Bruce Nauman, Vito Acconci, Gioseppe Penone, Gilbert and George,

Otto Muehl, Marina Abramovic, Herman Nitsch, Piero Manzoni, Chris Burden, Dennis Oppenheim, Orlan, Rebecca Horn, Lousie Bourgeois, Ana Mendieta, Cindy Sherman; Kiki Smith, Janine Antoni, Franz West, etc.

 

PROJECT 2. A place to explore.

Space, environment, time, routes, travel, road, landscape ...

Some of the movements and artists reference discussed in class: Situationists, Land Art, Bill Viola, Roman Opalka, On Kawara, etc.

 

Methodology

Interdisciplinary art projects related to the visual and plastic education: students will delve into the interplay of artistic disciplines and productive features cultural knowledge application context.
The classroom will be considered as a creative space. On the one hand they are presented several artistic references (Pictures, videos and visiting art centers) .Moreover individually supervised tutorials and presentations will be in public project status of each student / a.

DYNAMICS WILL CONTINUE EDUCATION METHODOLOGICAL PERFORMATIVE ARTS.

ALL SESSIONS WILL BE ATTENDANCE (review schedule).

Our teaching approach and assessment procedures may be altered if public healthauthorities impose new restrictions on public gatherings for COVID-19

Activities

Title Hours ECTS Learning Outcomes
Type: Directed      
Explore art as a critical tool of society and of educational models 20 0.8 1, 2, 7, 5
RESEARCH AND APPLICATIONS 55 2.2 1, 2, 5
Research and recognition of subjectivity and its mechanisms of expression 25 1 1, 12, 7, 5
Type: Supervised      
PRODUCTION 20 0.8 12, 7, 5
Type: Autonomous      
Conducting research and project preparation. 20 0.8 1, 2, 5

Assessment

The evaluation will be continued. The work done in class will be valued throughout its creation process, as well as the concepts and research that make it up. Project presentations and discussions, reflections and analysis. A minimum of 80% class attendance is required to pass the course.
										
											
										
											 
										
											PROJECT 1. THE SECOND SKIN. Carry out an artistic project based on the concept of the body. INDIVIDUAL. Presentation in class 5 ', result of the works and personal reflection of the own process. Delivery at the end of October.
										
											
										
											Formal development: 30%
										
											
										
											Poetic and discursive coherence: 40%
										
											
										
											Quality throughout the process: 30%
										
											
										
											 
										
											PROJECT 2. A PLACE TO EXPLORE. Carry out an artistic project from a place to explore, to rediscover, to know ... Reflect and analyze the possibilities of applying this type of work in school, from an interdisciplinary, multidisciplinary project and transdisciplinary. GROUP WORK (approximately 5 people). Public presentation of 5 'of the result of the works. Delivery at the end of November.
										
											
										
											Interaction and negotiation skills: 30%
										
											
										
											Formal development: 20%
										
											
										
											Poetic and discursive coherence: 30%
										
											
										
											Quality throughout the process: 20%
										
											
										
											 
FINAL DOSSIER: delivery in the second week of January.
										
											
										
											The personal reflections of the 2 works carried out
										
											
										
											Reflection on the application of this type of project in the school, to analyze the changes that could suppose in the schools where we have realized the practices.
										
											
										
											Critical reflection of the course and of the subject.

RECOVERY DATE: one week after knowing the final grade, the recovery will be adapted to the shortcomings of each student. The maximum grade for recovery will be a 5.

One ofthe necessary criteria to pass this subject will be to show, throughout the course, that the student has developed some personal and social skills essential to be "a good teacher": active participation in classes, responsibility and rigor in autonomous work, not judging, arguing, appropriate use of electronic devices (mobile, computer, etc.), critical thinking and behaviors that favor a friendly and positive environment, democratic and where differences are respected. The subject teacher will observe, document the sessions and write down evidence in relation to these personal and social skills of the students; and will be evaluated throughout the course.

It is also necessary that the student shows a good general communicative competence, both orally and in writing, and a good command of the language or languages that appear in the teaching guide.

