Degree | Type | Year | Semester |
---|---|---|---|
2500239 Art History | OB | 3 | 1 |
None
General introduction to Romanesque art
1. Discovery and invention of Romanesque art.
2. The awakening of Europe: 950-1150.
3. "A white robe of churches": novelty of Romanesque architecture.
4. The restauration of monumental sculpture: facades and historiated galleries.
5. The colors of Romanesque art. Forms and themes: walls, pavements, furniture, textils and books.
6. The Romanesque treasure. Sacred and profane: sumptuary arts.
Master classes, class discussions and seminars, compulsory readings, individual exercises.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Directed | 120 | 4.8 | 3, 4, 2, 12, 5, 1, 7, 10, 11, 13, 14, 6 |
Type: Supervised | |||
Supervised | 10 | 0.4 | 3, 4, 2, 12, 5, 1, 7, 10, 11, 13, 14, 6, 15 |
Type: Autonomous | |||
Autonomous | 20 | 0.8 | 3, 4, 2, 12, 5, 1, 7, 10, 11, 13, 14, 6 |
First exam: themes 1-4
Second exam: themes 5-6
Readings control: articles 1-3
To pass the cours, the student must add a minimum of 50% of the total score.
The student who does not pass the course and has a minimum final grade of 3.5 may take an exame in which he will be examined of the suspenden part.
Students will receive the grade of "Not evaluable" as long as they have not submitted more than 30% of the evaluation activities.
At the time of each evaluation activity, the teacher will inform the students (Moodle) of the procedure and date of revision of the grades.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Control de lecturas | 20% | 0 | 0 | 3, 4, 2, 12, 5, 1, 7, 9, 10, 11, 13, 14, 6, 8, 15 |
First Exam | 50% | 0 | 0 | 3, 4, 2, 12, 5, 1, 7, 10, 11, 13, 14, 6 |
Second exam | 30% | 0 | 0 | 3, 4, 2, 12, 5, 1, 7, 10, 11, 13, 14, 6, 15 |
COMPULSORY READINGS
1) D. Rico, “La arquitectura románica: originalidad y génesis”, a M. Casas (ed.), La catedral de Salamanca. De fortis a magna,Salamanca, 2014, p. 215-232.
2) S. Moralejo, “Sobre la formación del estilo escultórico de Frómista y Jaca”, a Actas del XXIII Congreso Internacional de Historia del Arte (Granada, 1973), Granada, 1976-1978, vol. I, p. 427-434; també recollit a Patrimonio Artístico de Galicia y otros Estudios. Homenaje al Prof. Dr. Serafín Moralejo Álvarez, dir. Á. Franco, Santiago de Compostela, 2004, vol. I, p. 65-70.
3) M. Schapiro,“Sobre la actitud estética en el arte románico” (1947), Estudios sobre el románico, Madrid, 1984, p. 14-36.
4) A. Orriols, “Temes i intencions en la pintura mural de temps romànics”, a Magister Sancta Columba. La pintura romànica del mestre de Santa Coloma i la seva època, Andorra la Vella – Barcelona, 2003, p. 39-70.