Degree | Type | Year | Semester |
---|---|---|---|
2500240 Musicology | OB | 2 | 1 |
There are no prerequisites
Music of the Medieval Age (IX-XIV)
Development of the syllabus from master classes open to the student's participation.
Completion of a project that will be decided during the lessons and that, in part, is presented orally.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Lessons | 36 | 1.44 | 2, 3, 1, 4, 5, 6, 9, 12, 11, 21, 7, 8, 14, 16, 10, 13, 18, 19, 26, 20 |
Tutorial of individual works | 6 | 0.24 | 4, 22, 15, 17, 24, 25, 26 |
Type: Supervised | |||
Individual or group Tutorials | 4.5 | 0.18 | |
Oral presentation | 3 | 0.12 | 2, 3, 1, 4, 5, 6, 9, 12, 11, 21, 7, 8, 14, 16, 10, 15, 13, 23, 19, 24, 25, 26, 20 |
Reading of musical illustrations | 4 | 0.16 | 9, 7, 8, 10, 13, 25, 26 |
Seminaries / Conference of a foreigner professor | 3 | 0.12 | 2, 3, 1, 4, 5, 24, 26 |
Type: Autonomous | |||
Preparation and correction of the notes | 20 | 0.8 | |
Preparation of the work | 20 | 0.8 | 2, 3, 1, 22, 6, 9, 21, 7, 14, 16, 10, 15, 13, 17, 18, 24, 25, 26 |
Reading of bibliography | 20 | 0.8 | |
Study of the subjects | 32 | 1.28 |
Evaluation
1. Final exam (50%): it will consist in three musical fragments and an audition to identify and comment.
2. Project (45%). It must include: A) Review of a book of the Bibliography; B) Comparative analysis of a musical fragment; C) Review of a CD or a concert. The work will be delivered in the form of a printed dossier.
3. Oral presentation of the project (5%).
In the event of a student committing any irregularity that may lead to a significant variation in the grade awarded to an assessment activity, the student will be given a zero for this activity, regardless of any disciplinary process that may take place. In the event of several irregularities in assessment activities of the same subject, the student will be given a zero as the final grade for this subject.
In the event that tests or exams cannot be taken onsite, they will be adapted to an online format made available through the UAB’s virtual tools (original weighting will be maintained). Homework, activities and class participation will be carried out through forums, wikis and/or discussion on Teams, etc. Lecturers will ensure that students are able to access these virtual tools, or will offer them feasible alternatives.
Project to be submitted by December 9, 2020.
Provisional date of the exam, can be found in the list of Degree information: December 14, 2020 (8:30- 10:00).
Review of the exam and the project: January 11, 2021, during office hours.
Second assessment will be possible only for the evidences and tests fulfilled on time. A new assessment will consist in a test similar to final exam.
To be able to present for reevaluation, it is a necessary condition to have delivered the Project in the indicated term and to have submitted to the exam. A minimum grade of 2.5 must have been obtained for each of the two pieces of evidence. The reevaluation date will be indicated by the Dean.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Oral presentation | 5% | 0 | 0 | 2, 3, 1, 5, 6, 9, 21, 7, 8, 14, 16, 10, 15, 13, 23, 19, 24, 25, 26 |
Redaction work | 45% | 0 | 0 | 22, 14, 16, 15, 17 |
Test | 50% | 1.5 | 0.06 | 2, 3, 1, 4, 22, 5, 6, 9, 12, 11, 21, 7, 8, 14, 16, 10, 15, 13, 17, 18, 23, 19, 24, 25, 26, 20 |
BIBLIOGRAFIA BÀSICA
Cattin G., La monodia nel medioevo, Torino, EDT, 1991 (Storia della musica, a cura della Società Italiana di Musicologia, 2)
Gallo A., La polifonia nel medioevo, Torino, EDT, 1991 (Storia della musica, a cura della Società Italiana di Musicologia, 3), chapters I-III (Il
Duecento, Il Trecento francese, Il Trecento italiano).
Hoppin, R.H., Medieval Music (New York, 1978; edic. española, 1991)
Ibidem, Anthology of Medieval Music (New York, 1978; edic. española Madrid, 2002)
Source readings in music history O. Strunk & L. Treitler eds. (New York, 1998) [“The Early Christian period and the latin middle ages”]
The New Grove Dictionary of Music and Musicians, S. Sadie ed. (London etc., 2001)
Gómez, MªC., La música medieval en España (Kassel, 2001)
Ibidem, Historia de la Música en España e Hispanoamérica 1. De los orígenes hasta c.1470, MªC. Gómez ed. (Madrid, 2009)
Rossell A., Literatura i música a l'Edat Mitjana, 2 voll. (Lírica i Cancó èpica), Dinsic (Barcelona, 2004)
BIBLIOGRAFIA ESPECÍFICA
Música
Liber Usualis
Graduale Triplex
Monumenta Monodia Medii Aevi
Werf, H. Van der, The Extant Troubadour Melodies (Rochester, 1984)
Anglés, H., La música de las Cantigas de Santa María del rey Alfonso el Sabio (Barcelona, 1943-64) (3 vols.)