The assessment will also focus on skills for cooperative and teamwork and will be gender sensitive.

 

Assessment Activities

Title Weighting Hours ECTS Learning Outcomes
DOSSIER FINAL. INDIVIDUAL 20 4 0.16 8, 1, 11, 10, 12, 9, 2, 7, 13, 6, 3, 5, 4
Project 1. Second Skill. INDIVIDUAL 40 3 0.12 1, 12, 2, 7, 6, 5
Project 2. PAKAGE. GROUP. 40 3 0.12 1, 11, 10, 12, 9, 2, 7, 6, 5, 4

Bibliography

Proyecto 1

Tanizaki, J. (2008). El elogio de la sombra. Madrid: Siruela

Tanizaki, J. El poder del tacto.

Rancière, J. (2002). La división de lo sensible. Estética y política. Centro de Arte de Salamanca.

Bozal, V. (1999). El gusto. Madrid: Editorial Visor.

García Cortés (1997). El cuerpo mutilado. Valencia: Generalitat Valenciana.

Pardo, J. L. (1992). Las formas de la exterioridad. Pre-textos.

 

Proyecto 2

Nauman, B. (1994). Museo National Centro de Arte Reina Sofia. Madrid.

Orozco, G. (2005). Museo Nacional Centro de Arte Reina Sofia, Madrid.

Marina, J. A. (1996). El Laberinto Sentimental. Anagrama public.

Rem Koolhaas, (2002). Espacio basura.  Barcelona: Col.lecció Mínima de l’editorial Gustavo Gili.

Ardenne, P. (2006). Un Arte Contextual. Creación artística en medio urbano, en situación, de intervención, de participación. Murcia: Centro Documentación y Estudios Avanzados Arte

Augé, M. (2004). Los no lugares. Gedisa.

Carere, F. (2002). Walkscapes. El andar como práctica estética. Barcelona: Ed. Gustavo Gili.

Joseph, I. (2002). El transeunte y el espacio urbano. Gedisa.


Roger, A. (2000). Breu tractat del paisatge. Barcelona: Edicions La Campana.

Walser (2001). El paseo. Siruela.

 

Bibliografia complementària:

Ábalos, I. (2001). La buena vida, Visita guiada a las casas de la modernidad. Barcelona: Editorial Gustavo Gili.

Eduardo Outeiro Ferreño, (2011). Cabañas para pensar. Larva, Fundación Luis Seoane.

Danto, A. C. (2002). La transfiguración del lugar común. Una filosofía del arte. Barcelona: Paidós.

Robert Smithson. El paisaje entrópico, una retrospectiva, 1960-1973, (1993), IVAM Centre Julio González, Generalitat Valenciana, Conselleria de Cultura, Educació i Ciencia.

Perec, G., (1999). Especies de espacios. Edición española propiedad de Literature y Ciencia, Barcelona

Wolf, Virginia (1986). Una habitacion propia, Seix Barral. Barcelona.

Bachelard, G. (1994) La poetica del espacio. Méjico: Fondo de Cultura Económica.

Maderuelo, J. (1990). El espacio raptado. Madrid: Ed. Mondadori.

Heidegger, M. (1994). Construir‐Habitar‐Pensar. Barcelona: Serbal.

Bartomeu Marí, Lars Bang Larsen i Palle Nielsen (2010). El model. Un model per a una societat cualitativa. Barcelona: MACBA.

Constantin Brancusi. (1997). Ediciones Polígrafa, S. A. Barcelona.

 

GENERAL

EDGAR ALLAN (2001). Método poético y narrativo. CastellÓ: Ellago Ediciones
SCHAPIRO, M. (1993). El arte moderno, Madrid: Alianza Editorial
STANGOS, N. (1997). Conceptos de arte moderno. Madrid: Alianza Editorial
ROSALIND E. KRAUSS (2002). Pasajes de la escultura moderna. Madrid: Ediciones Akal MARCHAN FIZ, S. (1986). Del arte objetual al arte de concepto. Madrid: Ediciones Akal, S. A.

DEWEY, J. (2008), El arte como experiencia. Barcelona: Paidós