Degree | Type | Year | Semester |
---|---|---|---|
2500239 Art History | OB | 1 | 2 |
There are not any prerequisites, but it is advisable to have some notions of English, French and Italian in order to be able to consult the specialised bibliography.
The aim of this subject is to provide a wide introduction to Ancient Egyptian Art.
Having finished the course, the student should be able to:
1. Introduction. Symbolism in ancient egyptian art. Ancient Egyptian gender and its rendering in art.
2. The Predynastic Period.
3. The Early Dynastic Period (dyns. I-II).
4. The Old Kingdom (dyns. III-VI).
5. The Middle Kingdom (second half of dyn. XI-dyn. XII).
6. The New Kingdom (dyns. XVIII-XX).
Theoretical and Practical classes.
Group study, if it is required.
Occasional conferences.
Methodological and bibliographical orientation.The teaching methodology and the evaluation proposed in the guide may undergo some modification subject to the onsite teaching restrictions imposed by health authorities.
Annotation: Within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.
Title | Hours | ECTS | Learning Outcomes |
---|---|---|---|
Type: Directed | |||
Attendance to Theoretical and Practical classes | 45 | 1.8 | 3, 4, 2, 10, 5, 1, 7, 8, 9, 11, 6 |
Type: Supervised | |||
Methodological and bibliographical orientation | 6 | 0.24 | 3, 4, 2, 10, 5, 1, 7, 8, 9, 11, 6 |
Type: Autonomous | |||
Complementary reading | 15 | 0.6 | 3, 4, 2, 10, 5, 7, 8, 9, 11, 6 |
Personal study and preparation for exams | 80 | 3.2 |
Activity 1: Test 1 (30%)
Activity 2: Test 2 (30%)
Activity 3: Test of a basic reading about ancient egyptian art. (30%)
Activity 4: to define by teachers of the subject. (10%)
IMPORTANT: The minimum grade for activity 1 and 2 (Test 1 and 2) must be 4 to be able to make averages with the other activities or that the sum of both results in 5.
On carrying out each evaluation activity, lecturers will inform students (on Moodle) of the procedures to be followed for reviewing all grades awarded, and the date on which such a review will take place.
Students will obtain a “Not assessed/Not submitted” course grade unless they have submitted more than 30% of the assessment items.
Only the students who have not passed and have sat for the three compulsory activities have the right to a reassessment – the date is set by the Facultie’s Academic Management. The maximum mark of this reassessment is 6.
In the event of a student committing any irregularity that may lead to a significant variation in the grade awarded to an assessment activity, the student will be given a zero for this activity,regardless of any disciplinary process that may take place. In the event of several irregularities in assessment activities of the same subject, the student will be given a zero as the final grade for this subject.
In the event that tests or exams cannot be taken onsite, they will be adapted to an online format made available through the UAB’s virtual tools (original weighting will be maintained). Homework, activities and classparticipation will be carried out through forums,wikis and/or discussion on Teams, etc. Lecturers will ensurethat students are able to access these virtual tools, or will offer them feasible alternatives.
Title | Weighting | Hours | ECTS | Learning Outcomes |
---|---|---|---|---|
Activity 3 Reading and test | 30% | 1 | 0.04 | 3, 8, 9 |
Activity 4 (to define) | 10% | 1 | 0.04 | 10, 8, 11 |
Test 1 | 30% | 1 | 0.04 | 4, 5, 8, 9 |
Test 2 | 30% | 1 | 0.04 | 3, 2, 10, 1, 7, 11, 6 |
Bibliography
LLOYD, Alan (ed.), A Companion to Ancient Egypt, 2 volums, Chichester: Wiley - Blackwel, 2014 (original edition: 2010).
REDFORD, Donald (ed.), The Oxford Encyclopedia of Ancient Egypt, 3 volums, Oxford: Oxford University Press, 2001.
SCHULZ, Regina; SEIDEL, Matthias (eds.), Egipto. El mundo de los faraones. Cologne: Könemann, 2004 (original edition in german: 2004, Königswinter: Tandem).
SHAW, Ian; NICHOLSON, Paul, Diccionario Akal del antiguo Egipto. Madrid: Akal, 2004 (original edition in english: 1995, London: British Museum).
WILKINSON, Richard, Egyptology today, Cambridge: Cambridge University Press, 2008.
ALDRED, Cyril, Arte egipcio en el tiempo de los faraones 3100-320 a. de C, El mundo del arte 18, Barcelona: Destino, 1993 (original edition in english: 1980, London: Thames & Hudson).
ALEGRE GARCÍA, Susana, Arte en el antiguo Egipto. Claves para su interpretación. Cuenca: Alderabán, 2013.
DAVIS, Whitney Vivian, The Canonical Tradition in Ancient Egyptian Art, Cambridge - New York - Port Chester - Melbourne - Sydney: Cambridge University Press, 1989.
DONADONI, Sergio, El arte egipcio, Fundamentos 160, Madrid: Istmo, 2001 (original edition in italian: 1981, Torino: Unione Tipografica-Editrice Torinese).
ESTRADA LAZA, Fernando, Entender y amar el arte egipcio, Barcelona: Crítica, 2012.
FISCHER, Henry, L'écriture et l'art de l'Égypte ancienne, Paris: Presses Universitaires de France, 1986.
HARTWIG, Melinda (ed.), A Companion to Ancient Egyptian Art, Chichester: Wiley - Blackwell, 2015.
