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2023/2024

Teaching Music

Code: 44322 ECTS Credits: 15
Degree Type Year Semester
4310486 Teaching in Secondary Schools, Vocational Training and Language Centres OT 0 A

Contact

Name:
Laia Viladot Vallverdu
Email:
laia.viladot@uab.cat

Teaching groups languages

You can check it through this link. To consult the language you will need to enter the CODE of the subject. Please note that this information is provisional until 30 November 2023.

Teachers

Joan Escoda Domenech

Prerequisites

Not contemplated


Objectives and Contextualisation

This blog will show the important role that music should play in the stage of secondary education, as well as the contribution of models and resources for teaching in this context. Therefore, emphasis will be placed on didactic training and reflection on action, although some musical and cultural training will also be considered as a necessary basis for quality teaching practice.

The following objectives are set:

• Develop skills and knowledge that allow you to discover, know and enjoy music, and make use of it in teaching.

• Recognize the value of music practice and education as a bearer of social and cultural meanings.

• Develop skills and knowledge that allow for inclusive pedagogical action.

• Develop resources and methodological strategies related to musical practice, specifically in the dimensions of listening, performing and music making.

• Discover relationships that can be established between music (or sound art) and other areas of knowledge, in order to promote interdisciplinary didactic projects and proposals.

• Know the elements of the curriculum and the programming processes in music teaching.

  • Reflect on and solve hypothetical case studies

• Be part of and carry out a collective project where musical expression plays a central role and involves the development of professional skills

• Design tools and strategies for formative and formative evaluation.

• To be able to formulate and substantiate psycho-pedagogical principles in relation to one's own teaching work.

• Get acquainted with fundamental issues of music teaching research.


Competences

  • "Design and conduct formal and no-formal activities that help make the center a place of participation and culture in the environment where it is located; develop the functions of mentoring and guiding students in a collaborative and coordinated manner; participate in the evaluation, research and innovation in teaching and learning"
  • "Determine the curriculum that will be implanted in a school participating in the collective planning thereof; develop and implement both group and personalized teaching methodologies adapted to the diversity of students."
  • Acquire strategies to encourage student effort and enhance their capacity to learn by himself and others, and develop thinking skills and decision-making to facilitate autonomy, confidence and personal initiative.
  • Communicate effectively both verbally and non-verbally.
  • Design and develop learning spaces with special attention to equity, education and emotional values, equal rights and opportunities for men and women, civic education and respect for human rights that facilitate life in society, decision making and building a sustainable future.
  • Generate innovative and competitive professional activities and research.
  • Interpret the different educational needs of students in order to propose the most appropriate educational activities.
  • Know the curricular content of the matters relating to the appropriate teaching specialization and the body of didactic knowledge around the respective teaching and learning.
  • Make effective use of integrated information and communications technology.
  • Own the learning skills necessary to carry out continuous training, both in content and teaching specialty, as in the general aspects of teaching.
  • Plan, develop and evaluate the teaching and learning process enhancing educational processes that facilitate the acquisition of the competences of the respective teachings, based on the level and previous training of students as well as the orientation of the same, both individually and in collaboration with other teachers and school professionals
  • Search, obtain, process and communicate information (oral, printed, audiovisual, digital or multimedia), transform it into knowledge and apply it in the teaching and learning in their own areas of specialization.
  • know the processes of interaction and communication in the classroom, mastering social skills and abilities necessary to encourage learning and coexistence in the classroom, and address problems of discipline and conflict resolution.

Learning Outcomes

  1. Communicate effectively, both verbally and non-verbally.
  2. Create a climate that facilitates interaction and values the contributions of students to promote the learning of music in the classroom.
  3. Demonstrate knowledge and knows how to apply innovative teaching proposals in the field of music.
  4. Demonstrate knowledge of contexts and situations in which it is possible to apply the various contents that integrate the curriculum of Secondary and Baccalaureate, emphasizing the practical, creative and educational sensitivity that carries the musical culture group.
  5. Demonstrate knowledge of cultural and educational value of music and content of the discipline taught in Secondary Education and Baccalaureate, and integrate these into the framework of science, culture and art.
  6. Demonstrate knowledge of the Music curricula in the Secondary Education and Baccalaureate.
  7. Demonstrate knowledge of the history and recent developments of the music to convey a dynamic view of it and make sense of the music school, highlighting the genesis of musical knowledge.
  8. Demonstrate knowledge of the theoretical-practice developments teaching and learning music.
  9. Design and plan learning spaces in the practice vocal music, instrumental, through electronic media is often intellectual and emotionally stimulating for students.
  10. Design and plan learning spaces where the reception and listening instrumental music are the means for training critical and aesthetic of musical ear.
  11. Generate innovative and competitive proposals for research and professional activities.
  12. Identify problems related to teaching and learning music and consider possible alternatives and solutions.
  13. Interpret the different educational needs of students in order to propose the most appropriate educational activities.
  14. Know the processes of interaction and communication in the classroom, mastering social skills and abilities necessary to encourage learning and coexistence in the classroom, addressing issues of discipline and conflict resolution.
  15. Possess learning skills necessary to carry out continuous training in both content and didactics of music, as well as general aspects of teaching.
  16. Search, obtain, process and communicate information (oral, printed, audiovisual, digital or multimedia) to transform it into knowledge and apply it in the teaching-learning materials specific to the specialization studied.
  17. Select, use and develop materials for teaching Music.
  18. Transform Music curricula in sequences of learning activities and programes of work.
  19. Understand evaluation as an instrument of regulation and to encourage the effort, and meet and develop strategies and techniques for the assessment of learning music.
  20. Use information and communications technology and integrate them into the teaching and learning of music.

