Degree | Type | Year | Semester |
---|---|---|---|
2500239 Art History | OB | 2 | 1 |
2503702 Ancient Studies | OT | 4 | 1 |
Foreign language skills at a level of reading comprehension are required in order to carry out supervised and autonomous activities, especially English and Italian.
To provide fundamental knowledge of stylistic, technical, iconographic and historical nature of the artistic productions of the pre-Hellenic and ancient Greek civilizations. The student will be qualified to analyse the works, to locate them in the period in which they were produced and to relate them with the cultural background of their time.
1. Pre-Hellenic Art and the beginnings of the Iron Age.
2. Greek architecture.
3. Greek sculpture.
4. Greek ceramics and painting.
6. Votive art and Luxury arts in the Greek civilization.
7. Fundamental aspects of Greek iconography.
- Theoretical lessons.
- Learning by tasks: Elaboration of works and oral presentations in the classroom using bibliographic documentation and diverse resources of specialized information.
- Tutorials by using the Moodle.
- Tutorship of the supervised activities and the individual work of the student.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Lectures | 43.5 | 1.74 | 5, 6, 4, 3, 18, 7, 19, 8, 1, 2, 11, 10, 20, 13, 14, 16, 15, 17, 22, 21, 9, 23, 12, 24 |
Type: Supervised | |||
Programmed tutorships to support learning and work preparation | 5 | 0.2 | 13, 12, 24 |
Type: Autonomous | |||
Elaboration of works, documentary and bibliographical consultations, personal study | 70 | 2.8 | 5, 6, 4, 3, 18, 7, 19, 8, 1, 2, 11, 10, 20, 13, 14, 16, 15, 17, 22, 21, 9, 23, 12, 24 |
1. Written proof. Minimum grade to be able to average: 3.5 p. about 10. If the grade is lower, it must be repeated on the date set for recovery.
2. Coursework. This activity is not recoverable.
3. Recommended readings. This activity is not recoverable.
In the event that tests or exams cannot be taken onsite, they will be adapted to an online format made available through the UAB’s virtual tools (original weighting will be maintained). Homework, activities and class participation will be carried out through forums, wikis and/or discussion on Teams, etc. Lecturers will ensure that students are able to access these virtual tools, or will offer them feasible alternatives.
The lecturer will inform the students (Moodle) of the procedure and date of revision of the exam.
The student will receive the grade of Non-evaluable as long as they have not submitted any evaluation activity.
Plagiarism
In the event of a student committing any irregularity that may lead to a significant variation in the grade awarded to an assessment activity, the student will be given a zero for this activity, regardless of any disciplinary process that may take place. In the event of several irregularities in assessment activities of the same subject, the student will be given a zero as the final grade for this subject.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Coursework | 30% | 30 | 1.2 | 5, 6, 4, 3, 18, 7, 19, 8, 1, 2, 11, 10, 20, 13, 14, 16, 15, 17, 22, 21, 9, 23, 12, 24 |
Recommended readings | 20% | 0.25 | 0.01 | 5, 6, 4, 3, 18, 19, 8, 1, 2, 11, 10, 20, 13, 14, 16, 15, 17, 22, 21, 9, 23, 12, 24 |
Written proof | 50% | 1.25 | 0.05 | 5, 6, 4, 3, 18, 7, 19, 8, 1, 2, 11, 10, 20, 13, 14, 16, 15, 17, 22, 21, 9, 23, 12, 24 |
ALCOCK, Susan E., OSBORNE, Robin (Eds.), Classical Archaeology, Oxford, 2007.
BARLETTA, Barbara A., The Origins of the Greek Architectural Orders, Cambridge, 2001.
BIANCHI BANDINELLI, Ranuccio, Introducción a la arqueología clásica como historia del arte antiguo, Madrid, 1982.
BIANCHI BANDINELLI, Ranuccio, Storicità dell'arte classica, Firenze, 1943.
BOARDMAN, John, Athenian Black Figure Vases. A Handbook, London, 1974.
BOARDMAN, John, Athenian Red Figure Vases. The Archaic Period, London, 1975.
BOARDMAN, John, Greek Sculpture. The Archaic Period, London, 1978.
BOARDMAN, John, Greek Sculpture. The Classical Period, London, 1985.
BOARDMAN, John, El arte griego, Barcelona, 1991.
BOARDMAN, John, Greek Sculpture. The late Classical Period, London, 1995.