LALOUETTE, Claire, L'art figuratif dans l'Égypte pharaonique. Peintures et sculptures, Champs 326, Paris: Flammarion, 1996.
LECLANT, Jean (dir.), El mundo egipcio. Los faraones. 3 volums. Madrid: Aguilar, 1978-80 (original edition in french: 1978-80, Paris: Gallimard).
MANNICHE, Lise, El arte egipcio, Alianza forma 141, Madrid: Alianza, 1997 (original edition in french: 1994, Paris: Flammarion).
MICHALOWSKI, Kazimierz, El arte del antiguo Egipto, Madrid: Akal, 1991 (original edition in french: 1968, Paris: Éditions Lucien Mazenod).
MOLINERO POLO, Miguel Ángel; SOLA ANTEQUERA, Domingo (coords.), Arte y sociedad del Egipto antiguo. Ensayos 171. Madrid: Encuentro, 2000.
ROBINS, Gay, Proportion and Style in Ancient Egyptian Art, London: Thames & Hudson, 1994.
ROBINS, Gay, The Art of Ancient Egypt, London: British Museum, 2008 (original edition: 1997).
SCHÄFER, Heinrich, Principles of Egyptian Art, Oxford: Griffith Institute, 1986 (original edition in german: 1919, Leipzig: J. C. Hinrichs).
SMITH, William Stevenson, Arte y arquitectura del antiguo Egipto. Madrid: Cátedra, 2008 (original edition in english: 1958, Harmondsworth: Penguin Books).
VALDESOGO MARTÍN, María Rosa, El arte egipcio. Cómo interpretar y comprender la obra plástica del antiguo Egipto. Madrid: Dilema, 2011.
WILKINSON, Richard, Magia y símbolo en el arte egipcio, Alianza forma 148, Madrid: Alianza, 2003 (original edition in english: 1994, London: Thames & Hudson).
WILKINSON, Richard, Cómo leer el arte egipcio. Guía de jeroglíficos del antiguo Egipto, Barcelona: Crítica, 2004 (original edition in english: 1992, London: Thames & Hudson).
ZIEGLER, Christiane; BOVOT, Jean-Luc, Art et archéologie. l'Égypte ancienne, Paris: École du Louvre - Réunion des musées nationaux -La Documentation française, 2001.
ARNOLD, Dieter, The Encyclopedia of Ancient Egyptian Architecture, London: I. B. Tauris, 2003 (original edition in german: 1994, Zuric: Artemis & Winkler).
BAINES, John, Visual and Written Culture in Ancient Egypt. Oxford: Oxford University Press, 2007.
DAVIS, Whitney Vivian, Masking the Blow. The Scene of Representation in Late Prehistoric Egyptian Art. California Studies in the History of Art 30, Berkeley - Los Ángeles - Oxford: University of California Press, 1992.
DODSON, Aidan; IKRAM, Salima, The Tomb in Ancient Egypt. Royal and Private Sepulchres from the Early Dynastic Period to the Romans. London: Thames & Hudson, 2008.
EDWARDS, Iorwerth Eiddon Stephen, Las pirámides de Egipto, Barcelona: Crítica, 2003 (original edition in english: 1961, Harmondsworth: Penguin Books).
HAWASS, Zawi (dir.), Tesoros de las pirámides, Barcelona: Librería Universitaria, 2003 (original edition in english: 2003, Vercelli: White Star).
HAWASS, Zawi, The Lost Tombs of Thebes. London: Thames & Hudson, 2009.
HODEL-HOENES, Sigrid, Life and Death in Ancient Egypt. Scenes from Private Tombs in New Kingdom Thebes, Ithaca, N.Y.: Cornell University Press, 2000 (original edition in german:1991, Darmstadt: Wissenschaftliche Buchgesellschaft).
LEHNER, Mark, Todo sobre las pirámides, Barcelona: Destino, 2003 (original edition in english: 1997, London: Thames & Hudson).
LURSON, Benoît, Lire l'image égyptienne. Les "Salles du Trésor" du Grand Temple d'Abou Simbel, Paris: Geuthner, 2001.
MEKHITARIAN, Arpag, Egyptian Painting, Geneva: Skira, 1978 (ed. original: 1954).
REEVES, Nicholas; WILKINSON, Richard, Todo sobre el Valle de los Reyes, Barcelona: Destino, 1999 (original edition in english: 1996, London: Thames & Hudson).
RUSSMANN, Edna, Egyptian Sculpture: Cairo and Luxor. London: British Museum, 1989.
TEFNIN, Roland (ed.), La peinture égyptienne ancienne. Un monde de signes à préserver, Monumenta Aegyptiaca 7, City of Brussels: Fondation Égyptologique Reine Élisabeth, 1997.
VOLOKHINE, Youri, La frontalité dans l'iconographie de l'Égypte ancienne. Cahiers de la Société d'Égyptologie 6, Geneva: Société d'Égyptologie, 2000.
WEEKS, Kent (dir.), El Valle de los Reyes. Las tumbas y los templos funerarios de Tebas, Barcelona: Librería Universitaria, 2002 (original edition in english: 2001, Vercelli: White Star).
WILKINSON, Richard, Los templos del antiguo Egipto, Barcelona: Destino, 2002 (original edition in english: 2000, London: Thames & Hudson).
WILKINSON, Richard, Todos los dioses del antiguo Egipto, Madrid: Oberon, 2003 (original edition in english: 2003, London: Thames & Hudson).
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