Content

Subject 1: Music didactics in the high school classroom (9ECT)

1.1. Teaching organization, curriculum design and planning

The music curriculum of ESO and baccalaureate

Area competencies and transversal competencies

The transition between educational stages

Approaches / views for programming and teaching profile

Didactic sequence design (top-down and bottom-up)

 

1.2. Classroom strategies and resources

Learning contexts: Listening, Performing, Music Making

Classroom processes and methodologies

Organization of space and time

Assessment and regulation of learning

 

1.3. Transversal aspects

NESE inclusion

Interculturality and gender perspective

Interdisciplinarity

Music and community

 

Subject 2: Teaching innovation and initiation to educational research in music teaching (6ECT)

      Development of an own, collective and genuine project

Reflective practice: reflection on practice and its relationship with educational innovation.

The research teacher: Introduction to action-research

Sample of innovative experiences

Continuous education throughout life

       Basic ideas in social science research

Methodology

Based on practical proposals and classroom activities, didactic criteria will be constructed, and conceptual reflection will be promoted. For these reasons, the involvement and active participation of all students on an ongoing basis is essential.

The hours specified for each of the training activities are indicative and may be slightly modified depending on the calendar or teaching needs.

 

Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.


Activities

Title Hours ECTS Learning Outcomes
Type: Directed      
attendance and participation in class, realization and evaluation of the proposed activities, and visits or excursions (if applicable) 97 3.88
Type: Supervised      
realization, revision and evaluation of the proposed works 90 3.6
Type: Autonomous      
analysis of readings and proposals for didactic innovation, production of reports, design of activities, analysis and resolution of cases, elaboration of the portfolio 188 7.52

Assessment

The evaluation of this module is divided into 2 large blocks: that of DIDACTICS itself (BLOCK 1, 60%) and that of INNOVATION AND RESEARCH (block 2, 40%). In each of them there are different tasks and evaluation activities that are presented with percentages counting each block with its 100% of the value:
										
											
										
											BLOCK 1: DIDACTICS
										
											
										
											- Analysis of practical cases 20% (10% in group and in class + 10% individually at home)
										
											
										
											- Design, development and presentation of a classroom activity 40% (in groups of 3). There will be two deliveries, the second must be an improved version incorporating the feedback received by the teaching staff and the oral presentation
										
											
										
											- Creation of the digital portfolio 40% (individual). It must include those reflections and relevant conclusions and learnings from block 1 (Teaching) + a bank of pedagogical resources + Reflections on the topics discussed in block 2, especially regarding the "I as a teacher".
										
											
										
											 
										
											
										
											BLOCK 2: INNOVATION AND RESEARCH
										
											
										
											- Innovation project 70% (40% individual reflection + 15% collective + 15% individual co-evaluation)
										
											
										
											- Analysis of a research article 25% (small groups)
										
											
										
											- Case study 5% (small groups)
										
											
										
											 
										
											
										
											To be evaluated, you must attend the sessions and participate proactively in class, having a general positive attitude and knowing how to be appropriate to the context. Punctuality and inappropriate use of the mobile phone will be perceived as disrespect towards the learning community, potentially calling into question the suitability of the supposed student to be promoted as a future teacher.
										
											
										
											Other aspects necessary to be evaluated are: collaborating in group work, presentingtasks within the set deadlines, showing good general communication skills, both orally and in writing, and a good command of the language or languages used they are listed in the teaching guide. All activities will therefore take into account language correction, writing and formal aspects of presentation. Students must be able to express themselves fluently and correctly and must show a high degree of understanding of academic texts. An activity can be returned (not evaluated) or suspended if the teacher considers that it does not meet these requirements.
										
											
										
											Assignments will primarily be submitted online (on Moodle). Exceptionally, other delivery methods may be enabled, prior agreement with the teaching staff, informed in person in class and via virtual means. Works delivered by means not agreed with the teaching staff or works delivered with incorrect formats, which do not include the name of the authors or which are delivered after the deadline, will not be accepted. 
Written assignments must be submitted in Catalan (reasoned exceptions will be assessed by the teaching team).


