Degree | Type | Year |
---|---|---|
Primary Education | OB | 2 |
You can view this information at the end of this document.
No prerequisites are required to take this course.
Part I. Art and education
CULTURAL AND PERFORMATIVE DIMENSION
1. Art education in developing the person.
2. Relations between art and education.
3. Historical, social and cultural.
3.1 The audiovisual company.
Part II. Training in the practice of the arts
PRODUCTIVE AND PERFORMATIVE DIMENSION
1. Visual thinking and artistic development: two and procedures and techniques
dimensional.
2. Practices and projects related to different cultural contexts and artistic movements.
3. Understanding and experimenting with the practice of art as a process of knowledge.
Part III. Visual and art education at school
EDUCATIONAL DIMENSION: EDUCATIONAL INTERVENTION
1. The curriculum of art education: visual and plastic.
2. Methodologies, processes and strategies.
Part IV. Music and Education
CULTURAL DIMENSION
1. Music: art and language between people and cultures.
2. Music in relation to the social and cultural context.
Part V. Training in musical practice
PRODUCTIVE AND PERCEPTIVE MUSIC DIMENSION
1. The musical performance through voice and instruments or related materials.
1.1 The song as a basic element of musical practice.
1.2 Introduction to gesture direction.
2. Listening to music in the process of awareness and knowledge for achievement.
3. The sound creation. Oral transmission coding.
4. Dance and movement.
Part VI. Musical education at school
TEACHING MUSIC DIMENSION
1. The teaching and learning of music.
1.1 Fundamental Principles methodology, resources, materials and strategies.
2. Music and its implications at the physiological level, psychomotor, emotional and cognitive.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Presentation in group | 27 | 1.08 | 2, 12, 6, 1 |
SEMINARS | 41 | 1.64 | 2, 13, 5, 4, 11, 10 |
Type: Supervised | |||
Tutorials and other supervised activities | 45 | 1.8 | 12, 3, 6, 1, 4, 7 |
Type: Autonomous | |||
Making proposals: theory and practice of art education: visual music. | 112 | 4.48 | 12, 3, 6, 1, 4, 7 |
SUPERVISED
AUTONOMUS
DIRECTED
Classes in group:
Seminars:
TRIPS: Trips to museums or other art centres and musical workshops. The trip to the Musical Museum and Gamelan workshop will cost 5 euros approximately per student. If the student is unable to make the trip, the following alternatives will be proposed: go on the trip on another day, with another group, or look for an alternative to the trip in a complementary work format. In the case of visual is planned to make a trip to Santa Fe del Montseny with private cars (morning groups).
MATERIAL: The teacher can ask for the purchase of some materials for the development of the different activities that will cost approximately 10-15 euros.
Due to the current "climate alarm", "lack of natural resources" and "economic imbalance" that we are experiencing on the planet, the team of teachers at the Didactic Unit of Plastic Expression will promote artistic skillsfrom an eco-social and eco-feminist point of view. Priority will be given to natural and recycled materials during the workshop sessions and individual and/or group artistic creations. With the use of natural materials and the elaboration of others from them, the aim is to generate environmental awareness among the students, which implies developing sensitivity and critical ability to perceive the natural and material environment that surrounds us and to know and react to attitudes, situations and events that contribute to improving the care of the planet.
If other materials are needed, teachers will recommend what is appropriate for the planned activities, which will have a sustainable cost and can be shared among the students. Mechanisms will be sought to ensure that everyone has them.
Complementary activities: during the course, a group invites a dancer for a 4-hour creative dance workshop (half group 2 hours and half group 2 hours); it is an activity prior to the subsequent performance (interdisciplinary project).
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
PART II. Art and education. CULTURAL DIMENSION AND PERFORMATIVE | 15 | 0 | 0 | 13, 5, 9, 11 |
Part II. Training in the practice of art. PRODUCTIVE AND PERFORMATIVE DIMENSION | 25 | 0 | 0 | 2, 3, 1, 4, 7 |
PART III. Arts education in school. Educational dimension: educational intervention | 10 | 0 | 0 | 2, 12, 8, 3, 7, 10 |
PART IV. Music education in schools. DIMENSION TEACHING MUSIC | 10 | 0 | 0 | 2, 3, 4, 11, 10 |
Part V. Training in musical practice. PRODUCTIVE AND RESPONSIVE DIMENSION OF MUSIC | 30 | 0 | 0 | 3, 6, 1, 4, 7 |
Part VI Music and education. CULTURAL DIMENSION | 10 | 0 | 0 | 13, 5, 11 |
This subject does not admit synthesis test for students enrolled for the second time.
It will be considered “not evaluable” when the student has not been able to provide sufficient evaluation evidence to allow an overall grade for the course, i.e., has not provided a minimum of 50% of the evaluation work.
