Degree | Type | Year | Semester |
---|---|---|---|
2500239 Art History | OB | 2 | 1 |
2500241 Archaeology | OT | 3 | 0 |
2500241 Archaeology | OT | 4 | 0 |
2500243 Classics | OT | 3 | 0 |
2500243 Classics | OT | 4 | 0 |
2503702 Ancient Studies | OT | 4 | 0 |
Good level of reading foreign languages (English, Italian, French).
To provide fundamental knowledge of stylistic, technical, iconographic and historical nature of the artistic productions of the Roman civilization.
The student will be qualified to analyse the works, to locate them in the period in which they were produced and to relate them with the cultural context of their time.
1. Lectures.
2. Tutorship of the student's work.
Both activities will be face-to-face, unless circumstances do not allow it. In that case, they would be virtual through the different existing systems (Teams ...).
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Lectures | 43.5 | 1.74 | 8, 9, 47, 15, 36, 17, 1, 30, 37, 51, 44, 46, 55, 70, 73, 74, 19, 81 |
Type: Supervised | |||
Tutorship of the student's work | 5 | 0.2 | 8, 9, 47, 15, 35, 36, 17, 1, 30, 37, 44, 46, 62, 67, 19, 75 |
Type: Autonomous | |||
Study | 70 | 2.8 | 8, 9, 47, 15, 17, 1, 30, 37, 44, 46, 55, 62, 70, 74, 19, 75 |
Activities
1. Exam. According to the guidelines indicated by the lecturer. Minimum grade to do average: 3'5 points out of 10. If the grade is lower, the exam will have to be repeated on the date set for the recuperation.
2. Coursework. According to the guidelines indicated by the lecturer. This activity is not recoverable.
3. Oral presentation of the coursework. According to the guidelines indicated by the lecturer. This activity is not recoverable.
Clarifications
In the event that tests or exams cannot be taken onsite, they will be adapted to an online format made available through the UAB’s virtual tools (original weighting will be maintained). Homework, activities and class participation will be carried out through forums, wikis and/or discussion on Teams, etc. Lecturers will ensure that students are able to access these virtual tools, or will offer them feasible alternatives.
The lecturer will inform the students (Moodle) of the procedure and date of revision of the exam.
The student will receive the grade of Non-evaluable as long as they have not submitted any evaluation activity.
Plagiarism
In the event of a student committing any irregularity that may lead to a significant variation in the grade awarded to an assessment activity, the student will be given a zero for this activity, regardless of any disciplinary process that may take place. In the event of several irregularities in assessment activities of the same subject, the student will be given a zero as the final grade for this subject.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Coursework | 30% | 30 | 1.2 | 8, 10, 5, 47, 15, 35, 36, 21, 17, 20, 1, 2, 61, 65, 33, 37, 41, 31, 82, 44, 46, 54, 66, 57, 62, 78, 67, 68, 71, 19, 77, 32, 75, 86, 81 |
Exam | 50% | 1.25 | 0.05 | 8, 9, 10, 5, 6, 4, 47, 7, 14, 15, 13, 11, 12, 76, 36, 63, 64, 20, 22, 1, 3, 25, 26, 23, 24, 27, 30, 28, 29, 58, 60, 59, 34, 37, 38, 39, 41, 40, 49, 53, 48, 52, 51, 43, 42, 44, 46, 50, 45, 56, 55, 70, 69, 73, 74, 19, 72, 16 |
Oral presentation of the coursework | 20% | 0.25 | 0.01 | 35, 36, 18, 67, 32, 79, 85, 84, 83, 80 |
AA.VV. (1981-1998): Lexicon Iconographicum Mytologiae Classicae (= LIMC), vols. I-VIII, Zurich-Munich.
AA.VV. (2006): Couleurs et mattières dans l'antiquité: textes, tecniques et pratiques, Paris.
Andreae, Bernard (1984): Arte romano, Roma.
Baldasarre, Ida et alii (2002): Pittura romana: dall'ellenismo al tardo-antico, Milano.
Baratte, François (1996): L'Art romain: histoire de l'art antique, Paris.
Barbet, Alix (1985): La Peinture murale romaine: les styles décoratives pompéiens, Paris.
Bianchi Bandinelli, Ranuccio (1970): Roma centro de poder, Madrid.
Bianchi Bandinelli, Ranuccio (1971): Roma el fin del arte antiguo, Madrid.
Bianchi Bandinelli, Ranuccio (1973): Storicità dell'arte classica, Bari.
Bianchi Bandinelli, Ranuccio (1981): Del Helenismo a la Edad Media, Madrid.
Dunbabin, Katherine (1999): Mosaics of the Greek and Roman World, Oxford.
Falcón Martínez, Constantino et alii (1997): Diccionario de mitología clásica, 2 vols., Madrid.
Fejfer, Jane (2008): Roman portraits in context, Berlin-New York.
Gros, Pierre (1996): L'Architecture romaine I, Paris.
Gros, Pierre (2001): L'Architecture romaine II, Paris.
Gros, Pierre - Torelli, Mario (1994): Storia dell'urbanistica. Il mondo romano, Roma-Bari.
Grossman, Janet (2003): Looking at Greek and Roman sculpture in stone: A guide to terms, styles and techniques, Los Angeles.
Henig, Martin (1985): El arte romano, Barcelona.
Hölscher, Tonio (1987): Il linguaggio dell'arte romana, Torino.
Kleiner, Diana (1993): Roman Sculpture, Nova York.
Kousser, Rachel M. (2008): Hellenistic and Roman sculpture. The allure of the classical, Cambridge.
Lancha, Janine (1997): Mosaïque et culture dans l'Occident romain, Ier.- Vè. siècles, Rome.
López Barja de Quiroga, Pedro et alii (2004): Historia de Roma, Madrid.
L'Orange, Hans Peter (1972): Art forms an civic life in the late Roman Empire, Princeton.
Marta, Roberto (1985): Architettura romana. Tecniche costruttive e forme architettoniche del mondo romano, Roma.
Marconi, Clemente (2015): The Oxford handbook of Greek and Roman art and architrecture, New York.
Ocampo, Estela (1988): Diccionario de términos artísticos y arqueológicos, Barcelona.
Sauron, Gilles (2000): L'Histoire végétalisé. Ornement et politique a Rome, Paris.
Turcan, Robert (1995): L'Art romain dans l'histoire: six siècles d'expressions de la romanité, Paris.
Zanker, Paul (1992): Augusto y el poder de las imágenes, Madrid.