										
											The marks of the evaluation activities will be made known no later than 20 days after their delivery.
										
											
										
											In order to calculate the weighted average and pass the module, you must obtain a grade of 3.8 or higher in the following tasks: design and development of a classroom activity and the portfolio. In case of not obtaining the minimum final grade to pass the module, a new delivery of the portfolio and/or classroom work, as the case may be, will be required as a recovery mechanism on 8/5/23.
										
											
										
											The student will receive the grade of "Not assessable" as long as he has not delivered more than 30% of the assessment activities.
										
											
										
											Work donewith artificial intelligence (GPT chat) or plagiarized will be graded with 0, regardless of the disciplinary process that may be imposed. In the event that several irregularities occur in the evaluation acts of the same subject, the final grade for this subject will be 0.
										
											
										
											Questions or doubts regarding the assessment that are not included in the previous instructions will be governed by the following documents:
										
											
										
											   - General evaluation criteria and guidelines of the Faculty of Education Sciences (http://www.uab.cat/web/informacio-academica/avavaluacio/normativa-1292571269103.html)
										
											
										
											   - Evaluation Regulations of the Autonomous University of Barcelona. Title IV: Evaluation. Version according to the modifications approved by the Governing Council of July 12, 2017 (http://www.uab.cat/web/informacio-academica/avavaluacio/normativa-1292571269103.html)
										
											
										
											 
										
											
										
											UNIQUE ASSESSMENT:
										
											
										
											In order to be assessed with a single assessment, you will need to present all the evidence provided for in the ordinary assessment on March 11, 2023. For group tasks, if you do not have other colleagues who attend to the 'single assessment these will have to be carried out individually.
Students who opt for the single assessment will not receive assessment or qualifying feedback from the continuous assessment activities carried out during the development process of the subject.
										
											
										
											The re-evaluation in the case of a single evaluation will take place on May 8th, 2023, coinciding with the re-evaluation of the continuous evaluation.
 

Assessment Activities

Title Weighting Hours ECTS Learning Outcomes
BLOC 1: Analysis of practical assumptions (in group) 10% 0 0 1, 14, 4, 5, 6, 8, 19, 12, 13, 20
BLOC 1: Design and development of a classroom activity in group (20% + 20%) 40% 0 0 16, 1, 14, 2, 4, 5, 6, 8, 3, 7, 9, 10, 19, 11, 12, 13, 15, 17, 18, 20
BLOC 1: Digital potfolio (individual) 40% 0 0 16, 1, 4, 5, 6, 8, 7, 19, 12, 13, 15, 20
BLOC 1: Practical case analysis (individual) 10% 0 0 14, 4, 5, 6, 8, 19, 12, 13, 17, 20
BLOC 2: Co-evaluaction of the Innovative Project 30% 0 0 16, 1, 14, 2, 4, 5, 9, 10, 19, 11, 12, 17, 18
BLOC 2: Individual reflexion on the Innovation project 40% 0 0 16, 1, 2, 4, 5, 8, 3, 9, 10, 11, 15, 17, 20
BLOC 2: Research paper analysis 25% 0 0 1, 11, 12
BLOC 2: case 5% 0 0 1, 11, 12

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Schafer, M. (1998). El compositor en el aula. Ricordi Americana.

Siankope, J. i Villa, O. (2004). Música e interculturalidad. Cuadernos de educación intercultural. Catarata.

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Trilla, J. (coord.), Cano, E., Carretero, M., Escofet, A., Fairstein, G., Fernández, J.A., González, J., Gros, B., Imbernón, B., Lorenzo, N., Monés, J., Muset, M., Pla, M., Puig, J.M., Rodríguez, J.L., Solà, P., Tort, A. i Vila, I. (2011). El legado pedagógico del siglo XX para la escuela del siglo XXI, 159. Editorial Graó.

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On-line resources

Calaix de músic: https://sites.google.com/a/blanquerna.url.edu/calaix-de-music/  

Teler de música: http://www.telermusica.com/ca/

Pedagogia musical activa: http://pedagogiamusicalactiva.blogspot.com/

Harmonies:https://blocs.xtec.cat/harmonies/

Camins sonors: https://caminssonors.wordpress.com/

Eduglosa – Improversem: http://www.eduglosa.cat/glosateca/programacions/improversem-reflexio-i-debat-mitjancant-la-glosa-i-el-rap/

Teoría: Música theory web: https://www.teoria.com/

Classe de música 2.0 (MaríaJesús Música): https://www.mariajesusmusica.com/

8notas: https://www.8notes.com/

Canal de Youtube de Jaime Altozano: https://www.youtube.com/c/JaimeAltozano/videos

Canal de Youtube de Shauntrack: https://www.youtube.com/channel/UCo5HJNjfdSoPWsdAHLsvSxQ

IMSLP / Biblioteca Musical Petrucci: https://imslp.org/wiki/P%C3%A0gina_principal

  

 


Software

Finale 

GarageBand