Degree | Type | Year | Semester |
---|---|---|---|
2500798 Primary Education | OT | 4 | 1 |
You can check it through this link. To consult the language you will need to enter the CODE of the subject. Please note that this information is provisional until 30 November 2023.
To study this subject, it is advisable to have a practical base in the field of Body Expression.
Students should be able to:
1- Develop expression and communication capabilities of the body.
2- Develop creative possibilities for individual work in a group.
3- Learn to build a fictional and dramatic space as a place of application and experimentation of the mechanisms of expression-body communication
4- Master the basic procedures for teaching Corporal Expression in Primary Education.
5- Acquire favorable attitudes toward an educational conception of corporal expression, essential for the integral formation of the person.
- Body language and body language.
- The body expressiveness as the study of movement in space.
- The body expressiveness as the study of movement in the space occupied by others.
- The expressive exploration of time.
- The expression of emotions.
- Measurement and evaluation of human expressiveness.
- Creating a fictional and dramatic space.
Methodology
The course consists of theoretical and practical sessions:
The theoretical sessions will be conducted mainly through presentations by the teacher in relation to the basic contents of the syllabus. Encouraging student participation.
The practical sessions will involve a major body work experienced by students. This work will be done from the application of various methodologies. The teacher will also provide adequate theoretical support to practice and will encourage the students to reflect from their experience.
The sessions will be conducted basically from the teacher proposals however, in the last classes intervention will be key for students in small groups, choose and develop a project likely to be represented.
In one of the last classes, students will dedicate 15 'to respond to the surveys about the evaluation of teaching activity and on the subject.
IMPORTANT ANNOUNCEMENT:
OUR TEACHING APPROACH AND ASSESSMENT PROCEDURES MAY BE ALTERED IF PUBLIC HEALTH AUTHORITIES IMPOSE NEW RESTRICTIONS ON PUBLIC GATHERINGS FOR COVED-19
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Theoretical-practical sessions will be conducted mainly through exhibitions by the teacher in relation to the basic contents of the agenda, encouraging student participation. | 45 | 1.8 | 1, 13 |
Type: Supervised | |||
Supervised practice sessions | 20 | 0.8 | 1, 13 |
Type: Autonomous | |||
Study and personal work | 75 | 3 | 1, 13 |
Study and personal work | 0 | 0 | 5 |
IMPORTANT ANNOUNCEMENT:
THE TEACHING METHODOLOGY I THE EVALUATION PROPOSED MAY EXPERIENCE SOME MODIFICATION DEPENDING ON THE RESTRICTIONS TO THE PRESENTIALITY THAT THE SANITARY AUTHORITIES IMPOSE.
Evaluation
Assessment tasks:
Individual
- Work, in writing, critical reflection on two shows of theater and / or professional dance (15%)
- Journal of the subject -Activity complementarily (10%)
Couples
- Reasoned, in writing, of each practice session (5%) Comments
- Representation of an exercise (15%)
Small groups
- Representation of an exercise (15%)
- Artistic and expressive Project (40%)
Observations
To pass the course:
- Should attend (at least) 80% of the contact hours.
- For maximum rating, you must present complementary activity (10%). This activity, unlike the others, only be taken into account in the final assessment, if it has achieved a score equal to or greater than 5.
SINGLE EVALUATION
This Assignature contemplates the unique evaluation but, it is important to keep in mind that, this option does not exempt at least 80% of the sessions.
EVALUATION ACTIVITIES AND DELIVERY DATE/COMPLETION
- Written exam on the contents of the subject. 30%
- Individual representation of an exercise. Content: spatial and temporal perception. Duration: 2 minutes. (15%)
- Individual representation of an exercise. Content: Expression emotions/sensations. Duration: 2 minutes. (15%)
- Individual realization of an artistic-expressive project. (40%) The project will consist of two parts (practice+ theoretical):
- Practical part: From a specific topic and within the scope of theater and/or dance, an important work will have to be developed, to be represented. (30%)
- Theoretical part: prepare in writing a proposal similar to the project presented, adapted to Primary Education Stage(10%)
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
For couples: Representation of an exercise | 15% | 0 | 0 | 6, 5, 13 |
For small groups: Artistic and expressive project | 40% | 10 | 0.4 | 2, 11, 3, 4, 5, 7, 9, 8, 10, 12, 13 |
For small groups: Representation an exercise | 15% | 0 | 0 | 1, 6, 11, 5, 13 |
Individual: Journal/dossier of the course (complementary activity) | 10% | 0 | 0 | 5, 13 |
Individual: Work, in writing, critical reflection on two shows of theater and/or profesional dance | 15% | 0 | 0 | 1, 6, 13 |
Three-group people: A written comment of each "practica" session | 5% | 0 | 0 | 1, 11, 13 |
EXPRESSION AND BODY LANGUAGE/DANCE AND DRAMATIZATION
Alvarez-Novoa, C. (1995). Dramatización: el teatro en el aula. Barcelona: Octaedro
Bernard, M. (1994). El cuerpo. Un fenómeno ambivalente. Buenos Aires: Paidós
Birdwhistell, R.L (1979). El lenguaje de la expresión corporal. Barcelona: Gustavo Gili
Boal, A. (1997). Juegos para actores y no actores. Barcelona: Alba
Cañas, J. (1992). Didáctica de la expresión dramática. Barcelona: Octaedro
Castañer, M. (2000). Expresión corporal i danza. Barcelona: INDE
Darwin, Ch. (1984). La expresión de las emociones en los animales y en el hombre. Madrid: Alianza
Davis, F. (1976). La comunicación no verbal. Madrid: Alianza
Eines, J., Mantovani, A. (2002). Didáctica de la dramatización. Barcelona: Gedisa
Knapp, M.L. (1995). La comunicación no verbal. El cuerpo y el entorno. Barcelona: Paidós
Laferrière, G., Motos, T. (2003). Palabras para la acción. Ciudad Real: Ñaque
Learreta, B. (2005). Los contenidos de expresión corporal. Barcelona: INDE
Lepecki, A. (2009). Agotar la danza. Performance i política del movimiento. Barcelona: Universidad de Alcalá i Mercat de les Flors
Mateu, M. (1992). 1000 ejercicios yjuegos aplicados a las actividades corporales de expresión. Barcelona: Paidotribo
Montesinos, D. (2004). La Expresión Corporal. Su enseñanza por el método natural evolutivo. Barcelona: INDE
Renobell, G. (2009). Todo lo que hay que saber para bailar en la escuela. Barcelona: INDE
Tejerina, I. (1994). Dramatización y teatro infantil. Madrid: siglo XXI
Viciana, V., Arteaga, M. (1997). Las actividades coreográficas en la escuela. Barcelona: INDE
The Moodle Classrooms of the UAB to perform group activities will be used.