Specification of the evaluation activities
Evaluation activity |
Typology of activities |
Percentage |
Evaluation date |
Recovery date |
Exhibition/research task (Part I) |
Group |
10% |
April 2026 |
May 4rth 2026 |
Proposals related to the artistic practice (Part II) |
Individual and group |
15% |
January & April 2026 |
May 4rth 2026 |
Interdisciplinary project(Part II) |
Group |
5% |
January 2026 |
May 4rth 2026 |
Educational project (Part III) |
Individual |
5% |
April 2026 |
May 4rth 2026 |
Design and structure portfolio/web (Parts I, II and III) |
Individual |
5% |
January 2026 |
May 4rth 2026 |
Conclusions and visual documentation of the portfolio/web (parts I, II and III) |
Individual |
5% |
April 2026 |
May 4rth 2026 |
Participative and pro-active action during the sessions |
Individual |
5% |
|
|
Reflection activity based on three music experiences (parts IV and V) |
Individual |
7.5% |
November 2025 |
|
Written music exam (Part V and VI) |
Individual |
20% |
Desember 2025 |
May 4rth 2026 |
Interdisciplinary project(Part V and VI) |
Group |
10% |
January 2026 |
May 4rth 2026 |
Oral music exam (Part V) |
Individual |
12.5% |
January 2026 |
May 4rth 2026 |
- The details of the music and visual assessment tasks carried out during the course will be uploaded on the Virtual Campus of each group.
- The teaching staff of each group will indicate the exact dates of delivery of the different assessment tasks during the presentation of the subjects on the first day of the course.
- The teaching staff will communicate the feedback and/or the mark of the assessment activities within a maximum period of 20 working days.
- The teacher may decide to give oral and/or written tests to those students who fail the course or who have to complete the proposed evaluation evidences (VISUAL).
Single assessment
VISUAL ART EDUCATION
Acaso, M., i Megías, C. (2017). Art Thinking. Cómo el arte puede transformar la educación. Barcelona: Paidós
Aguirre, Imanol (2017). La formación de la persona. En Cuadernos de Pedagogía, 484, 24-27
Álvarez, I., Morón, M. i Gastín, M. (2019). Educar a través de las Artes. Proyectos interdisciplinaris e inclusives en una escuela multicultural. Aula. 287, 31-35
Álvarez-Valdivia, I. M. i Morón-Velasco, M. (2022). Educar por medio del arte en una escuela multicultural. magis, Revista Internacional de Investigación en Educación, 15, 1-23. [Recuperat 01/02/22] https://revistas.javeriana.edu.co/index.php/MAGIS/article/view/32731
Assadourian, E. (2017). Educación Ecosocial. Cómo educar frente a la crisis ecológica. Icaria Editorial
Bamford, A. (2009). El factor ¡wuau!. El papel de las artes en la educación. Barcelona: Octaedro
Bell Hooks (2021). Enseñar a transgredir. La educación como práctica de la libertad. Capitán Swing Libroa, S.L.
Berger, J. (2001). Modos de ver. Barcelona: Gustavo Gili.
Blanco, V. y Cidrás, V. (2019). Educar a través da arte. Cara a unha escola imaxinada. Pontevedra: Kalandraka
Chomsky, N. (2009). La (des)educación (3ª edición) Barcelona: Crítica.
Dysthe, O. ; Bernhardt, N.; Esbjorn, L. (2013). Enseñanza basada en el dialogo. El museu de arte como espacio de aprendizaje. Bergen: Fagbokforlaget
Efland, A. (2002). Una historia de la educación del arte. Tendencias intelectuales y sociales en la enseñanza de las artes visuales. Barcelona: Paidós.
- (2004). Arte y cognición. La integración de las artes visuales enelcurrículum. Barcelona: Octoedro.
Eisner, E. (2004). Elarte y la creación de la mente. Barcelona: Paidós
- (2005). Educar la visión artística. Barcelona: Paidós.
Freire, H. (2008). Arte infantil y transformación social. El rapto de Europa. Pensamiento y creación, 13, 23-38.
- (2011). Educar en verd. Idees per apropar els nens i les nenes a la natura. Barcelona: Graó.
González Verdaguer, T. (2016). Diálogos en el museu. Cuadernos de Pedagogía. 473, pp. 66-69
González Verdaguer, T. (2008). El museu com espai de trobada entre l’educació i la cultura. Temps d’educació, 35, 119-126
Herrero, Yayo (2022). Educar para la sostenibilidad de la vida. Una mirada ecofeminista a la educación. Ed. Octaedro.
Hwang, S.Y. (2017). Rethinking Creativity: Present in Expression in Creative Learning Communities. Educational Philosophy and Theory 49 (3): 220-230.