Karp, Th., The Polyphony of Saint Martial and Santiago de Compostela (Oxford, 1992) (2 vols.)
Magnus Liber Organi, E.H. Roesner, ed. (7 vols.)
The Montpellier Codex, H. Tischler ed. (Madison, 1978-85) (4 vols.)
Polyphonic Music of the Fourteenth-Century (24 vols.) [PMFC]
Corpus Mensurabilis Musicae [CMM]
Libros (según temario)
1.
Haynes, B., The End of Early Music (Oxford, 2007)
Leech-Wilkinson, D., The Modern Invention of Medieval Music (Cambridge, 2002)
Sherman Bernard D., Inside Early Music: Conversations with Performers (Oxford University Press, New York, 1997)
2.
Boecio, Tratado de Música, trad. S. Villegas (Madrid, 2005)
Fubini, E., Música y estética en la época medieval (Pamplona, 2008)
Schueller, H.M., The Idea of Music. An Introduction to Musical Aesthetics in Antiquity and the Middle Ages (Kalamazoo, 1988)
3-4.
Busse Berger, A.M., Medieval Music and the Art of Memory (Berkeley-Los Angeles-London, 2005)
Chailley, J., L’imbroglio des modes (Paris, 1960)
Levy, K., Gregorian Chant and the Carolingians (Princeton, 1998)
Treitler, L., With Voice and Pen. Coming to Know Medieval Song and How it was Made (Oxford, 2003)
5-10.
Apel, W., Gregorian Chant (Bloomington, 1958)
Asensio, J.C., El canto gregoriano (Madrid, 2003)
Baroffio G. – Ju Kim E., Cantemus Domino Gloriose. Introduzione al canto gregoriano, Saronno, Urban, 2003
Colantuono M. I., Música i litúrgia medieval a la Biblioteca de Catalunya, s. IX-XIII. Vol. 3 de la col·lecció Escrits i Memòries. Generalitat de Catalunya: Departament de Cultura.
Harper, J., The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century. A Historical Introduction and Guide for Students and Musicians (Oxford, 1991)
Hiley, D., Western Plainchant. A Handbook (Oxford, 1993)
11.
Donovan, R.B., The liturgical drama in medieval Spain (Toronto, 1958)
Orden, D.H., The Staging of Drama in the Medieval Chuch (Wewak-London, 2002)
Ranking, S., The Music of the Medieval Liturgical Drama in France and England (New York & London, 1989)
12.
Aubrey, E., The Music of the Troubadours (Bloomington-Indianapolis, 1996)
Menéndez Pidal, R., Poesía juglaresca y juglares (Madrid, 1991/9ª edic., etc.)
Rossell A., El cant dels trobadors, Ajuntament de Castelló d'Empuries (Castelló d'Empuries, 1992)
Van der Werf, H., The chansons of the troubadours and trouvères. A studyof the melodies and their relation to the poems (Utrecht, 1972)
Zuchetto, G., Terre des troubadours XII-XIIIe siècles (Paris, 1996)
13.
Colantuono M. I., Memoria y composición melódica en las Cantigas de amigo de Martin Codax, a Roda de Fortuna, Revista electrónica 2 (2015)
Ibidem, De la vox mortua a la vox viva: sistemas de composición y oralidad en las Cantigas de Santa Maria, a Boitatá, Revista de Literatura oral de la Universidad de Londrina (Brasil), n. 19 Voz, poesia e performance na Idade Média.
Ferreira, M.P., O som de Martin Codax (Lisboa, 1986)
14.
E. Baldassarre, Musica instrumentalis mediaevalis, Il Salentino editore (Melendugno, 2014)
15-17
Musica enchiriadis and Scolica enchiriadis, trad. R. Erickson (New Haven-London, 1995)
Wright, C., Music and Ceremony at Notre Dame of Paris 500-1550 (Cambridge,1989)
Everist, M., French Motets in the Thirteenth Century (Cambridge, 1994)
Fauvel Studies. Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146 (Oxford, 1998)
Gómez Muntané, Maricarmen, El Llibre Vermell. Cantos y danzas de fines del Medioevo (Madrid, Fondo de Cultura Económica, 2017)
Kügle, K., The Manuscript Ivrea, Biblioteca Capitolare 115: Studies in the Transmission and Composition of Ars Nova Polyphony (Ottawa, 1997)
Leech-Wilkinson, D., Machaut’s Mass. An Introduction (Oxford, 1990)
Robertson. A.W., Guillaume de Machaut and Reims (Cambridge, 2002)
Stäblein-Harder, H., Fourteenth-Century Mass Music in France (MSD 7, 1962)
18.
Beck, E.M., Singing in the Garden. Music and culture in the Tuscan Trecento (Innsbruck, 1998)
Pirrotta, N., Music and Culture in Italy from the Middle Ages to the Baroque (Cambridge, 1984)
Revistas
Early Music [EM]
Early Music History [EMH]
Musica Disciplina [MD]
Plainsong & Medieval Music
Acta Musicologica [AcM]
Archiv für Musikwissenschaft [AfMw]
Journal of the American Musicological Society [JAMS]
Notes
The Musical Quarterly [MQ]
Revista de Musicología [RdM]