Degree | Type | Year | Semester |
---|---|---|---|
4313256 Audiovisual Communication and Advertising Contents | OT | 0 | A |
To have passed the selection process carried out by the master's coordination.
This module delves into the research of the main tendencies in audiovisual and advertising formats and programming that affect the contents in different media and devices.
The deepening of the different trends will lead to the evaluation of the main indicators and contributions of sectoral research. The analysis of representative models will complement the understanding of the main phenomena that mark national and international trends.
1. International trends in television programming.
2. Trends in radio programming.
3. Trends in audiovisual journalism.
4. Trends in advertising formats and TV insertion strategies.
5. Trends in film fiction in the digital age.
The methodology is a combination of lectures and seminars, in which it introduces case resolution. The interaction with the student from the reading of articles and / or industry reports, watching and auditions is the key to the development of the module.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Seminars | 75 | 3 | 1, 2, 11, 7, 5 |
Type: Supervised | |||
Personal study | 50 | 2 | 1, 6, 3, 7, 4, 13 |
Type: Autonomous | |||
Lectures | 150 | 6 | 6, 9, 12, 7, 5, 4, 13 |
Students should carry out an individual exploratory work on a trend in the field of audiovisual and advertising content based on a practical case study. This must be contextualized in relation to the ecosystem and the programmatic genre to which it is ascribed. It is essential to define the variables that show a tendency.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Seminars | 10% | 2.5 | 0.1 | 1, 6, 3, 11, 12, 10, 8 |
Test/Written work | 90% | 22.5 | 0.9 | 1, 6, 2, 3, 11, 9, 12, 7, 5, 10, 8, 4, 13 |
Basic bibliography (specific bibliography will be recommended during sessions)
Artwick, Claudette G. (2013). “Reporters on twitter”, Digital Journalism, Vol 1, Issue 2. http://dx.doi.org/10.1080/21670811.2012.744555
Bonini, Tiziano & Monclús, Belén (2015). Radio Audiences and Participation in the Age of Network Society, London, New York: Routlegde.
Català, Josep M. & Cerdán, Josetxo (Eds.) (2008). Después de lo real (I y II), núm. 57 y 58, Valencia: Archivos de la Filmoteca.
Chowdhury, Rafi; Finn, Adam & Olsen, Grant (2007)."Investigating the simultaneous presentation of advertising and television programming". Journal of Advertising, 36(3), 85-96.
Peña, César (2018). 2018 ¿el año del usuario? Lab.rtve.es: España. http://lab.rtve.es/las-claves/tendencias-periodismo-tecnologia-2018-2018-01-02/
Quintana, Àngel (2011). Después del cine: Imagen y realidad en la era digital, Barcelona: El Acantilado.
Riambau, Esteve (2011). Hollywood en la era digital: de Jurassic Park a Avatar, Madrid: Cátedra.
Ribes, Xavier; Monclús, Belén & Gutiérrez, Maria (2015). “Del oyente al radio prosumer. Gestión de la participación de la audiencia en la radio del siglo XXI”. Trípodos, num. 36, pp. 55-74.
Romero, Laura (2012). “Radio y arte sonoro: ¿es posible la integración?”. En Gallego, J. Ignacio & García Leiva, M. Trinidad (coords.) Sintonizando el futuro: Radio y producción sonora en el siglo XXI, Madrid: Instituto RTVE.
Sands, Ken (2009). "High Cost, Low Quality Plague Newspaper Video Efforts". Poynter. http://www.poynter.org/how-tos/digital-strategies/e-media-tidbits/98937/high-cost-low-quality-plague-newspaper-video-efforts/
Scolari, Carlos A. (2014) “Narrativas transmedia: nuevas formas de comunicar en la era digital”. En Anuario AC/E de Cultura Digital, 72-81. https://www.socialnautas.es/wpcontent/uploads/2016/10/6Transmedia_CScolari.pdf
Teixeira, Thales; Wedel, Michel & Pieters, Rik. (2012). "To Zap or Not to Zap: How to Insert the Brand in TV Commercials to Minimize Avoidance".GfK Marketing Intelligence Review, 4(1), 14-23.
Wenrichter, Antonio (2004). Desvíos de lo real. El cine de no ficción, Madrid:T & B Editores.
Williams, Kaylene; Petrosky, Alfred; Hernandez, Edward & Page, Robert. (2011). "Product placement effectiveness: revisited and renewed". Journal of Management and Marketing Research", 7, 1-24.
No specific programming knowledge is required, apart from word processing.