Hoyuelos, A. (2012). Les imatges fotogràfiques com a documentació narrativa. In-fàn-ci-a, 188, 7-14.
Iwai, K. (2002). «La contribución de la educación artística a la vida de los niños». Perspectivas. Vol. XXXII, n° 4, diciembre
Morón, M. (2005). L’art del segle XX a l’escola. http://www.xtec.cat/~mmoron. [Última consulta juny 2024]
Morón, M. y Valdivia, I. M. Á. (2023). Binomio arte y educación para la escuela multicultural. Cuadernos de pedagogía, (540), 3.
Morón, M. y París, G. (2013). Espacios de creación artística en la escuela. Arte y movimiento, 9, 53-63.
Morón, M. i París, G. (2016). Crear, imaginar, pensar. Perspectiva Escolar. Núm. 385- Gener/Febrer. Pàgs. 49-54
Munari, B. (2018). Fantasía. Barcelona: Gustavo Gili.
Neddo, N. (2019). El artista orgánico. Barcelona: Promopress
Padró, C. (2006) Repensar los museos, la educación y la historia del arte. Belda, C. i Marín, M.T (coords). La museología y la historia del arte. Murcia: Universidad de Murcia
París, G. (2018). Art i joc, processos de creació a la infància. Infància, 225, 37-42.
París, G., i Morón, M. (2019). Quan l’art entra a l’escola la creativitat surt per la finestra. Guix, 453, 41-45.
Rodari, G. (2017). Escuela de fantasía. Barcelona: Blackie Books.
Torres, M., i Juanola, R. (1998). Dibuixar: mirar i pensar. Barcelona: Rosa Sensat.
Vaquero, C. y Texeira, R. (2021). Otra forma de visitar el museo. Una oportunidad para resignificar la educación artística desde la acción colectiva en la formación de maestras y maestros. ArtsEduca, 28, 8-23
MUSICAL EDUCATION
Blacking, J. (1994). Fins a quin punt l'home és music. Vic: Eumo Editorial.
Bonal, E., Casas, M., i Casas, N. (2005). Diversita't. Cançons, danses... activitats i recursos per a la convivència en la diversitat. Barcelona: Generalitat de Catalunya. Fundació Bofill. (inclou 2 CDs)
Departament d’Educació (2022). Decret 175/2022, de 27 de setembre, d’ordenació dels ensenyaments de l’educació bàsica. Diari Oficial de la Generalitat de Catalunya.
Departament d'Ensenyament (2015). Cançons populars i tradicionals a l'escola. Propostes didàctiques i metodològiques. Generalitat de Catalunya: Departament d'Ensenyament.
Hargreaves, D.J. (1998). Música y desarrollo psicológico. Barcelona: Graó.
Hennessy, S. (1995). Music 7-11. Developing primary teaching skills. Londres: Routledge.
Maideu, J. (1996). Assaig. Cançons i exercicis. Barcelona: Eumo Editorial.
Malagarriga, T., i Valls, A. (2003). La audición musical en la Educación Infantil. Barcelona: CEAC (inclou CD).
Swanwick, K. (1991). Música, pensamiento y educación. Madrid: Morata y MEC.
Tafuri, J. (2006). ¿Se nace musical?. Barcelona: Graó.
No specific software is used in this subject.
Please note that this information is provisional until 30 November 2025. You can check it through this link. To consult the language you will need to enter the CODE of the subject.
Name | Group | Language | Semester | Turn |
---|---|---|---|---|
(PLAB) Practical laboratories | 211 | Catalan | annual | morning-mixed |
(PLAB) Practical laboratories | 212 | Catalan | annual | morning-mixed |
(PLAB) Practical laboratories | 213 | Catalan | annual | morning-mixed |
(PLAB) Practical laboratories | 311 | Catalan | annual | morning-mixed |
(PLAB) Practical laboratories | 312 | Catalan | annual | morning-mixed |
(PLAB) Practical laboratories | 313 | Catalan | annual | morning-mixed |
(PLAB) Practical laboratories | 411 | Catalan | annual | afternoon |
(PLAB) Practical laboratories | 412 | Catalan | annual | afternoon |
(PLAB) Practical laboratories | 413 | Catalan | annual | afternoon |
(PLAB) Practical laboratories | 711 | English | annual | afternoon |
(PLAB) Practical laboratories | 712 | English | annual | afternoon |
(PLAB) Practical laboratories | 713 | English | annual | afternoon |
(TE) Theory | 21 | Catalan | annual | morning-mixed |
(TE) Theory | 31 | Catalan | annual | morning-mixed |
(TE) Theory | 41 | Catalan | annual | afternoon |
(TE) Theory | 71 | English | annual | afternoon |