BRINKMAN, Vinzenz, El color de los Dioses, Madrid, 2009.
CHARBONNEAUX, Jean - MARTIN, Roland - VILLARD, François, Grecia arcaica (620-480 a C.), Madrid, 1969.
CHARBONNEAUX, Jean - MARTIN, Roland - VILLARD, François, Grecia clásica (480-330 a C.), Madrid, 1970.
CHING, Francis D.K., Architecture: Form, Space and Order, Washington, 2012.
CLINE, Eric H., The Oxford Handbook of the Bronze Age Aegean, Oxford, 2012.
DICKINSON, Oliver, The Aegean Bronze Age, Cambridge, 1994.
Enciclopedia dell'Arte antica, classica e orientale (=EAA), vols. I-VII et supp., Roma, 1958-1985.
GRAHAM, James Walter, The Palaces of Crete, Princeton, 2017 (ed. revisada).
GRIMAL, Pierre, Diccionario de mitología griega y romana, Barcelona, 2008.
HAMILAKIS, Yannis (ed.), Labyrinth Revisited: Rethinking "Minoan" Achaeology, Oxford, 2002.
HELLMANN, Marie-Christine, L'architecture grecque: Lesprincipes de laconstruction, Paris, 2002.
HELLMANN, Marie-Christine, L'architecture grecque: Architecture religieuse et funéraire, Paris, 2006.
HÖLSCHER, Tonio, Visual power in Ancient Greece and Rome. Between art and social reality, Berkeley, 2018.
Lexicon Iconographicum Mytologiae Classicae (=LIMC), vols. I-VIII, Zurich-Munich, 1981-1998.
MARCONI, Clemente, The Oxford handbook of Greek and Roman art and architecture, New York, 2015.
MARTIN, Roland, Architecture et urbanisme, Roma, 1987.
MOON, Warren G. (ed.), Polykleitos, The Doriphoros, and Tradition, Madison - London, 1995.
MORENO, Paolo, Pittura greca. Da Polignoto ad Apelle, Milano, 1987.
MORENO, Paolo, Scultura ellenistica, Roma, 1994.
NEER, Richard, The Emergence of the Classical Style in Greek Sculpture, Chicago-London, 2010.
OSBORNE, Robin, Archaic and Classical Greeck Art, Oxford-New York, 1998.
PAUSANIAS, Descripción de Grecia (introducció, traducció i notes de M. C. Herrero Ingelmo), Madrid, 1994.
PITARCH, Antonio José (ed.), Fuentes y documentos para la Historia del Arte. Arte Antiguo. Próximo Oriente,
Grecia y Roma, Barcelona, 1982.
POLLITT, Jerome Jordan, The art of Greece, 1400-31 B.C., New Jersey, 1965.
POLLITT, Jerome Jordan, Arte y experiencia en la Grecia clásica, Bilbao, 1984.
RICHTER, Gisela Maria Augusta, El arte griego. Una revisión de las artes visuales de la antigua Grecia, Barcelona, 1980.
RIDGWAY, Brunilda Sismondo, The Severe Style in Grek sculpture, Princeton, 1979.
RIDGWAY, Brunilda Sismondo, Fifth Century Styles in Grek Sculpture, Princeton, 1981.
ROBERTSON, Martin, El arte griego: introducción a su historia, Madrid, 1985.
ROLLEY, Claude, La sculpture grecque: Des origines aumilieu du Ve siècle, Paris, 1994.
ROLLEY, Claude, La sculpture grecque: La période classique, Paris, 1999.
SCHRÖDER, Stephan Friedrich, Catálogo de la escultura clásica del Museo del Prado, Escultura mitológica, t. II, Madrid, 2004
SCOTT, Michael, Space and Society in the Greek and Roman Worlds, Cambridge, 2013.
SQUIRE, Michael (Ed.), Sight and the Ancient Senses, Londres, 2016.
TORREGO, M. Esperanza, Plinio el Viejo. Textos de historia del arte, Madrid, 1988.
VV.AA., El mundo micénico. Cinco siglos de la primera civilización europea 1600-1100 a C., Madrid, 1991.
VV.AA., Die Geschichte der antiken Bildhauerkunst: Klassische Plastik, vols. I-III, Mainz am Rhein, 2004.
VV. AA., Couleurs et mattieres dans l'antiquité: textes, tecniques et pratiques, Paris, 2006.
WHITLEY, James, The Archaeology of Ancient Greece, Cambridge, 2001.
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